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梁廷瑋的藝術創(chuàng)作存在于對?命的多?度審視中。圍繞著?命起源、社會科學和?類宗教之間的隱秘
關系?展開。從現(xiàn)代社會中提取?化元素的切?和物質(zhì)信息，捕捉、折疊、壓縮、捏造出?類神性與
獸性相互指引與限制中倫理道德情感瞬間的“物化”過程。他將?命與?明之間的視?關系進?了跨維
度的表達，以?物學和社會學為背景將傲慢的?類?明“低端”化，從在藝術的觀感中得到?省其身。
他以?命質(zhì)詢存在本身，以??幽默調(diào)侃傳統(tǒng)美學，由此對抗即將來臨的后科技時代。
2019 第四屆保利學院之星當代藝術展（保利博物館 北京 中國）
2019 ?塑——當代藝術解讀展（NOOK畫廊 北京 中國）
2018 零點深夜（TED 杭州 中國）
2018 THIS IS AN ART SCHOOL泰特交互實驗（泰特當代美術館 倫敦 英國）
2018后印刷時代（雕塑藝術中? 拉盧維耶爾，?利時）
2017美國夢（?英博物館 倫敦 英國）
2017 ART AUCTION 2017（LETHABY 畫廊 倫敦 英國）
2017 視覺詩歌（川美美術館成都 中國）
Liang Tingwei's artistic creation exists in a multi-angle examination of life. It revolves around
the secret relationship between the origin of life, social science and human religion.
Extracting slices of cultural elements and material information from modern society,
capturing, folding, compressing, and fabricating the \"materialization\" process of ethical and
moral emotions in the mutual guidance and restriction of human divinity and animality. He
expressed the perspective relationship between life and civilization in a cross-dimension, and
made the arrogant human civilization \"low-end\" with the background of biology and
sociology, and got introspection from the perception of art. He questioned existence itself
with life, and ridiculed traditional aesthetics with black humor, thus fighting against the
coming post-technological era.
2019 The 4th Poly Academy Star Contemporary Art Exhibition (Poly Museum, Beijing, China)
2019 Remodeling-Contemporary Art Interpretation Exhibition (NOOK Gallery, Beijing, China)
2018 midnight at midnight (TED Hangzhou, China)
2018 THIS IS AN ART SCHOOL Tate Interactive Experiment (Tate Contemporary Art Gallery,
London, UK)
Post-printing era in 2018 (Sculpture Art Center La Louvière, Belgium)
2017 American Dream (British Museum, London, UK)
2017 ART AUCTION 2017 (Lethaby Gallery, London, UK)
2017 Visual Poetry (Chuanmei Art Museum, Chengdu, China)
梁廷瑋
難受美術館館?
保利拍賣合作藝術家
