Antoine Poncet
安托萬(wàn)·蓬塞
安托萬(wàn)·蓬塞(生于 1928 年)是歐洲戰(zhàn)后雕塑界備受矚目的代
表人物。他在瑞士長(zhǎng)大,從小就被藝術(shù)所包圍。他的父親是一位
畫(huà)家,他的祖父是納比斯運(yùn)動(dòng)的著名藝術(shù)家莫里斯 - 德尼,他
的理論為立體主義、野獸主義和抽象藝術(shù)的基礎(chǔ)做出了貢獻(xiàn)。
14 歲時(shí),蓬塞在蘇黎世跟隨雕塑家 Germain Richier 學(xué)習(xí)。從
1942 年起,他在洛桑的美術(shù)學(xué)院學(xué)習(xí),然后搬到巴黎,正是在
他職業(yè)生涯的這個(gè)階段,他轉(zhuǎn)向了抽象主義。對(duì)形式的探索始終
是他最關(guān)心的問(wèn)題;\" 我必須創(chuàng)造一個(gè)雕塑,它能夠以其平衡的
體積,其運(yùn)動(dòng)和豐滿的空間而生存。”
蓬塞受到布蘭庫(kù)西和讓 - 阿爾普作品的高度影響,特別是他們
對(duì)形狀、形式和體積的關(guān)注。龐塞創(chuàng)作的青銅器在觀者面前似乎
仍在成形,創(chuàng)造出一種動(dòng)態(tài)和短暫的感覺(jué)。表面紋理在他的作品
中具有真正的意義;他的雕塑被光滑地拋光,以加強(qiáng)光線的作用。
從 1952 年起,蓬塞定期在主要的沙龍中展出,如青年沙龍、新
現(xiàn)實(shí)主義沙龍;1953 年在巴黎國(guó)家現(xiàn)代藝術(shù)博物館舉辦群展。
1956 年,他參加了在巴黎羅丹博物館舉辦的國(guó)際雕塑展,并被
選中代表瑞士參加威尼斯雙年展。在他的職業(yè)生涯中,他獲得了
幾個(gè)獎(jiǎng)項(xiàng),包括 1983 年日本的 \" 亨利 - 摩爾獎(jiǎng) \"。蓬塞的作品
現(xiàn)在被世界各地的眾多博物館收藏,包括巴黎國(guó)家現(xiàn)代藝術(shù)博物
館、巴黎地區(qū)當(dāng)代藝術(shù)基金會(huì)、米蘭現(xiàn)代藝術(shù)畫(huà)廊、紐約現(xiàn)代藝
術(shù)博物館、華盛頓特區(qū)希爾施伯恩博物館、明尼阿波利斯美術(shù)博
物館、多倫多藝術(shù)博物館、芝加哥藝術(shù)學(xué)院、日本箱根露天博物館。
Antoine Poncet (born 1928) was a highly regarded exponent
of post-war sculpture in Europe. Growing up in Switzerland,
Poncet was surrounded by artists, his father was a painter and
his grandfather was the famous Nabis artist Maurice Denis.
His theories made huge contribution to the Cubism, Fauvism,
and abstraction art.
At the age of fourteen he went to study under the sculptor
Germaine Richier in Zurich. From 1942-1945 he attended
the école des Beaux Arts in Lausanne, after which he moved
to Paris where he took a studio and enrolled at the Académie
de la Grande Chaumière. It was at this time that he turned
to abstraction. The exploration of form is always his most
concerned problem; \"I have to create a sculpture that can
survive with its balanced volume, its movement and full
space.\"
Poncet was highly influenced by the works of Brancusi and
Jean Arp, especially their attention on shapes, forms and
volumes. The bronze products created by Poncert seem to be
under the forming process in the eye of audiences, creating a
kind of dynamic and instant feeling. The surface texture has
true significance in his works; the surface of his sculpture are
polished to enhance the effect of light rays.
From 1952 Poncet exhibited regularly at the major salons
such as the Salon de la Jeune Sculpture, the Salon des Réalités
Nouvelles; and in 1953 a group show at the Musée National
d’Art Moderne in Paris. In 1954 the art museum in Winterthur
held a solo exhibition of his work. The following year he was
awarded the Swiss Prize for Sculpture. In 1956 he participated
in an international sculpture exhibition at the Musée Rodin
in Paris, and was selected to represent Switzerland at the
Venice Biennale. He was also awarded the Henry Moore Prize
in Japan. The artist’s work is now represented in numerous
museums worldwide, including the Musée National d’Art
Moderne, Paris; Fondation Régional d’Art Contemporain,
Paris; Galeria d’Arte Moderna, Milan; Museum of Modern Art,
New York; Hirshborn Museum, Washington DC; Museum
of Fine Art, Minneapolis; Museum of Fine Art, Toronto; Art
Institute of Chicago; Open Air Museum, Hakone, Japan.
藝術(shù)家 Artist
LUJIAZUI GROUP COLLECTION ALBUM 091