陸家嘴

集團

浦東

美術(shù)館

陸家嘴

集團

浦東

美術(shù)館

目錄

002 LUJIAZUI GROUP 陸家嘴集團

004 MUSEUM OF ART PUDONG 浦東美術(shù)館

006 PREFACE 序言

016 COLLECTIONS 藏品介紹

002 陸家嘴集團藏品畫冊

上海陸家嘴 ( 集團 ) 有限公司是浦東新區(qū)區(qū)屬市場競爭類企業(yè)，成立

于 1990 年。成立之初主要負責(zé)陸家嘴金融貿(mào)易區(qū)的城市開發(fā)。

近年來，集團開發(fā)版圖擴展到前灘、臨港、張江、川沙等地，業(yè)務(wù)范

圍包含區(qū)域開發(fā)運營、招商引資、金融服務(wù)等，已形成1個投資中樞（集

團本部）+2 個產(chǎn)業(yè)板塊（區(qū)域開發(fā)、金融服務(wù)）的發(fā)展格局，致力于

打造成為國資旗下具有卓越競爭力的大型現(xiàn)代服務(wù)業(yè)綜合運營商。

Founded in 1990, Shanghai Lujiazui Development (Group) Company is a

market-driven enterprise fully owned by Pudong District Government. At

the beginning of establishment, the Group was mainly responsible for the

overall development of Lujiazui Financial and Trade Zone.

In recent years, Lujiazui Group has been developing and managing a

broader range of urban areas such as New Bund, Lingang, Zhangjiang, and

Chuansha. The group has also expanded its business to not only regional

development and operation, but also investment promotion and financial

services. Now the Group manages its business and investments through

two major operating divisions: urban development and financial services.

Lujiazui Group is committed to becoming an outstanding and competitive

urban service provider of modern days.

LUJIAZUI

GROUP

陸家嘴

集團

LUJIAZUI GROUP COLLECTION ALBUM 003

MUSEUM

OF ART

PUDONG

浦東美術(shù)館

陸家嘴集團藏品畫冊 004

浦東美術(shù)館（MAP）位于上海小陸家嘴濱江核心區(qū)，于

2017 年 9 月 26 日啟動建設(shè)，2021 年 7 月正式向公眾

開放。

浦東美術(shù)館由陸家嘴集團投資、建設(shè)和運營，由讓·努

維爾（AJN）事務(wù)所設(shè)計，以國際藝術(shù)展示交流為主、兼

顧國內(nèi)藝術(shù)展示，突出展覽、美育、文創(chuàng)、國際交流四

大功能，致力于建設(shè)成為上海國際文化場館新地標(biāo)和國

際文化藝術(shù)交流的重要平臺。

Pudong Art Museum (MAP) is located in the core area of

Shanghai's Xiaolujiazui Riverside. Construction started on

September 26, 2017, and it will officially open to the public in

July 2021.

Pudong Art Museum is invested, constructed and operated by

Lujiazui Group and designed by Jean Nouvel (AJN) Office. It

focuses on international art exhibition and exchange, taking

into account domestic art exhibition, and highlights the four

functions of exhibition, aesthetic education, cultural creativity

and international exchange. , is committed to building into a

new landmark of Shanghai's international cultural venues and

an important platform for international cultural and artistic

exchanges.

LUJIAZUI GROUP COLLECTION ALBUM 005

作為大型現(xiàn)代服務(wù)業(yè)綜合運營商，陸家嘴集團始終堅持將文化藝術(shù)作為助力浦東打造社會主義現(xiàn)代化引領(lǐng)區(qū)、提升

浦東城市文化軟實力的重要組成部分。陸家嘴集團現(xiàn)有的藝術(shù)品收藏主要專注于對公共藝術(shù)的探索，作品涵蓋城市

雕塑、建筑裝置及大型壁畫等。本畫冊共收錄了展示于陸家嘴集團開發(fā)建設(shè)的三個地塊的共 21 件藝術(shù)作品，來自

8 位藝術(shù)家及藝術(shù)品機構(gòu)。從世紀(jì)大都會的景觀裝置，到陸家嘴中心隨處可見的雕塑群像，再到前灘同設(shè)計理念融

為一體的大型建筑裝置，這些地塊見證了陸家嘴集團的開發(fā)歷程，而與地塊的建筑、用途及文化相輔相成的藝術(shù)品

也成為了豐富市民生活的重要組成部分。

作為一個充滿活力、鼓勵創(chuàng)造、先試先行的區(qū)域開發(fā)型企業(yè)，陸家嘴集團非常重視文化版塊的建設(shè)，除了打造

2021 年 7 月 8 日正式對外開放的浦東美術(shù)館，還試圖探索藝術(shù)與周邊社區(qū)、公共空間的有效結(jié)合，創(chuàng)造具有美感

且激勵人心的環(huán)境。通過將藝術(shù)品融合到辦公及商業(yè)場所，讓該區(qū)域的顧客、上班族、經(jīng)過的路人通過領(lǐng)略當(dāng)代藝

術(shù)的多樣性獲得深入的洞見。陸家嘴集團在與國內(nèi)外知名藝術(shù)家合作的同時，始終支持本土年輕藝術(shù)家的發(fā)展，力

求將藝術(shù)和生活的界限抹平，把藝術(shù)引入社區(qū)的同時，也從人民的生活中尋找藝術(shù)。

藝術(shù)品不僅對企業(yè)文化、周邊社區(qū)及相關(guān)企業(yè)的文化建設(shè)產(chǎn)生影響，更對整個城市的文化形象產(chǎn)生積極的推動作用。

換言之，藝術(shù)不光能為人帶來精神上的愉悅和享受，更重要的是為社區(qū)和城市帶來創(chuàng)新的動力與靈感。對于陸家嘴

集團來說，如何達成精神價值和社會價值上的相互統(tǒng)一也將是一項長期的責(zé)任與目標(biāo)。

陸家嘴集團

序言

陸家嘴集團藏品畫冊 006

Lujiazui Group

Preface

As a large-scale comprehensive operator of modern service industry, Lujiazui Group has always insisted on taking culture and art

as an important component to help Pudong build a socialist modernization leading area and enhance the soft power of Pudong's

urban culture. The existing art collection of Lujiazui Group mainly focuses on the exploration of public art, including urban

sculptures, architectural installations and large murals. This album contains a total of 21 works of art displayed in three plots

developed and constructed by Lujiazui Group, from 8 artists and art institutions. From the landscape installations of the Century

Metropolis, to the sculptures surrounding the L+Mall, to the large-scale architectural installations integrated with the design

concept in the New Bund area. These plots have witnessed the development process of Lujiazui Group, and the works of art that

complement the buildings, uses and cultures of the plots have also become an important part of enriching the lives of citizens.

As a regional development enterprise that is full of vitality, creativity and takes the lead in trial, Lujiazui Group attaches great

importance to the construction of cultural sections. In addition to building the Museum of Art Pudong, which was officially

opened to the public on July 8, 2021, it also tries to explore the effective combination of art with surrounding communities

and public spaces, and create an aesthetic and inspiring environment. By integrating artworks into office and commercial

places, customers, office workers and passers-by in this area can gain in-depth insights through appreciating the diversity of

contemporary art. While cooperating with well-known artists both domestic and abroad, Lujiazui Group has always supported

the development of local young artists, striving to blur the boundary between art and life. While introducing art into the

community, it also seeks art from people's life.

Artworks not only have an impact on corporate culture and surrounding communities, but also have a positive role in promoting

the cultural image of the whole city. In other words, art can not only bring people spiritual pleasure and enjoyment, but more

importantly, it can bring innovation power and inspiration to communities and cities. For Lujiazui Group, it will also be a longterm responsibility and goal to achieve the mutual unity of spiritual values and social values.

LUJIAZUI GROUP COLLECTION ALBUM 007

QIANTAN

CENTER

前灘中心

陸家嘴集團藏品畫冊 008

014

018

022

城市新光

New Light of City

臨界—空形

Critical - Empty

境界

Realm

詹姆斯·馮·克倫佩勒

James von Klemperer

大卷伸嗣

Shinji Ohmaki

王克良

Keliang Wang

LUJIAZUI GROUP COLLECTION ALBUM 009

本項目地處浦東新區(qū)海陽西路，東育路交界處。總建筑

面積 90994 ㎡，其中地下建筑面積 28811 ㎡，地上建

筑面積 62183 ㎡。主要由 111 米的 25 層高層主樓和

4~5 層裙房組成。地下室整體三層，與北側(cè) 25-01 地塊

相連。酒店塔樓位于地塊北側(cè)，地上 25 層，建筑平面呈

矩形。主要功能為酒店服務(wù)餐飲，6 層設(shè)置觀光會所休閑

空間。

裙房分別坐落于酒店南側(cè)，其中東裙房于辦公樓主樓連

為整體，酒店通過 6 層裙房屋面與東側(cè)辦公樓側(cè)相連。

1~6 層設(shè)大堂空間，餐飲、SPA、休閑功能；7 層 ~28

層為酒店住宿區(qū)域。地下室主要功能為停車、設(shè)備用房

及后勤用房，其中地下一層設(shè)置商業(yè)區(qū)域。

The project is located at the junction of West Haiyang

Road and Dongyu Road in Pudong New Area. The total

construction area is 90,994 m2, of which the underground

construction area is 28,811 m2 and the above-ground

construction area is 62,183 m2. It is mainly composed of a

25-story high-rise main building with a height of 111 meters

and several podiums with a height of 4-5 stories. There are

three floors in the basement which are connected to the 25-01

plot on the north side. The hotel tower is located on the north

side of the plot, with 25 floors above ground, and a rectangular

building plan. The main functions are basic hotel catering

services, and the 6th floor is equipped with leisure spaces and

a tourist center.

The podiums are located on the south side of the hotel,

of which the east podium is connected to the main office

building. The hotel is connected to the east office building

through the 6-storey podium facade. From the 1st floor

to the 6th floor, there are lobby space, dining area, spa and

leisure area; from the 7th to the 28th floor are the hotel

accommodation area. The basement is mainly used for

parking, equipment and logistics areas, except for the first

basement floor, which functions as commercial area.

QIANTAN

CENTER

前灘中心

陸家嘴集團藏品畫冊 010

LUJIAZUI GROUP COLLECTION ALBUM 011

前灘中心項目位于新區(qū)的中心位置，280 米高辦公塔樓

定義為前灘區(qū)域的標(biāo)志性建筑，成為天際線上的新聚焦

點。從建筑體塊角度，16 萬平方米的核心辦公樓可以理

解為垂直的船錨，固定和聚集整個區(qū)域。懸浮的水平裙

房體塊包括 9000 平方米的商業(yè)，延伸和覆蓋整個場地，

同時支撐 51000 平方米的酒店塔樓和酒店設(shè)施，成為有

連貫的體塊組合。設(shè)計本身參考三大靈感，水（流動線條），

木（紋理分叉）和地（石頭疊層）。流動的“線形”穿過

整個場地，聯(lián)合建筑的三大不同組塊（酒店，辦公和裙房），

The New Bund Center project is located in the center of the

new area. The 280-meter-high office tower is defined as a

landmark building of this area and becomes a new focal point

on the skyline. From the perspective of the building block, the

160,000m2 core office building can be deemed as a vertical

anchor, fixing and gathering the whole area. The suspended

horizontal podium volume includes 9,000m2 of commercial

area, extending and covering the entire site. At the same time,

it supports the 51,000m2 hotel tower and hotel facilities.

Together, they form a coherent composition of volumes. The

陸家嘴集團藏品畫冊 012

同時，使用根據(jù)功能變化的視覺語言代表或者定義組塊

的不同。辦公塔樓的垂直幕墻“墻垛”以 3 米的間距與幕

墻豎框?qū)R，從塔樓底部延伸至塔樓高區(qū)，對室內(nèi)視線

有較小的影響。相比之下，塔樓頂部的幕墻“墻垛”開始

分叉和扭曲，響應(yīng)木紋理的設(shè)計理念，同時創(chuàng)造出標(biāo)志

性的塔樓“燈籠”。酒店的立面由水平的裝飾條（上下水

平線條，中心為曲面波浪輪廓線）組成。裝飾條位于層間

墻，以避免對客房的視線阻擋，由底部純粹的平行關(guān)系

到頂部演變?yōu)殡p曲面線條，而波浪的頻率根據(jù)塔樓高度

相應(yīng)變化。酒店塔樓頂部也同時作為“燈籠”考慮，而水

平扭曲的線條也創(chuàng)造出讓人興奮的隨機圖案。簡化的懸

浮裙房體塊對比和強化兩個塔樓的動態(tài)立面，同時利用

貫通的屋頂花園和稍微的曲面幕墻裝飾條聯(lián)系塔樓體塊，

也創(chuàng)造出連貫的裙房“屏風(fēng)”立面效果。

design is inspired by three elements, namely, water (flowing

lines), wood (texture branches), and earth (stacks of stone). A

flowing \"line\" runs through the entire site, connecting the three

different blocks of the building (hotel, office, and podium).

At the same time, a visual language that varies according

to function is used to represent or define the differences

in the blocks. The vertical curtain wall \"wall stacks\" of the

office tower are aligned with its mullions at 3-meter interval,

extending from the base to the high area of the tower, with less

impact on interior vision. In contrast, the curtain wall \"stacks\"

at the top of the tower begin to branch and twist, responding

to the design concept of the wood texture while creating the

iconic tower \"lantern\". The hotel fa?ade consists of horizontal

decorative strips (horizontal lines with a curved wavy contour

line in the center). These strips are located on the inter-floor

walls to avoid blocking the view of the guest rooms. From a

pure parallel relationship at the bottom to a hyperboloid line

at the top, and the frequency of the waves changes according

to the height of the tower. The top of the hotel tower is also

considered as a \"lantern\", while horizontally twisted lines

create exciting random patterns. The simplified suspended

podium volume contrasts and reinforces the dynamic fa?ades

of the two towers. Meanwhile, the continuous roof garden

and slightly curved curtain wall decorative strips are used to

connect the tower blocks, also creating a coherent \"folding

screen\" facade effect of the podium.

LUJIAZUI GROUP COLLECTION ALBUM 013

雕塑 Sculpture 城市新光 New Light of City

藝術(shù)家 Artist

詹姆斯·馮·克倫佩勒 James von Klemperer

陸家嘴集團藏品畫冊 014

498 個仿古銅的系列鋁鑄件懸掛在精致的鋼索上，形成一個圓柱形空間，

穿行于天地之間。每片散發(fā)出的閃爍光芒與水面的反射光交相呼應(yīng)，將初

始的光學(xué)效果展現(xiàn)的淋漓盡致。自然光線的匯入也將為作品增色，整體呈

現(xiàn)出一種漩渦運動的藝術(shù)效果。

《城市新光》雕塑為場地主入口匯入活力，與建筑塔頂蜿蜒的豎框結(jié)構(gòu)在視

覺層面上交相呼應(yīng)。

作品介紹

Description

A total of 498 casted aluminum parts in the simulation of antique silver are hung

on delicate steel ropes to create a cylindrical space passing through the earth and

sky. The twinkling rays of light emitted from each piece would correspond with

the reflection lights of the water surface to thoroughly demonstrate the primordial

optical effects. The introduction of the natural light rays adds further luster to the

work, and demonstrate an overall artistic effect of swirling motions.

The sculpture of New Light of City injects vitality to the main entrance of the

venue, and take concerted effect with the vertical frame structure on the top of the

building.

LUJIAZUI GROUP COLLECTION ALBUM 015

作品材質(zhì)

作品尺寸

作品版數(shù)

購藏時間

收藏單位

作品所在地

購藏方式

不銹鋼 , 鑄造鋁

9150×5230×7500 mm

獨版

2020

前灘中心

前灘中心辦公地塊橢圓中心廣場

購買自尤艾普（上海）藝術(shù)設(shè)計咨詢有限公司

Material

Size

Version No.

Purchase Year

Purchased by

Location

Source

Stainless steel, casted aluminum

9150 × 5230 × 7500 mm

Unique version

2020

Qiantan Center

Oval Central Plaza, Central Office Land, New Bund

Purchased from UAP (Shanghai) Art Design Consulting Co., Ltd.

陸家嘴集團藏品畫冊 016

James von Klemperer

詹姆斯·馮·克倫佩勒

詹姆斯·馮·克倫佩勒是一位駐紐約的美國建筑師。他

是 Kohn Pedersen Fox（KPF）建筑公司的總裁。他以

對新城市、城市綜合體集群和超高層建筑的設(shè)計貢獻而

聞名，包括目前世界第五高的樂天世界大廈和目前正在

曼哈頓中央車站旁邊施工的范德比爾特一號。在 20 世紀(jì)

90 年代初，他還在建立 KPF 在亞洲的實踐中發(fā)揮了主

要作用。

James von Klemperer is an architect resided in New York.

He serves as President of Kohn Pedersen Fox (KPF). He

is famous for the design contribution to new cities, urban

complex clusters and super high-rise buildings, including

the Lotte World Tower, ranking No. 5 in height in the world,

and Vanderbilt No. 1 under the construction near the central

station of Manhattan. At the beginning of 1990s, he also plays

a leading role in the practices of KPF in Asia.

藝術(shù)家 Artist

LUJIAZUI GROUP COLLECTION ALBUM 017

雕塑 Sculpture 臨界—空形 Critical - Empty

藝術(shù)家 Artist

大卷伸嗣 Shinji Ohmaki

陸家嘴集團藏品畫冊 018

自然與人為，物質(zhì)與能量，身體與精神，存在與不存在。在兩個相對的概

念之間，存在著一個不穩(wěn)定的“閾值”。我試圖在此空間中創(chuàng)建“閾”的邊

界概念。

作品介紹

Description

Nature and artificial creation, material and energy, physical body and spirit,

existence and in-existence. There is an unstable “threshold value” between two

binary oppositions. I try to create the boundary concept of “threshold” in this

space.

LUJIAZUI GROUP COLLECTION ALBUM 019

作品材質(zhì)

作品尺寸

作品版數(shù)

購藏時間

收藏單位

作品所在地

購藏方式

316L 鏡面不銹鋼

5000×7750 mm

定制

2019

前灘中心

前灘中心辦公樓三層大堂

購買自欣稚鋒藝術(shù)發(fā)展（上海）有限公司

Material

Size

Version No.

Purchase Year

Purchased by

Location

Source

316L mirror-surfaced stainless steel

5000 × 7750 mm

Customized

2019

Qiantan Center

Hall on Floor 3, Office Building, New Bund Center

Purchased from Art Pioneer Studio Limited.

陸家嘴集團藏品畫冊 020

Shinji Ohmaki

大卷伸嗣

大卷伸嗣是日本當(dāng)代藝術(shù)的指標(biāo)藝術(shù)家之一。1971 年出

生于日本岐阜的他，目前居住與工作于東京。大卷伸嗣

的作品具備詩意與公共性，完美表現(xiàn)出空間與作品的對

話，他的創(chuàng)作于獨特細膩得美學(xué)形式中展露出對于時間

存在與消逝的深刻體會，以及社會的溫暖關(guān)懷。他的作

品已經(jīng)在很多重要的國際性展覽中呈現(xiàn)，并被納入公共

收藏，享譽亞洲當(dāng)代藝術(shù)領(lǐng)域。

Shinji Ohmaki is one of the typical artists of modern art of

Japan. Born in 1971 in Gifu in Japan, he currently lives and

works in Tokyo. The works of Shinji Ohmaki have both

poetic conception and public character, which could perfectly

demonstrate the communication between space and works.

The unique and delicate aesthetic forms could elaborate the

deep experience for the existence and elapse of time, as well as

the warm care of the society. His works have been presented

in multiple major international exhibitions, and collected by

many public museums. He enjoys a high reputation in the area

of modern art in Asia.

藝術(shù)家 Artist

LUJIAZUI GROUP COLLECTION ALBUM 021

油畫 Oil Painting 境界Realm

藝術(shù)家 Artist

王克良 Keliang Wang

陸家嘴集團藏品畫冊 022

超前意識及風(fēng)格獨具的東方神韻的抽象繪畫，才能體現(xiàn)整個空間協(xié)調(diào)及完美。

抽象繪畫分為冷抽象和熱抽象，本作品屬于熱抽象，是抒情抽象表現(xiàn)主義。在

構(gòu)思作品之際，特別注重體現(xiàn)現(xiàn)代感，激興性，及中國民族繪畫元素，強調(diào)獨

具風(fēng)格的個性化的體現(xiàn)。整個畫面藝術(shù)取向，游走于抽象與具象之間，畫面處

理上滿足多種受眾審美需求。

作品介紹

Description

Abstract painting incorporated with proactive consciousness and unique charm of

oriental culture could reflect the coordination and perfection of the whole space.

Abstract paintings consist of cold abstraction and hot abstraction. As a works of hot

abstraction, this painting belongs to abstract expressionism for emotion expression.

While conceiving the work, the artist attaches special attention on the reflection of

the sense of modern and excitation. Together with the Chinese painting elements,

the work is a personalized reflection with unique style. The artistic orientation of the

whole painting wanders between abstraction and concretization. The processing of

the image could meet aesthetic demands of multiple audiences.

LUJIAZUI GROUP COLLECTION ALBUM 023

作品材質(zhì)

作品尺寸

作品版數(shù)

購藏時間

收藏單位

作品所在地

購藏方式

油畫

5600×8600 mm

定制

2019

前灘中心

前灘 34 地塊辦公樓一層大堂

畫家現(xiàn)場繪制

陸家嘴集團藏品畫冊 024

Material

Size

Version No.

Purchase Year

Purchased by

Location

Source

Oil painting

5600 × 8600 mm

Customized

2019

Qiantan Center

Hall on Floor 1, Office Building, Land Plot #34, New Bund

On-site painting of the painter

LUJIAZUI GROUP COLLECTION ALBUM 025

Keliang Wang

王克良

王克良，遼寧人。1969 年畢業(yè)于上海戲劇學(xué)院，中國美術(shù)家協(xié)

會會員和同濟大學(xué)教授。一直留在南方，擅長水彩畫創(chuàng)作的他并

沒有像其他畫家那樣紀(jì)錄江南的景色，而是走向抽象畫創(chuàng)作的道

路。水彩畫的空靈與清透，正好與這種探索相呼應(yīng)，成為了他很

長一段時間作品的主要形式，并為他取得了赫赫贊譽。

過了知命之年時，王克良毅然舍棄成就斐然的水彩畫，開始探索

油畫顏料在紙板上的表現(xiàn)。紙紋的色澤與質(zhì)地給予他筆觸的無限

自由，洗、擦丶點丶染，狂放淋漓，連對紙板的撕，拉都成了構(gòu)

圖中的元素，成為作品中的神來之筆。

大幅的布面抽象油畫，是畫家近年來藝術(shù)實踐中，最著力，也是

最精彩部分。大幅抽象作品的層次，細節(jié)，結(jié)構(gòu)的掌控，最能顯

示出藝術(shù)家的基礎(chǔ)，底蘊，超越人力所及的尺幅，對藝術(shù)家體力

也是嚴(yán)酷的考驗，而他卻以此為樂，享受著一次次挑戰(zhàn)。

Keliang Wang was born in Liaoning Province. He graduated from

Shanghai Theatre Academy in 1969, and now he is the member of

China Artists Association and the professor of Tongji University. He

has stayed in the south and is good at watercolor painting. However,

unlike other painters who enjoyed drawing the scenery of the south,

he turned to the abstract painting. The etherealness and clarity of

watercolor paintings, which correspond to this exploration, became

the main form of his works for a long time, and brought him great

reputation.

After the age of 50, Keliang Wang resolutely abandoned watercolor

painting that made him successful, and began to explore the

performance of oil paints on cardboard. The color and texture of the

paper give him infinite freedom of brushstrokes. He washes, rubs,

dots, and dyes with wild abandon. Even the tearing and pulling of the

cardboard has become an element in the composition, becoming a

highlight in his painting works.

The large-scale abstract oil painting on canvas is the most focused and

exciting part of Wang's artistic practice in recent years. The mastery

of the layers, details and structure of such abstract works can best

showcase the artist's foundation and inner cultivation. The extremely

large scale is also a severe test for the artist's physical strength, but he

enjoys it and embraces challenges again and again.

藝術(shù)家 Artist

陸家嘴集團藏品畫冊 026

個展：

1998 年，“王克良繪畫展”，巴貝利尼國家美術(shù)館，意大利

1996 年，“王克良作品展”，貝林佐那市政廳，瑞士

聯(lián)展：

2018 年，“異號——上海抽象春季展”，上海中外文化藝術(shù)交流協(xié)會美

術(shù)館

2018 年，“風(fēng)流——上海抽象藝術(shù)大展”，上海油雕院

2015 年，“百年華彩——中國水彩藝術(shù)研究展”，中國美術(shù)館

2012 年，“中、日、韓世博舉辦城市美術(shù)交流展”，韓國麗水

2010 年，“中、日、韓世博舉辦城市美術(shù)交流展”，上海美術(shù)館

2009 年，“上海美術(shù)大展”，上海美術(shù)館

2006 年，“第七屆全國水彩、粉畫展”，鄭州

2005 年，“上海美術(shù)大展”，上海美術(shù)館

2004 年，“第六屆全國水彩、粉畫展”，上海美術(shù)館

2002 年，“第五屆全國水彩、粉畫展”，廣州

2001 年，“上海美術(shù)大展”，上海美術(shù)館

2000 年，“上海水彩、粉畫大展”，上海美術(shù)館，作品獲得優(yōu)秀獎

1999 年，“第九屆全國美術(shù)作品展”，南京

1994 年，“第八屆全國美術(shù)作品展”，中國美術(shù)館，作品獲得優(yōu)秀獎

收藏：

《歡慶 2001.7.13 夜》，上海美術(shù)館收藏

《被遺忘的片段之五》，上海美術(shù)收藏

Solo exhibition:

1998, Wang Keliang Painting Exhibition, National Gallery of Ancient Art in

Barberini Palace, Italy

1996, Wang Keliang Painting Exhibition, Town Hall of Bellinzona, Switzerland

Group exhibition:

2018, Alternative Sign-Shanghai Spring Exhibition of Abstract Painting,

Museum of Shanghai International Cultural Exchange Association

2018, Unrestrained: The Shanghai Abstract Art Exhibition, Shanghai Oil

Painting and Sculpture Institute

2015, The Age of Progress: An academic exhibition of Chinese Watercolor

History, National Art Museum of China

2012, Korea China Japan Art Invitation Exhibition, Yeosu, Korea

2010, China Japan Korea Art Invitation Exhibition, Shanghai Art Museum

2009, Shanghai Fine Art Exhibition, Shanghai Art Museum

2006, The Seventh National Exhibition of Fine Arts, Exhibition of Watercolor

Paintings, Zhengzhou

2005, Shanghai Fine Art Exhibition, Shanghai Art Museum

2004, The Sixth National Exhibition of Fine Arts, Exhibition of Watercolor

Paintings, Shanghai Art Museum

2002, The Fifth National Exhibition of Fine Arts, Exhibition of Watercolor

Paintings, Guangzhou

2001, Shanghai Fine Art Exhibition, Shanghai Art Museum

2000, Shanghai Watercolor Painting Exhibition Shanghai Art Museum,

Excellence Award

1999, The Ninth National Art Exhibition, Nanjing

1994, The Eighth National Art Exhibition, National Art Museum of China,

Excellence Award

Collected works:

Celebration on the night of July 13, 2001, collected by Shanghai Art Museum

The Forgotten Fragment V, collected by Shanghai Art Museum

LUJIAZUI GROUP COLLECTION ALBUM 027

L+MALL

陸家嘴中心

陸家嘴集團藏品畫冊 028

032

040

064

068

072

禮物

Dreams Come Ture

逍遙游之一路同行

Together with Us of Happy Excursion

逍遙游之無處不閑適

Unlimited Leisure Everywhere of

Happy Excursion

逍遙游之偶遇

Encounter of Happy Excursion

逍遙游之無處不閑適：貓鼬

Unlimited Leisure Everywhere of

Happy Excursion: Mongoose

詹姆斯·馮·克倫佩勒

James von Klemperer

逄峰

Feng Pang

逄峰

Feng Pang

逄峰

Feng Pang

于洋

Yang Yu

LUJIAZUI GROUP COLLECTION ALBUM 029

上海陸家嘴中心 L+ MALL 開業(yè)于 2018 年 12 月 23 日，

是陸家嘴金融貿(mào)易區(qū)開發(fā)股份有限公司耗時 6 年精心開

發(fā)的高端商業(yè)綜合體，也是陸家嘴商業(yè)板塊的主力旗艦

品牌。

商場地處小陸家嘴區(qū)域，位于世紀(jì)大道、浦東南路、南

泉北路、商城路交匯的“黃金角”，地上 11 層，地下 1 層，

總面積 14 萬平方米，與地鐵 2 號線東昌路站、9 號線商

城路站無縫連接，周邊 5 條過江隧道、20 多條公交線路

匯聚核心，地理位置得天獨厚。

商場輻射浦東腹地 50 平方公里，吸聚 25 -45 歲樂享高

端品質(zhì)生活，崇尚經(jīng)典，追求新鮮事物的都市核心群體。

項目 1 公里范圍內(nèi)，擁有包括上海中心、環(huán)球金融中心

等在內(nèi)的 40 多棟辦公樓，以及湯臣一品、中糧海景壹號

等高端住宅區(qū)，覆蓋周邊白領(lǐng)客群逾 46 萬人、高檔社區(qū)

客群逾 16 萬人。周邊三棟辦公樓，每日吸聚 3 萬高端辦

公人群?？梢哉f，陸家嘴中心 L+ MALL 與周邊住宅及辦

公樓共同筑成陸家嘴區(qū)域匯聚活力與消費力的城中之城。

Shanghai L+ MALL opened on December 23rd , 2018. It

is a high-end commercial complex developed by Shanghai

Lujiazui (Group) Co., Ltd. which took 6 years to complete.

This is also the main flagship brand of Lujiazui commercial

sector.

L+ MALL is located in Lujiazui area, at the intersection of the

Century Avenue, South Pudong Road, North Nanquan Road

and Shangcheng Road. There are 11 floors above ground and

1 floor under the ground, with a total area of 140,000 square

meters. It is seamlessly connected to Dongchang Road Station

of Metro Line 2 and Shangcheng Road Station of Line 9.

Furthermore, 5 river-crossing tunnels and more than 20 bus

lines converge on L+Mall. Obviously the geographical position

is richly endowed by nature.

L+ MALL radiates 50 square kilometers in Pudong area,

attracting urban consumers between 25-45 years old, who

are the main group enjoying high-end quality life, advocating

classics and pursuing new trends. Around 1 km of the mall,

there are over 40 office buildings including Shanghai Center,

World Financial Center, etc., as well as high-end residential

areas such as Tomson Riviera and COFCO Haijing Area. It

covers more than 460,000 white-collar customers and highend communities which exceed over 160,000 people. Three

office buildings surrounding the mall cover 30,000 high-end

office crowd every day. L+Mall, together with surrounding

residential and office buildings, form a city, where vitality and

L+MALL

陸家嘴

中心

陸家嘴集團藏品畫冊 030

consumption power are gathered, in Lujiazui area.

In the choice of category and format, L+Mall focuses on

exquisite senses, luxury experiences, and new aesthetics of

life, in order to be committed to building a full-scale cuttingedge shopping mall. The most luxurious Cinema Palace

introduces top luxury configuration and LUXE Laser with

Dolby Panorama Sound. So the perfect movie experience can

satisfy any discerning vision wherever audiences sit. The most

influential LIVE HOUSE——M-BOX allows Pudong nightlife

to be colorful without crossing the Huangpu River. In terms

of catering, cuisine from Michelin to authentic hometown

delicacies can be all satisfied to customers. L+Mall meets the

citizens’ all-round needs of culture and entertainment. In

addition, Galleries Lafayette, the largest main store in L+Mall,

has also officially opened in October 2019.

L+ Mall has been recognized by the government, media,

customers and other parties for its thoughtful and meticulous

service facilities, high-quality products, authentic dining, and

unique and interesting experiences since its opening.

在品類與業(yè)態(tài)的選擇上，商場注重精致感官、奢華體驗，

展現(xiàn)生活新美學(xué)，致力于打造比肩流行尖端的全業(yè)態(tài)購

物中心：史上最奢華的百麗宮引入頂級豪華配置，LUXE

Laser 搭配杜比全景聲，任何座位都能滿足任何挑剔的

眼光；教父級的 LIVE HOUSE——M-BOX 的加入，讓

浦東的夜生活不再需要過江就能享受；餐飲方面，從米

其林到地道家鄉(xiāng)美味應(yīng)有盡有，滿足了市民文化與娛樂

的需求。此外，上海陸家嘴中心 L+Mall 的最大主力店——

巴黎老佛爺百貨也已于 2019 年 10 月正式開業(yè)。

開幕至今，陸家嘴中心 L+ MALL 以周到細致的服務(wù)設(shè)施、

高品質(zhì)的商品、地道美味的餐飲、獨特有趣的體驗，獲

得了政府、媒體、顧客等各方的認可。

LUJIAZUI GROUP COLLECTION ALBUM 031

禮物Dreams Come Ture 雕塑 Sculpture

藝術(shù)家 Artist

洛倫佐·奎恩 Lorenzo Quinn

陸家嘴集團藏品畫冊 032

“過去作為孩童，我體會了從父母手中得到禮物的喜悅?，F(xiàn)在作為父母，在

給予禮物的過程中，我得到了更大的喜悅。期望透過此作品，將施予的美

德及獲得的喜悅傳遞給大眾。”

作品介紹

Description

“In the past when I was a child, I experienced the delight of receiving gifts from my

parents. Now, as parents, I get even more delight from presenting gifts to others. I

hope the works could transmit the virtue of giving and delight of receiving to the

mass.”

LUJIAZUI GROUP COLLECTION ALBUM 033

作品材質(zhì)

作品尺寸

作品版數(shù)

購藏時間

收藏單位

作品所在地

購藏方式

青銅

6500×3000 mm， 2100×1700 mm

AP 獨版

2018

陸家嘴中心

浦東南路商城路路口，陸家嘴中心主入口

購買自上海藝等艙藝術(shù)發(fā)展有限公司

陸家嘴集團藏品畫冊 034

Material

Size

Version No.

Purchase Year

Purchased by

Location

Source

Bronze

6500 × 3000 mm, 2100 × 1700 mm

AP Unique version

2018

L+MALL

Main entrance of L+Mall, Shangcheng Road & South Pudong Road

Purchased from Shanghai Yidengcang Art Development Co., Ltd.

LUJIAZUI GROUP COLLECTION ALBUM 035

陸家嘴集團藏品畫冊 036

洛倫佐·奎恩，1966 年出生于意大利羅馬，是世界領(lǐng)先

的當(dāng)代雕塑家之一?？蛴?1980 年代初期進入紐約市美

術(shù)學(xué)院，入學(xué)時開始從事繪畫工作。受米開朗基羅、貝

尼尼和羅丹等大師的啟發(fā)，他創(chuàng)作了許多具有紀(jì)念意義

的公共藝術(shù)作品，還有很多尺幅更小，更適合與民眾互

動的作品，傳遞出他對崇高信仰和真情實感的不懈追求。

他的創(chuàng)作手法具有詩意和象征意義，直面社會問題，激

勵人們在寬容與和諧中進一步發(fā)展。他最出名的是以手

為主題創(chuàng)作的系列作品。

近十年精選展覽：

2015 年，“洛倫佐·奎恩”，翡翠畫廊，倫敦

2015 年，“在洛倫佐·奎恩的手中”，奧德賽畫廊，印度孟買

2013 年，Art al Set 美術(shù)館 , 艾爾米塔什酒店 , 索爾德，安道爾

2013 年，“詩集”，卡多羅畫廊，佛羅里達州邁阿密

2013 年，“完整的圓”，翡翠畫廊，倫敦

2012 年，拉法特美術(shù)館，阿爾梅納爾，西班牙

2012 年，翡翠畫廊，倫敦

重要公共收藏（精選）：

2017 年，《支持》，威尼斯雙年展，意大利

2017 年，《愛》，米爾班克，倫敦

2017 年，《愛了又愛》，伯克利廣場，倫敦

2014 年，《夢想成真》，菲爾特火車總站 德國

2013 年，《交換 III》，卡斯特爾德費爾斯，巴塞羅那，西班牙

2013 年，《緊繩 II》、《愛了又愛》、《自然之力 II》，伊維薩，巴利阿里

群島

2012 年，《自然之力 II》，卡塔爾多哈文化村

2012 年，《自然之力 II》，紐約第六大道派拉蒙大廈

2011 年，《上帝的手》、《信仰的飛躍》，冬宮，圣彼得堡，俄羅斯

2008 年，《自然之力》，濱海攔河壩，新加坡

2005 年，《生命之樹》，圣馬丁教堂，伯明翰，英國

2003 年，《邂逅》，現(xiàn)代藝術(shù)博物館，馬略卡島帕爾馬，西班牙

Born in Rome, Italy, in 1966, Lorenzo Quinn is one of the most

famous modern sculptors in the world. Quinn was enrolled in

Academy of Fine Arts in New York in early 1980s, and started

his painting career since then. Under the inspiration of masters

like Michelangelo, Bernini and Rodin, he created many public

art works with commemorative significance, as well as many

small sized works catering for interactions with the audience.

All these works have transmitted his unremitting pursuit for

the sublime faith and real sentiments. His creation techniques

contain both poetic significance and symbolic meaning. The

works confront directly towards social issues to motivate the

people to get further development in tolerance and harmony.

He is most famous for his series works created with the theme

of hands.

Selected exhibitions in recent ten years:

2015, Lorenzo Quinn, Halcyon Gallery, London

2015, In the hands of Lorenzo Quinn, Odyssey Gallery, Mumbai, India

2013, Art al Set, Hermitage Hotel, Sordes, Andorra

2013, Poetic Significance, Galleria Ca’d’Oro, Miami, Florida

2013, Full Circle, Halcyon Gallery, London

2012, Rafart Gallery; Almenar, Spain

2012, Halcyon Gallery, London

Important public collections (selected):

2017, Support, Venice Biennial, Italy

2017, LOVE, Milbank, London

2017, Four Loves, Berkeley Square, London

2014, Dreams Come True, Filter Main Railway Station, Germany

2013, Give and Take III, Castelldefels, Barcelona, Spain

2013, Tight Rope II, Four Loves, The Force of Nature II, Ibiza, Balearic Islands

2012, The Force of Nature II, Cultural Village, Doha, Qatar

2012, The Force of Nature II, Paramount Building, Sixth Revenue, New York

2011, Hand of God, Leap of Faith, State Hermitage Museum, St.Petersburg,

Russia

2008, The Force of Nature, Marina Barrage, Singapore

2005, The Tree of Life, San Martin Church, Birmingham, UK

2003, Encounters, Paseo Marítimo, Palma de Mallorca, Spain

Lorenzo Quinn

洛倫佐·奎恩

藝術(shù)家 Artist

LUJIAZUI GROUP COLLECTION ALBUM 037

Happy Excursion

《逍遙游》系列

038 陸家嘴集團藏品畫冊

證大文化提出：他們提供藝術(shù)家的代表性作品，保證

實際呈現(xiàn)效果；專為陸家嘴中心而創(chuàng)作；與觀者與環(huán)

境，交流的公共藝術(shù)。創(chuàng)作“逍遙游”系列作品，讓

符號化的情景人物造型穿插于公共空間的各個點位，

引導(dǎo)人流行為，活躍商場整體氛圍。

此系列作品源自莊子的《逍遙游》，“舉世譽之而不

加勸，舉世非之而不加沮”。對方將陸家嘴中心藝術(shù)

介入的延伸價值觀定義為“創(chuàng)造的自由，人性的自由，

夢想的自由”。

Zendai Cultural Development put forward that: they

offer typical works of artists, and guarantee the authentic

demonstration effect; the works are dedicated for Lujiazui

Center; they are public art that communicates with the

viewers and the environment. The Happy Excursion

series works enabled the symbolized scenes and figures to

appear various positions in the public space, guiding the

behaviors of the stream of people, and enliven the overall

atmosphere of the shopping mall.

The series of works are originated from the Happy

Excursion of Zhuangzi “he will not be more diligent even

if all the people in the world keep praising him, and he will

not be depressed if all person in the world keep accusing

him”. It defines the extended values of the art in Lujiazui

Center as “freedom of creation, freedom of the humanity

and freedom of dreams”.

LUJIAZUI GROUP COLLECTION ALBUM 039

Together with Us of Happy Excursion

逍遙游之一路同行 浮雕 Relief

藝術(shù)家 Artist

逄峰 Feng Pang

陸家嘴集團藏品畫冊 040

《逍遙游》的序幕。作品介紹

Description Prelude of Happy Excursion.

LUJIAZUI GROUP COLLECTION ALBUM 041

作品材質(zhì)

作品尺寸

作品版數(shù)

購藏時間

收藏單位

作品所在地

購藏方式

拋光不銹鋼

高 1600 mm

定制

2018

陸家嘴中心

商城入口旁側(cè)墻

購買自上海證大文化發(fā)展股份有限公司

陸家嘴集團藏品畫冊 042

Material

Size

Version No.

Purchase Year

Purchased by

Location

Source

polished stainless steel

Height 1600 mm

Customized

2018

L+MALL

Side wall of the entrance of the shopping mall

Purchased from Shanghai Zendai Cultural Development Co., Ltd.

LUJIAZUI GROUP COLLECTION ALBUM 043

Together with Us of Happy Excursion

逍遙游之一路同行 浮雕 Relief

藝術(shù)家 Artist

逄峰 Feng Pang

陸家嘴集團藏品畫冊 044