?Porcelains with Cloisonne Enamel and Famille Rose Decoration 北京大羿 二〇二一 秋季拍賣會(huì)

北京大羿 二○二一 秋季拍賣會(huì) 預(yù)展及拍賣地點(diǎn)：北京大羿拍賣有限公司 ［北京市朝陽區(qū)弘燕路山水文園東園 7 號(hào)樓 A03-04］ 預(yù)展： 線上預(yù)展： 11 月 20 日 -11 月 26 日 微信小程序『羿趣』 10:00-20:00 拍賣： 11 月 27 日 星期六 13:30 傳承：中國藝術(shù)珍品 19:30 無瑕：中國瓷器珍品 時(shí)間順延 絢麗彩瓷 時(shí)間順延 龍焱 時(shí)間順延? 皇家長物：宮廷藝術(shù)珍品 BEIJING DAYI 2021 AUTUMN AUCTION BEIJING DAYI?AUCTION ［A-03, Building 7, East Yard of Shan Shui?Wen?Yuan,?Hong Yan Road, Chaoyang District, Beijing,?China］ PREVIEW: 20th-26th November 2021 10:00-20:00 PREVIEW ONLINE: WeChat Mini Program ‘YIQU’ AUCTION: Saturday, 27th November 2021 13:30 INHERITANCE: Selected Chinese Ceramics and Works of Art 19:30 FLAWLESS: Selected Chinese Ceramics and Works of Art Following Porcelains with Cloisonne Enamel and Famille Rose Decoration Following An Important Selection of Imperial Chinese Porcelains Following? The Highlights of Imperial Ceramics and Works of Art

北京大羿拍賣有限公司 BEIJING DAYI AUCTION Co., Ltd. 業(yè)務(wù)諮詢與合作洽談 請(qǐng)致電 +8610 67300330 北京市朝陽區(qū)弘燕路 山水文園東園 7 號(hào)樓 A03-04 A03-04, Building 7, East Yard of Shan Shui Wen Yuan, Hong Yan Road, Chaoyang District, Beijing, China 關(guān)注「公眾號(hào)」 添加「客服微信」 了解更多拍賣資訊 提供更多藝術(shù)服務(wù)

大羿團(tuán)隊(duì) DAYI AUCTION TEAM 業(yè)務(wù)團(tuán)隊(duì) SPECIALISTS 湯?偉健? 顧問 董?倫萍? 副總經(jīng)理 王?福有? 瓷器工藝品部主管 余?銳? 佛教藝術(shù)部主管 Tang Weijian Dong Lunping Wang Fuyou Yu Rui Consultant Vice General Manager Head of Department Head of Department Chinese Ceramics and Works of Art Buddhist Art 翟?運(yùn)程? 業(yè)務(wù)經(jīng)理 鄧?泳航? 業(yè)務(wù)經(jīng)理 王?子豪? 業(yè)務(wù)經(jīng)理 涂?麗? 業(yè)務(wù)經(jīng)理 Zhai Yuncheng Deng Yonghang Wang Zihao Tu Li Specialist Specialist Specialist Specialist Chinese Ceramics and Works of Art Chinese Ceramics and Works of Art Chinese Ceramics and Works of Art Chinese Ceramics and Works of Art ACADEMIC RESEARCH 學(xué)術(shù)部 宋?永平 / 陳?川 Song Yongping / Chen Chuan CLIENT SERVICE 客服部 張?秀婷 / 劉?念 / 楊?舒涵 Zhang Xiuting / Liu Nian / Yang Shuhan MARKETING 市場(chǎng)部 楊?曉 / 金?媛媛/劉 Yang Xiao / Jin Yuanyuan/Liu Yang FINANCIAL 財(cái)務(wù)部 李?振宇 / 羅?群 / 李?超 Li Zhenyu / Luo Qun / Li Chao ADMINISTRATION 行政部 牟?松雪 / 劉?釗 Mu Songxue / Liu Zhao WAREHOUSE 保管部 周?昕 / 房?超 / 張?毅 / 沈?淦湘 / 林?培釗 / 林?東厚 / 談?主拓 Zhou Xin / Fang Chao / Zhang Yi / Shen Ganxiang / Lin Peizhao / Lin Donghou / Tan Zhutuo www.dayiauction.com

競買須知 1.? 北京大羿拍賣有限公司舉辦的拍賣活動(dòng)均依據(jù)本圖錄中的《拍賣規(guī)則》，進(jìn)行參加拍賣活動(dòng)的相關(guān)各方必須仔 細(xì)閱讀并予以遵守。 2.? 本公司特別聲明不保證拍賣標(biāo)的的真?zhèn)巍⑵焚|(zhì)及價(jià)值，對(duì)拍賣標(biāo)的不承擔(dān)瑕疵擔(dān)保責(zé)任，競買人應(yīng)親自審看拍 賣標(biāo)的原物。如欲進(jìn)一步了解拍賣標(biāo)的狀態(tài)等相關(guān)信息，請(qǐng)向業(yè)務(wù)人員咨詢或索取資料。 3.??參加網(wǎng)絡(luò)拍賣，需要提前交納人民幣不少于 5000 元的保證金，按照 1:8 的比例使用，保證金余額不足亦可追加。 保證金可以通過大羿拍賣小程序使用微信支付，由于微信保證金各銀行轉(zhuǎn)帳有限額規(guī)定，閣下亦可通過網(wǎng)上銀 行［限中國大陸境內(nèi)銀行］轉(zhuǎn)賬至北京大羿拍賣有限公司銀行帳戶。 ?????如需更多協(xié)助，請(qǐng)致電客戶服務(wù)部電話：13681597125 4.? 如需電話委托，競買人在拍賣會(huì)開始前須持本人身份證或護(hù)照辦理相關(guān)手續(xù)，并支付保證金人民幣 20 萬元，方 能競買。建議使用現(xiàn)金、儲(chǔ)蓄卡。如閣下委托他人支付保證金或購買價(jià)款，須提供付款人身份證明［或營業(yè)執(zhí)照］ 復(fù)印件及簽字［或蓋公章］的《代付款確認(rèn)書》。 5.? 競投成功后，買受人須自拍賣成交日起三十日內(nèi)向北京大羿拍賣有限公司支付落槌價(jià)及相當(dāng)于落槌價(jià)百分之 十五的傭金及其他各項(xiàng)費(fèi)用，并領(lǐng)取拍賣標(biāo)的［包裝及搬運(yùn)費(fèi)用、運(yùn)輸保險(xiǎn)費(fèi)用］；買受人自拍賣成交日起 10 個(gè)自然日內(nèi)付清拍品款項(xiàng)的可享受傭金 9 折優(yōu)惠［即落槌價(jià) 13.5%］。競買人逾期未足額支付的，競買保證金 不予退還，同時(shí)還應(yīng)按照本公司拍賣規(guī)則規(guī)定承擔(dān)相應(yīng)責(zé)任。 6.? 本圖錄版權(quán)屬北京大羿拍賣有限公司所有。未經(jīng)本公司書面許可，不得以任何形式對(duì)本圖錄的任何部分進(jìn)行復(fù) 制或進(jìn)行其他任何形式的使用。 保稅拍品競買須知 1.?本公司圖録中拍品圖録號(hào)旁注有◎標(biāo)記之拍品為保稅拍品。保稅拍品均來自海外或港澳臺(tái)地區(qū)，處于保稅狀態(tài)下， 無法在拍賣現(xiàn)場(chǎng)提貨。當(dāng)保稅拍品被帶入中國關(guān)境時(shí)，買受人應(yīng)當(dāng)繳納進(jìn)口關(guān)稅和其他稅項(xiàng)。 2.?本公司提請(qǐng)買受人注意： ????保稅拍品的提貨地點(diǎn)在香港。買受人在按照本公司《拍賣規(guī)則》規(guī)定付清全部購買價(jià)款后，請(qǐng)前往圣軒國際物流 ??（香港）有限公司領(lǐng)取拍賣標(biāo)的，地址：香港荃灣德士古道 126-140 號(hào)德高中心 13 樓 7-8 室，咨詢電話：+852- 22041888。 3.?買受人須自行負(fù)責(zé)識(shí)別及申請(qǐng)保稅拍品進(jìn)口到中國必要的許可證，以及完成其他進(jìn)口手續(xù)。本公司對(duì)任何拍品所 作的關(guān)于進(jìn)出口限制或禁運(yùn)的提示及提供的稅費(fèi)說明僅供參考，不應(yīng)視為本公司的保證。買受人不得以未獲發(fā)任 何許可證或相關(guān)文件作為撤銷交易或要求遲延付款的理由。 4.?如您有任何有關(guān)領(lǐng)取或運(yùn)送保稅拍品的問題，請(qǐng)致電 +8610-67300330，聯(lián)系客戶服務(wù)部。應(yīng)買受人要求，本公 司可以向買受人推薦承運(yùn)人代為辦理進(jìn)口手續(xù)，但僅視為本公司對(duì)買受人提供的協(xié)助，本公司可酌情決定是否提 供此項(xiàng)協(xié)助，若由此產(chǎn)生任何費(fèi)用或發(fā)生任何損失均由買受人自行承擔(dān)。此外，本公司不就本公司推薦承運(yùn)人造 成的錯(cuò)誤、遺漏，無法協(xié)助辦理相關(guān)手續(xù)承擔(dān)任何責(zé)任。 5.?本須知與本公司《拍賣規(guī)則》具有同等效力。 *? 本場(chǎng)拍賣會(huì)??經(jīng)京文物許可 [2021]?917 號(hào)文件審核批復(fù)。

北京大羿二○二一秋季拍賣會(huì) 絢麗彩瓷 11 月 27 日? 星期六 ? 晚間時(shí)間順延? 現(xiàn)場(chǎng)拍賣 : 北京大羿拍賣有限公司 ［北京市朝陽區(qū)弘燕路山水文園東園 7 號(hào)樓 A03-04］ 視頻同步拍 : 微信小程序『羿趣』 本場(chǎng)拍品 301- 320 Beijing Dayi 2021 Autumn Auction Porcelains with Cloisonne Enamel and Famille Rose Decoration Evening Sales following, Saturday, 27th November 2021 Auction Location: BEIJING DAYI?AUCTION ［A-03, Building 7, East Yard of Shan Shui?Wen?Yuan,?Hong Yan Road, Chaoyang District, Beijing,?China］ Online Real-Time Bidding: WeChat Mini Program ‘YIQU’ Lot 301- 320 拍賣現(xiàn)場(chǎng) 電話及傳真 Client services and absentee bids during the auctions Tel & Fax: +8610 85296925 掃碼進(jìn)入 微信小程序『羿趣』 觀看線上預(yù)展 參與視頻同步拍

本專場(chǎng) 撰文：李婷婷 英文翻譯：楊曉

?? 瓷器上的紋飾是中國古代傳統(tǒng)文化的重要載體之一。明、清官窯瓷器紋樣較之民窯的嚴(yán)謹(jǐn)工整， 它們都以物言志，畫必有意，表達(dá)著帝王對(duì)世界的理解，寄托著他們對(duì)生活的企盼。因此將吉祥圖案 裝飾在瓷器上是非常流行，特別是景德鎮(zhèn)御瓷，紋樣裝飾必定樣樣如意，個(gè)個(gè)吉祥，即『圖必有意， 意必吉祥』。 ?? 清乾隆御制洋彩海晏河清圖碗造型秀美端莊，碗口外撇，深腹弧收，下承圈足。通體施白釉為地， 胎質(zhì)細(xì)膩輕盈，釉面溫潤勻凈，碗身外壁以突破傳統(tǒng)的粉彩與琺瑯彩相結(jié)合的方式描繪荷塘杏林雙燕 圖，洞石蒼雅高聳，其后一株杏樹延展圍繞于碗周，杏花素雅綻放，粉黃相間，枝葉繁茂舒展，深淺相疊； 旁有荷塘，水波幽幽，蓮花高潔，妍麗芬芳，似與杏花競相爭春，各見綽致，空中兩只春燕嬉戲飛舞， 御風(fēng)悠然，一只展翅向前，一只回眸等候，似有兩情相悅之感，有預(yù)示繁榮、時(shí)來好運(yùn)之吉祥寓意。 ?? 清乾隆粉彩開光菊花紋雙螭龍耳壁瓶一側(cè)平面，撇口束頸，頸部兩側(cè)以粉彩雙夔龍耳飾之，肩部 作臺(tái)階狀，腹部近底稍斂，下承外撇圈足，線條婉轉(zhuǎn)，胎釉精良。瓶身兩面以白釉為地，口部至肩部 自上而下分飾卷草紋、如意云紋、纏枝西番蓮紋、纏枝花卉紋。腹部開光內(nèi)飾數(shù)朵菊花爭艷，周圍以 描金邊框裝飾，開光外繪纏枝蓮紋。脛部及圈足描繪蕉葉紋及卷草紋。全器設(shè)色妍麗雅致，口沿、足 底邊及各部位轉(zhuǎn)折處均描金邊，極盡精致華麗。值得一提的是，上下兩處卷草紋所用藍(lán)料以玻璃白打 底，其中藍(lán)料非常罕見，或?yàn)檫M(jìn)口琺瑯料?？趦?nèi)及圈足內(nèi)施松石綠釉，底書礬紅彩『乾隆年制』四字 篆書單行款。背面點(diǎn)綴紅彩梅花朵朵，以掩飾支釘痕跡。拍品造型優(yōu)美，畫面筆觸纖細(xì)工整，紋飾優(yōu) 美華貴，意境典雅而不流俗，繁花盛開的娟秀與雍容濃郁的宮廷氣息相結(jié)合，令人愛不釋手。 ?? 清乾隆粉彩描金荷塘鷺鷥圖小尊體量頗為精巧，可愛雋秀，十分罕見。小尊喇叭狀口，鼓腹?jié)u斂， 下承小圈足，足內(nèi)施松石綠釉，中央留白，署礬紅彩『大清乾隆年制』六字三行篆書雙框款，款識(shí)形 式新穎少見。器內(nèi)壁滿施松石綠釉。腹壁瑩潔的白釉地上以粉彩描繪通景的荷塘白鷺圖。池水中，嫩 綠的葉柄、花梗從水中升起，托起碩大的荷葉、鮮艷欲滴的荷花與飽滿多子的蓮蓬，搖曳生姿。其間 點(diǎn)綴四只形態(tài)各異的白鷺，羽翼豐滿而潔白，姿態(tài)悠然自得，輕逸出塵。整幅畫面，呈現(xiàn)出一派自然 恬靜的夏日荷塘美景。 ?? 清乾隆粉彩七月葵花圖蓋碗為乾隆朝粉彩茶器之珍貴雋品，精巧別致，碗敞口，深弧腹，拱形蓋 頂設(shè)圓鈕，扣合于茶盅之內(nèi)。瓷胎細(xì)密，白釉瑩潤通透，碗身及蓋面皆以粉彩繪七月葵花洞石圖，黃 蜀葵嬌艷盛開，圃簇似錦，大花黃粉相間，小朵粉麗柔嫩，含苞欲放，競相爭艷，搖曳生姿。洞石旁 紅葉依附，點(diǎn)睛奪目，一派春光明媚之景。 ?? 清嘉慶粉彩描金福壽連年圖壺壺形飽滿如蓮子，直口，溜肩圓腹，短曲流，弓形把，拱形蓋頂置 寶珠鈕，鈕以礬紅金彩繪以花蕊、蓮瓣，配之造型好似蓮花躍于水面。壺身口沿礬紅地描金卷草紋一周， 器身及蓋面白釉上以粉彩滿繪纏枝蓮紋飾，腹部間有紅蝠衘以萬壽符，花朵柔媚，枝葉繁茂，紅蝠展 翅，萬字回旋，有福壽雙全，如意延年之吉祥寓意，足脛處一周仰蓮紋樣，底部松石綠釉上礬紅書『大 清嘉慶年制』六字篆書款。全器婉約雅致，粉彩柔美嬌艷，紋飾繁縟華美，布局井然有序，極盡御窯 瓷繪之能事，實(shí)乃皇家御用器之奢華風(fēng)貌，碧色瀲滟，光彩熠熠，甚是精妙，誠為稀珍，當(dāng)為嘉慶官 窯之精美茶器也。 ?? 清道光粉彩杏林春燕圖長頸瓶挺拔秀美，英姿綽約，撇口，長束頸，圓鼓腹，下承圈足。胎體白凈， 釉面潤潔。外壁器身以粉彩通景描繪杏林春燕圖，一棵杏樹蜿蜒參天，枝干遒勁，杏花或含苞待放， 或怒放爭艷，花色粉調(diào)清秀，濃淡相間，一色千里，花團(tuán)錦簇。其旁天竹、石榴婀娜多姿，湖石嶙峋， 如奇峰險(xiǎn)峻。上方侶燕雙飛，一俯一仰，追逐嬉戲，生機(jī)勃勃。口沿與脛部各施金彩一周，平添富麗之氣。 ■ 大羿拍賣研究部

清道光 黃地洋彩洋花內(nèi)五福紋宮碗 此品種碗按尺寸可分大小兩種，大者口徑 18 公分左右，外壁繪花卉六朵；小者口徑 15 公分左右， 外壁繪花卉四朵，拍品即為后者。于清宮《活計(jì)檔》中分別稱為『大五蝠琺瑯磁碗』和『五蝠 琺瑯小磁碗』，最早于乾隆二年開始燒造。 道光元年十二月《御膳房銅磁琺瑯等樣器皿底檔》中記錄：『……收得九江新到道光欵：…… 大五?，m瑯磁盌貳拾件、五?，m瑯小磁盌叁拾件……?！?；及道光十三年七月《御膳房銅磁琺 瑯等樣器皿底檔》：『……道光欵：大五?，m瑯磁盌貳拾件、小五?，m瑯磁盌叁拾件……』。 或?yàn)榕钠吠惼髦沤P(guān)進(jìn)貢及清宮貯藏記錄。另從相關(guān)檔案資料可知，道光時(shí)期此式『五福 琺瑯碗』應(yīng)屬傳辦瓷器，等級(jí)頗高，為專供『御茶膳房』使用。從當(dāng)時(shí)貯存與存放數(shù)量上來看， 『五?，m瑯碗』于清宮收藏中也屬數(shù)量稀少之品種，猶顯珍惜。 小碗敞口弧腹，下承圈足。外壁以黃釉為地，色澤靚麗晶瑩，嬌艷欲滴。其上以洋彩繪飾石竹、忘憂、 蓮花、蜀葵四種纏枝花卉，花葉卷曲繁縟，花間枝頭點(diǎn)綴含苞欲放的小花及花蕾。構(gòu)圖繁縟華麗， 畫工復(fù)雜而不失嚴(yán)謹(jǐn)之態(tài)，雍榮華貴，氣度不凡。內(nèi)壁施白釉，碗心繪五只飛舞的礬紅彩蝙蝠， 諧音五福，寓意洪福齊天。底心青花書『大清道光年制』六字篆書款。 拍品繪畫風(fēng)格、施彩、構(gòu)圖技法等皆源于西洋藝術(shù)，巧妙運(yùn)用西方繪畫中的明暗法，以亮點(diǎn)并 調(diào)合白彩繪花瓣、葉片之亮處，有明顯的琺瑯彩效果，體現(xiàn)出歐洲巴洛克裝飾風(fēng)格對(duì)中國美學(xué) 的影響。法國盧浮宮藏有一幅《美麗的花瓶》亦稱《水晶花瓶里的鮮花》，從中即可見本器裝 飾之花卉樣貌，其上多種花朵均可從中此畫中對(duì)應(yīng)而出，色彩濃烈鮮明，罩施釉層厚重，有油 畫顏料高純度之厚涂效果，花瓣及藤蔓之上刻意留白，顏色深淺過渡自然，頗有西畫中所追求 的明暗光影之感，極富微妙絢麗的層次肌理變化。 此類道光黃地洋彩洋花碗于全球各大館藏中數(shù)量相對(duì)較少，且多以大尺寸居多，如拍品之小尺 寸碗珍罕難得。相同者參考水松石山房莫士揮［Hugh Moss］藏清道光黃地洋彩洋花五蝠紋小碗， 錄于《御制》，香港，1976 年，圖 8. 及香港佳士得 2010 年秋拍，編號(hào) 2982 清道光洋彩黃地洋 花宮碗一對(duì)，曾屬十九世紀(jì)英國富豪阿爾弗雷特·莫里森［Alfred Morrison］的放山居［Fonthill House］舊藏，當(dāng)時(shí)成交價(jià)為 662 萬港幣，可為之參照。 參閱： 莫士揮《御制》，香港，1976 年，圖 8 香港佳士得，2010 年 12 月 1 日，編號(hào) 2982

Daoguang Period, Qing Dynasty A FINE AND RARE YELLOW GROUND AND ENAMELLED 'FLOWER' IMPERIAL BOWL The bowls in this pattern were built with two sizes. The larger size has a diameter of about 18 cm., and six flowers are painted on the exterior of the body; The smaller one has a diameter of about 15 cm., with a pattern of four flowers. The present bowl is in the second size. It raised on a rounded foot, inscribed with a six-character reign mark. According to the records, they were called 'large enamelled bat bowl' and 'small enamelled bat bowl', which produced from the 2nd year of Qianlong period, Qing dynasty. Searching from the relevant archives, it can be found that this type of 'bat enamelled bowl' should be a high- grade porcelain in the Daoguang period, which is specially used for 'imperial tea dining room'. From the storage quantity at that time, 'bat enamelled bowl' was extremely rare, even in the collection of Qing palace, which was still cherished. Delicately potted with deep rounded sides resting on a short straight foot, finely painted with yellow ground in bright tones, painted with flowers. The base inscribed with a six-character reign mark in blue glaze. The painting style and composition techniques of the present bowl are all derived from western art. They skillfully use the light and shade method in Western painting to highlight and blend the brightness of white color painted petals and leaves, which was highly influenced by European Baroque decorative style. The bowls in this shape are relatively rare in majority of collections allover world, and most of them are built with large size. Compare with a yellow ground and enamelled bowl of Daoguang period, which holds by Hugh Moss, illustrated in By Imperial command, Hong Kong, 1976, pl.8. Other bowl in similar patterns was sold in Christie's Hong Kong, 1st December 2010, Lot.2982, was collected by the Fonthill House, coudle be comparable. LITERATURE: Hugh Moss, By Imperial command, Hong Kong, 1976, pl.8 Christie's Hong Kong, 1st December 2010, Lot.2982

301［四面紋飾圖］

301 清道光? 黃地洋彩洋花內(nèi)五福紋宮碗 款識(shí)：『大清道光年制』六字三行篆書款 口徑：十四·八? 厘米 A FINE AND RARE YELLOW GROUND AND ENAMELLED 'FLOWER' IMPERIAL BOWL Qing Dynasty, Daoguang Six Character Seal Mark and of the Period 14.8 cm. diam. RMB: 150,000-250,000 301［款識(shí)］ 301 參閱圖：道光元年十二月《御膳房銅磁琺瑯等樣器皿底檔》中相關(guān)記錄 道光十三年七月《御膳房銅磁琺瑯等樣器皿底檔》中相關(guān)記錄 301 參閱圖：法國盧浮宮藏《水晶花瓶里的鮮花》

301［俯視圖］ 301

清道光 黃地粉彩描金開光花卉暗八仙紋小碗 拍品為清代宮廷年節(jié)用碗，與故宮博物院清宮舊藏清道光黃地粉彩描金開光花卉暗八仙紋碗相同［參 見于《故宮博物院藏慎德堂款瓷器》，故宮出版社，2014 年，頁 172］，故宮統(tǒng)計(jì)此式樣碗僅見三件， 碟、盤八件，晚清時(shí)大部分置于誠肅殿，由此可知拍品之稀珍可貴，傳世不可多得。 小碗造型典雅周正，撇口弧腹，下承圈足，小器大樣，把手可玩。外壁以檸檬黃彩為地，四處圓形 描金開光，內(nèi)以粉彩繪靈芝、水仙、天竺等洞石花卉，有靈仙祝壽、玉堂富貴之祥瑞寓意，開光外 繪纏枝寶相花及西番蓮紋樣，間飾暗八仙圖案。圈足內(nèi)以礬紅彩書“慎德堂制”四雙行楷書款。此 器工藝考究卓著，施彩絢麗富貴，裝飾華美非凡，為清代道光官窯上乘至精之作。 《清檔》中對(duì)『慎德堂』瓷器的款識(shí)，有如下記載：『道光十四年二月二十二日，主事那隆阿首領(lǐng) 武進(jìn)忠來說，太監(jiān)沈魁傳?：十四年年貢起九江呈進(jìn)瓷器欵慎德堂製要紅字，欽此。』由此可知， 慎德堂瓷器的款識(shí)，之所以都是礬紅彩楷書，是由于道光皇帝的御旨所致。出于皇帝對(duì)于慎德堂的 偏愛，在慎德堂陳設(shè)、使用的許多日常用品上，均會(huì)鐫刻由道光皇帝親筆御書的『慎德堂制』、『慎 德堂御用』等款識(shí)。翻閱現(xiàn)存著錄可知北京故宮博物院共藏有慎德堂器皿 357 件，而現(xiàn)留存下來清 宮舊藏署『慎德堂制』款瓷器 298 件，拍品即為慎德堂款瓷器，傳世難得，稱為可貴。 參閱： 《故宮博物院藏慎德堂款瓷器》，故宮出版社，2014 年，頁 172。

Daoguang Period, Qing Dynasty AN EXQUISITE SMALL YELLOW GROUND AND FAMILLE ROSE GILTED AND INCISED 'EMBLEMS' BOWL The present bowl was made for the festival uses in the Qing Palace, which is the same with the yellow ground and famille rose 'emblems' bowl in the Beijing Palace Museum, illustrated in Porcelains with Inscription of Shendetang Collected by the Palace Museum, Beijing, 2014, p.172. The bowls in this type are extremely rare, there were only 3 examples in the Palace Museum, Beijing, as well as 8 dishes. The most of them were placed in Chengsu Palace in the late Qing dynasty. It shows how rare this bowl is. The shape of this small bowl is elegant and regular, delicately potted with everted sides, a flared rim, supported by a tapering foot. The exterior of the bowl covered with lemon-yellow ground, decorated with lucid ganoderma, narcissus, shows the meaning of fortune, longevity within four rounded sides. The foot inscribed with a four-character iron red 'shendetang' mark. With exquisite workmanship, gorgeous colors, wealth and extraordinary decoration, this ware is the representative work of Daoguang official kiln in the Qing Dynasty. These porcelains are regularly scripted with iron red glazed mark is due to the imperial decree of Emperor Daoguang. Because of the emperor's preference for Shendetang, many articles for daily uses in Shendetang will be engraved with 'Shendetang' and 'Shendetang imperial use' marks, which written by the Emperor Daoguang. Searching through the existing records, it can be seen that there are 357 shendetang utensils in the Palace Museum in Beijing, and now there are 298 pieces of the porcelains with 'shendetang' mark in the collection of the Qing palace. The present bowl is extremely rare and valuable. LITERATURE: Porcelains with Inscription of Shendetang Collected by the Palace Museum, Beijing, 2014, p.172

302［四面紋飾圖］

302 清道光? 黃地粉彩描金開光花卉暗八仙紋小碗 款識(shí)：『慎德堂制』四字二行楷書款 口徑：十一·二? 厘米 AN EXQUISITE SMALL YELLOW GROUND AND FAMILLE ROSE GILTED AND INCISED 'EMBLEMS' BOWL Qing Dynasty, ‘Made of Shendetang‘ Four Character Mark, Daoguang Period 11.2 cm. diam. RMB: 120,000-150,000 302［款識(shí)］ 302 參閱圖： 故宮博物院清宮舊藏， 清道光『黃地粉彩描金開光花卉暗八仙紋碗』

302

清道光 粉彩開光五谷豐登紋碗 拍品與故宮博物院清宮舊藏清道光粉彩開光博古纏枝蓮紋碗紋飾、款識(shí)等相同［參見于《故宮博物 院藏慎德堂款瓷器》，故宮出版社，2014 年，頁 56-59，圖 7］。道光三年十二月二十二日九江關(guān) 監(jiān)督費(fèi)覆升于《貢檔進(jìn)單》中記載：『［臣］費(fèi)覆升跪進(jìn)：……［上留］五穀豐登五彩大盌二十件、 ［上留］五穀豐登五彩中盌二十件、［上留］五穀豐登五彩飯盌二十件、［上留］五穀豐登五彩湯 盌二十件?！辉谥蟮拦獬沤P(guān)進(jìn)貢檔案中可知，此紋樣碗均在年末進(jìn)貢，且品種數(shù)量不變，可 知其具有鮮明的年節(jié)喜慶色彩，充分表現(xiàn)出皇帝對(duì)來年天下五谷豐登、吉慶有余之吉祥祝愿。本品 應(yīng)為其中大碗一式，傳世難得可貴。 拍品為清代傳統(tǒng)宮碗式樣，敞口深腹，形制周正規(guī)范。器壁內(nèi)外皆施白釉為地，口沿描金一周，外 壁金彩對(duì)稱繪四組圓形開光，內(nèi)以粉彩繪博古圖，寓意『五谷豐登』、『太平有象』、『吉慶有余』、 『四季平安』等。圖案分布對(duì)稱，畫意精巧，意境高雅。開光外以粉彩滿飾纏枝花卉紋樣，花葉茂盛， 藤蔓相連。全器構(gòu)圖細(xì)膩繁密，設(shè)色富貴華麗，裝飾效果強(qiáng)烈，為典型的清宮皇家節(jié)慶用器，殊為可貴。 足內(nèi)礬紅彩書『慎德堂制』四字楷書款，字體雋秀，筆法順暢，官款之式。 慎德堂是圓明園九州島清晏建筑群中的一處堂名，于道光十一年建成，三卷式建筑。建成之際，道 光皇帝創(chuàng)作《慎德堂記》，表達(dá)了其節(jié)儉、修身、圖治的執(zhí)政方針理念，以『慎德堂』為題目，可 見道光皇帝對(duì)慎德堂的重視程度。陳瀏于《陶雅》一書中稱：『慎德堂為道光窯中無上上品，足以 媲美雍正，質(zhì)地之白，彩畫之精正在伯仲之間?！挥纱丝梢娚鞯绿每畲善鞔砹说拦夤俑G的最高水平， 質(zhì)量精于普通大運(yùn)官器，應(yīng)為道光皇帝御用之器。 參閱： 《故宮博物院藏慎德堂款瓷器》，故宮出版社，2014 年，頁 56-59，圖 7。

Daoguang Period, Qing Dynasty AN EXQUISITE AND RARE FAMILLE ROSE 'ANTIQUE AND LOTUS' BOWL Compare with a comparable famille rose 'antique and lotus' bowl in Beijing Palace Museum, which illustrated in Porcelains with Inscription of Shendetang Collected by the Palace Museum, 2014, p.56-59, pls.7. From the records of Daoguang period, it can be seen that the bowls with pattern were paid as tribute at the end of every year, and the number and the varieties remained unchanged. It can be seen that it fully shows the emperor's auspicious wishes for bumper grain and more than auspicious celebrations in the world for the coming year. This product should be one of the large bowls, which is rare and valuable. This bowl is built in a traditional shape of the Qing dynasty, rounded sides covered with white glaze, the mouth rim is gilted, and the exterior is finely decorated with a painting of antiques, which shows the meaning of peace and auspicious celebrations. The painting pattern is in symmetrical distribution, exquisite and elegant. The exterior is also decorated with flowers in famille rose glaze, With exquisite and dense composition, rich and gorgeous colors and strong decorative effect, it is highly typical for the uses of royal festivals in the Qing palace, which is very valuable. The four character mark of 'shendetang' in the iron red glaze within the foot rim, the handwriting is smooth and typical. Shendetang is the name of one of the buildings on Kyushu Island in the Summer Palace. It was built in the 11st year of Daoguang. When the building was completed, Emperor Daoguang created the record of Shendetang, which expressed his ruling policy of thrift, self-cultivation and governance, which shows how seriously the emperor built the hall. It can be seen that shendetang porcelain represents the highest level of Daoguang porcelains. Its quality is better than that of ordinary official wares. It should be exclusively used by Emperor Daoguang himself. LITERATURE: Porcelains with Inscription of Shendetang Collected by the Palace Museum, Beijing, 2014, p.56-59, pl.7

303［四面紋飾圖］

303 清道光? 粉彩開光五谷豐登紋碗 款識(shí)：『慎德堂制』四字二行楷書款 口徑：十七? 厘米 記錄： 紐約佳士得，1994 年 12 月 2 日，編號(hào) 460 ［其中之一］ AN EXQUISITE AND RARE FAMILLE ROSE 'ANTIQUE AND LOTUS' BOWL Qing Dynasty, ‘Made of Shendetang‘ Four Character Mark, Daoguang Period 17 cm. diam. PROVENANCE: Christie's New York, 2nd December 1994, Lot 460 ［One of two］ RMB: 120,000-150,000 303［款識(shí)］ 303 參閱圖：道光三年十二月二十二日九江關(guān)監(jiān)督 ?費(fèi)覆升《貢檔進(jìn)單》中相關(guān)記錄 303 參閱圖： 故宮博物院清宮舊藏，清道光『粉彩開光博古纏枝蓮紋碗』

303

清乾隆 粉彩過枝癩瓜紋碗 拍品為清代宮廷之名貴品類，故宮博物院現(xiàn)存一百零九張瓷器畫樣中，即有此一品種［參見《官 樣御瓷：故宮博物院藏清代制瓷官樣與御窯瓷器》，頁 134，圖 26］。南京博物院藏清乾隆粉彩過 枝癩瓜紋碗與本品相同，大維德爵士舊藏中亦有與此相近之碗，現(xiàn)存?zhèn)惗卮笥⒉┪镳^，館藏編號(hào) PDF.897;PDF.898。另外英國維多利亞及埃爾伯特博物館、巴黎吉美博物館均藏有相似之器，可為之 參照比較。 粉彩過枝癩瓜圖碗創(chuàng)燒于清乾隆時(shí)期，乃乾隆御用茶具之典雅茗器，后世嘉慶、道光、光緒歷朝均 有沿襲燒造，且各具時(shí)代特色，是為清代官窯經(jīng)典制式。本品端正秀美，敞口微撇，弧腹下收，下 承圈足。器身滿施白釉為地，其上以粉彩繪過枝癩瓜圖，其間數(shù)朵清雅黃花，癩瓜飽滿開裂，瓜瓤 垂而外流，蝶舞翩翩，相伴其中，更添靈動(dòng)。翠竹、瓜蔓以青綠兩色繪就，以示陰陽反側(cè)，竹枝纖 長挺拔，瓜藤纏繞婉轉(zhuǎn)，由碗外壁攀爬過枝延伸至碗內(nèi)，設(shè)計(jì)構(gòu)思巧妙精致，器底落『大清乾隆年制』 六字篆書款。癩瓜又稱癩葡萄，其籽多而飽滿，有瓜瓞綿綿、富貴多子之美好寓意，清代常作為吉 祥紋飾使用。民國許之衡于《飲流齋說瓷》中贊其：『過枝花杯、碗雅稱雋品，至道光時(shí)，盛行過 枝癩瓜及過枝葡萄，癩瓜牽藤，間夾翠竹，繁麗中殊有玲瓏剔透之致，較勝于尋常繪花卉者?！? 參閱： 《官樣御瓷—故宮博物院藏清代制瓷官樣與御窯瓷器》，紫禁城出版社，2007 年，頁 134，圖 26 《宮廷珍藏：中國清代官窯瓷器》，南京博物院、上海文化出版社，2003 年，頁 218 《東洋陶瓷大觀·卷 7·法國吉美亞洲藝術(shù)博物館》，東京，1981 年，圖版 91

Qianlong Period, Qing Dynasty AN EXQUISITE AND RARE FAMILLE ROSE 'MELON' BOWL The shape of present bowl is extremely precious, which can be seen in the 109 porcelain patterns of Beijing Palace Museum, illustrated in Porcelain of The Palace Museum, Ceramics of Qing Dynasty, Beijing, 2007, p.134, pl.26. There is a same example which collected in Nanjing Palace Museum, another similar example can be found in Sir.David's collections, which in the British Museum, No.PDF.897, PDF.898. Compare with several similar bowls collected by the V&A Museum in the UK, Gemi Museum in Paris. The bowls with famille rose patterns were created from the qianlong period, which is quite exquisite and elegant, and exclusively for the imperial uses, and inherited by the imperial kilns of jiaqing, daoguang, and guangxu periods. Moreover, the bowls were built with distinguishing features, became a classical shape of the imperial porcelains of Qing dynasty. The present bowl finely potted with elegant shape, with deep rounded sides resting on a short straight foot, finely painted in bright tones of famille rose, with melons, leaves, and flowers. The painting extending around the exterior of the body, and over the edge onto the interior, the design is exquisite. The base is inscribed with a six-character reign seal mark. LITERATURE: Porcelain of The Palace Museum, Ceramics of Qing Dynasty, Beijing, 2007, p.134, pl.26 Treasures in the Royalty, the Official Kiln Porcelain of the Chinese Qing Dynasty, Shanghai, 2003, p.218 Oriental Ceramics,The World Great Collections, vol.7, Musee Guimet, Japan, 1981, pl.91

304［多面紋飾圖］

304 清乾隆? 粉彩過枝癩瓜紋碗 款識(shí)：『大清乾隆年制』六字三行篆書款 口徑：十·九? 厘米 記錄：香港蘇富比，2011 年 10 月 5 日，編號(hào) 2072 AN EXQUISITE AND RARE FAMILLE ROSE 'MELON' BOWL Qing Dynasty, Qianlong Six Character Seal Mark and of the Period 10.9 cm. diam. PROVENANCE: Sotheby's Hong Kong, 5th October 2011, Lot 2072 RMB: 200,000-300,000 304［款識(shí)］ 304 參閱圖：故宮博物院藏粉地瓜瓞綿綿碗平面圖樣 304 參閱圖： 南京博物院藏 , 清乾隆『粉彩癩瓜碗』 《中國清代官窯瓷器》頁 218

304［俯視圖］ 304

清乾隆 珊瑚紅留白秀竹紋碗 拍品為清代官窯傳統(tǒng)品種中風(fēng)格尤為獨(dú)特的器類，于《清檔》中被稱之為『洋彩白竹礬紅碗』或『紅 地白竹茶碗?！磺∪晡逶鲁跞湛偣軆?nèi)務(wù)府大臣三和、高恒于《奏折》中稱：『具奏，奉旨： 「應(yīng)偹呈覽者俱偹呈覽，偹賞磁器亦偹呈覽，其余知道了，欽此」?！∧昕顖A器內(nèi)選出……：…… 洋彩白竹礬紅碗三十件……』，或?yàn)榕钠分鍖m貯藏記錄。 法 國 吉 美 博 物 館 與 英 國 維 多 利 亞 和 阿 爾 伯 特 博 物 館 等 均 藏 有 與 拍 品 品 種 相 同 之 器［ 參 見《La Ceramique Chinoise Ancienne》，2015 年 , 頁 224； 及《Chinese Ceramics, Porcelain of the Qing Dynasty 1644-1911》，英國維多利亞和阿爾伯特博物館，1998 年，編號(hào) 18］ 拍品碗形秀雅，胎釉俱佳。碗心素白，外壁以珊瑚紅留白技法描繪雪竹挺立，竹葉舒展，錯(cuò)落有致， 層次分明。所施紅彩艷麗，更襯白釉純凈，竹葉本為清雅之物，不適宜用紅色來表現(xiàn)，但此器卻顛 覆傳統(tǒng)做法，并周到地考慮到紋樣的特性，以白色為葉，礬紅襯托，紅白各司其職，又相互映襯， 既不擾清雅，又奪人眼球，清新脫俗，獨(dú)具藝術(shù)感染力，堪為大雅之藏 . 參閱： 《La Ceramique Chinoise Ancienne》，巴黎，2015 年，頁 224 《Chinese Ceramics, Porcelain of the Qing Dynasty 1644-1911》，英國維多利亞和阿爾伯特博物館，1998 年，編號(hào) 18

Qianlong Period, Qing Dynasty AN EXCEPTIONALLY RARE AND MAGNIFICENT CORAL-RED GLAZED 'BAMBOO' BOWL The present bowl is finely potted with an unique style among the traditional varieties of official kilns in the Qing Dynasty. According the archives of Qing Dynasty, there could be seen as 'enamelled iron red glazed bowl' or 'red ground and white glazed tea cup' . Sanhe and Gao Heng, who were in charge of the interior government, said in the memorial on May 3, the 33rd year of Qianlong that with the help of the instrumen, 30 enamelled iron red glazed bowls were selected... which was the storage record of this kind of porcelains in the Qing Palace. There were comparable bowls which collected by the Gemi Museum in France and the Victoria and Albert museums in the United Kingdom, illustrated in la Ceramique chinoise ancienne, 2015, p.224; and Chinese ceramics, porcelain of the Qing Dynasty 1644-1911, Victoria and Albert Museum in the United Kingdom, 1998, No. 18. The present bowl is finely potted in an elegant shape and covered with excellent glaze. The interior of the bowl covered with plain white glaze and the outside is painted with coral red glaze. The applied red color is gorgeous, which is more pure against the white glaze. The bamboo leaves are originally elegant and not suitable to be expressed in red. However, this ware subverts the traditional practice, and considerately considers the characteristics of the pattern, with white as the leaves and alum red as the background Red and white perform their respective duties and set off each other. They have unique artistic appeal, and can be regarded as the collection of great elegance. LITERATURE: La Ceramique Chinoise Ancienne, Paris, 2015, p.224 Rose Kerr, Chinese Ceramics, Porcelain of the Qing Dynasty, 1644-1911,V&A, 1998, No.18

305［多面紋飾圖］

305 清乾隆? 珊瑚紅留白秀竹紋碗 款識(shí)：『大清乾隆年制』六字三行篆書款 口徑：十·九? 厘米 AN EXCEPTIONALLY RARE AND MAGNIFICENT CORAL-RED GLAZED 'BAMBOO' BOWL Qing Dynasty, Qianlong Six Character Seal Mark and of the Period 10.9 cm. diam. RMB: 150,000-250,000 305［款識(shí)］ 305 參閱圖：乾隆三十三年五月初三日總管內(nèi)務(wù)府大臣三和、高恒《奏折》中相關(guān)內(nèi)容 305 參閱圖： 英國維多利亞和阿爾伯特博物館藏 清乾隆『珊瑚紅留白竹紋碗』

305

清乾隆? 松石綠地粉彩描金纏枝蓮紋花口蓋盒 拍品形制、裝飾風(fēng)格與故宮博物院藏清乾隆綠地粉彩勾蓮紋蓋盒相似，故宮博物院現(xiàn)存一百零九張 瓷器畫樣中，即見有此式花口蓋盒［參見《官樣御瓷：故宮博物院藏清代制瓷官樣與御窯瓷器》， 頁 280-281，圖 80］，圖樣規(guī)范，可知本器為清代乾隆時(shí)期之御窯官作，其上紋飾均以金彩勾勒， 盡顯皇家富貴之氣。臺(tái)北故宮博物院藏清乾隆磁胎洋彩錦上添花蓋盒亦于器型及風(fēng)格上與之相近［參 見《華麗彩瓷—乾隆洋彩》，頁 80-81，圖 17］，可參照比較。 乾隆時(shí)期廣納御窯廠之能工巧匠，御窯瓷藝集歷代名窯良器之精萃，制器勇于創(chuàng)新，雍容華麗，誠 如寂園叟在《陶雅》中所說：『至乾隆，則華縟極矣，精巧之致，幾于鬼斧神工?！槐酒骷礊橐焕? 典型的清乾隆之官窯佳作，蓋盒優(yōu)美大方，生動(dòng)別致，花口折沿，直腹平底子母口，圓鼓蓋，寶珠鈕。 通體盡施松石綠釉為地，均勻恬靜，淡雅清新，其上以粉彩為飾，口沿正面繪纏枝蓮間以壽桃托紅 蝠紋樣，背面亦飾纏枝蓮花一周，腹外壁及蓋面皆滿繪纏枝番蓮紋樣，蓋面寶珠鈕滿施金彩，周圍 一周如意云紋，蓋面與口沿及器身紋飾均可相扣對(duì)應(yīng)，別有意趣，整器造型飽滿圓潤，制作規(guī)整細(xì)膩， 紋飾華美非凡，寓意為福壽長久，連綿不斷，既俱西洋審美意趣，又有濃郁的皇家宮廷氣息，傳世 不為多見，識(shí)者當(dāng)寶。 參閱： 《官樣御瓷：故宮博物院清代制瓷官樣與御窯瓷器》，紫禁城出版社，2007 年，頁 280-281，圖 80 《華麗彩瓷—乾隆洋彩》，臺(tái)北故宮博物院，2008 年，頁 80-81，圖 17

Qianlong Period, Qing Dynasty A FINE TURQUIOSE GLAZED AND FAMILLE ROSE GILTED 'LOTUS' COVERED BOX There is a green ground and famille rose 'lotus' covered box which holds by the Beijing Palace Museum, which built in similar shape and style.The design of this covered box can be found in the porcelain patterns of Beijing Palace Museum, illustrated in Porcelain of The Palace Museum, Ceramics of Qing Dynasty, Beijing, 2007, p.280-281, pl.80. From the records, it can be known as an imperial product from official kilns in Qianlong period. The box is decorated with gold color glaze, shows the style of Qing courts. There is another example of an enamelled covered box with similar shape, which holds in the Taipei Palace Museum, illustrated in Stunning Decorative Porcelains from the Ch'ien-lung Reign, it can be comparable. This ware is a typical masterpiece of the official kiln of Qianlong of the Qing Dynasty. The covered box is built in beautiful, generous and vivid style, covered with turquoise glaze with pearl-shaped knob. One side of the body painted with lotus and peaches, the knob fully covered with gold color glaze, rounded by the ruyi- pattern. The decorative patterns are gorgeous and extraordinary, implying a long and continuous blessing and the meaning of longevity. It would be a perfect combination of western aesthetic and the flavor of the royal court. They are rare in history, and those who know them should be treasures. LITERATURE: Porcelain of The Palace Museum, Ceramics of Qing Dynasty, Beijing, 2007, p.280-281, pl.80 Stunning Decorative Porcelains from the Ch'ien-lung Reign,Taipei, 2008, p.80-81, pl.17

306 清乾隆? 松石綠地粉彩描金纏枝蓮紋花口蓋盒 口徑：十五? 厘米 記錄：倫敦佳士得，2015 年 11 月 11 日，編號(hào) 769 A FINE TURQUIOSE GLAZED AND FAMILLE ROSE GILTED 'LOTUS' COVERED BOX Qing Dynasty, Qianlong Period 15 cm. diam. PROVENANCE: Christie's London, 11st November 2015, Lot 769 RMB: 200,000-300,000 306 參閱圖： 306 參閱圖： 臺(tái)北故宮博物院藏， 北京故宮博物院藏， 清乾隆『磁胎洋彩錦上添花蓋盒』 清乾隆『松石綠地粉彩描金纏枝蓮紋花扣蓋盒』 306 參閱圖： 故宮博物院藏，五彩瓷啖盒圖樣 306［底部圖］

306

清嘉慶? 粉彩描金福壽連年圖茶壺 清宮品茗風(fēng)尚由來已久，嘉慶皇帝曾賦詩『一甌清興足，春盎避清寒』詠茶，御用茶具用器亦承襲 歷朝精粹，嘉慶時(shí)期裝飾風(fēng)格承前朝審美，同樣可見乾隆器之富麗堂皇、典雅華美之風(fēng)貌。臺(tái)北故 宮博物院藏有一件乾隆時(shí)期藍(lán)地粉彩福壽連年圖茶壺，與拍品氣韻及裝飾風(fēng)格相近［參見《也可以 清心 - 茶器·茶事·茶畫》，頁 158，圖 136］。 壺形飽滿如蓮子，直口，溜肩圓腹，短曲流，弓形把，拱形蓋頂置寶珠鈕，鈕以礬紅金彩繪以花蕊、 蓮瓣，配之造型好似蓮花躍于水面。壺身口沿礬紅地描金卷草紋一周，器身及蓋面白釉上以粉彩滿 繪纏枝蓮紋飾，腹部間有紅蝠衘以萬壽符，花朵柔媚，枝葉繁茂，紅蝠展翅，萬字回旋，有福壽雙全， 如意延年之吉祥寓意，足脛處一周仰蓮紋樣，底部松石綠釉上礬紅書『大清嘉慶年制』六字篆書款。 全器婉約雅致，粉彩柔美嬌艷，紋飾繁縟華美，布局井然有序，極盡御窯瓷繪之能事，實(shí)乃皇家御 用器之奢華風(fēng)貌，碧色瀲滟，光彩熠熠，甚是精妙，誠為稀珍，當(dāng)為嘉慶官窯之精美茶器也。 參閱： 《也可以清心—茶器·茶事·茶畫》，臺(tái)北故宮博物院，2004 年，頁 158，圖 136

Jiaqing Period, Qing Dynasty AN EXQUISITE AND RARE FAMILLE ROSE AND GILTED 'SHOU' TEA POT The custom of drinking tea in the Qing palace has a long tradition, imperial tea sets and utensils also inherit the essence of previous dynasties. The decorative style of Jiaqing period inherits the aesthetics of the previous dynasties. We can also see the magnificent, elegant and beautiful style of Qianlong utensils. The Taipei Palace Museum holds a blue ground and famille rose tea pot of Qianlong period, which has similar decoration style and design with the present one. The small lotus seeds-shaped ewer resting on a slightly splayed foot, set with a curved spout opposite an arched handle attached to the body with a knob of clay on the top, which decorated with iron red and gilted lotus. The exterior of the body decorated with gilted grass patterns, abdomen painted with bats and 'shou' character. The foot inscribed with six-character reign seal mark. The whole ware is graceful and elegant, in bright and soft glaze color, which presents how mature the painting skills of Royal kiln porcelain was. LITERATURE: Empty Vessels, Replenished Minds:The Culture, Practice, and Art of Tea,Taipei, 2002, p.158, pl.136

◎本拍品目前處于保稅拍賣狀態(tài)，敬請(qǐng)留意《保稅拍品競買須知》。 307 清嘉慶? 粉彩描金福壽連年圖茶壺 款識(shí)：『大清嘉慶年制』六字三行篆書款 高度：十五·五? 厘米 來源：瑞典地質(zhì)學(xué)家費(fèi)利克斯·泰根格倫［Felix Tegengren］［1884-1980］， ??? 他在 1914-1917 年及 1922-1928 年間在中國工作，此壺于此期間購買，后于家族繼承至今。 AN EXQUISITE AND RARE FAMILLE ROSE AND GILTED 'SHOU' TEA POT Qing Dynasty, Jiaqing Six Character Seal Mark and of the Period 15.5 cm. high PROVENANCE: Collection Sweden geologist, Felix Tegengren, 1884-1980. ??????? He had been working in China from 1914 to 1917, 1922 to 1928. ??????? The present pot was bought during the period, and inherited by his family. RMB: 800,000-1,200,000 307［款識(shí)］ 307 參閱圖： 臺(tái)北故宮博物院藏， 清乾隆『藍(lán)地粉彩福壽連年圖茶壺』

307