該頁無縮略圖
78
An Important and Rare Chinese Blue and White and Iron Red Ground Square Double-gourd "Eight Musical Instruments" Vase, Longqjing Six-character Underglaze Mark and of the
Period(1567-1572)
Fine Chinese & Asian Art 02.03.2025,11am
海宴雲(yún)庭-重要中國與亞洲兿術(shù)
Part I (lots 1- 372)
Part II (lots 373- 532) Timed Online Auction Ends 03.03.2025, 2pm
Pleasenotetherewillbea30minuteintermissionafterLot148
VIEWING
THU 27 FEB - SAT 1 MAR 2 Oxley Road, Hawthorn,VIC 3122
Pleaserefertoourwebsitefor viewing times—— leonardjoel.com.au
CONTACTS
LUKE GUAN
HEAD OF ASIAN ART
0455 891888
luke.guan@
leonardjoel.com.au
Fine Chinese and Asian Art
This Fine Chinese and Asian Art Auction has been meticulously curated over the past five months,bringing together 532 exquisite lots presented in two parts. The first Part from lotl372, includes The Reid Family's Important Chinese Art Collection - Part II (lot 158-163), the first part of this collection achieved a white-glove success in our last August's auction, as well as the highly anticipated Private Collection of Early Chinese Carvings onRock Crystal and Agate, Hong Kong (lots 248-268),featuring more rare and exceptional pieces from a prominent HongKong private collector.
We are also honoured to present several significant collections from prominent Australian families, including: - The Katharine and James Campbell Collection of Chinese Art (lots 1-16) -The Estate of Doris Ellen Ross (1904-1991) -The Estate of Sue Hewitt (1941-2024) - The Thomas Kwok Collection of Chinese Jades, all acquired in Hong Kong in the early80s(lot281-284)
- An old Melbourne Private Collection of Chinese Paintings (lots 149-157)
Keyhighlights from the auction alsoinclude: Lot 78 Animportant and rare blue and white and iron red ground square double-gourd “eight musical instruments" vase, Longqing mark and of the period; Lot 37 A fine blue and white floral' ovoid hu vase, Daoguang mark and of the period ; Lot 163 A rare black ^eggshell' pottery stemcup, longshan culture; Lot 200 An extremely rare and fine moulded Longquan celadon xiniu and moon dish, Yuan Dynasty, 14th Century etc.
The Second Part of this auction (lots 373-532)will be a timed online auction, closing on March 3 at 2 PM. Highlights include The Collection of a Prominent Melbourne Doctor. (lots 373-392), 20th Century Chinese Porcelains (lots 413-422), and other high-quality pieces such as Lot 426 a rare Imperial blue and white^qilin' dish from Yongzheng period etc. This auction is set to be an important milestone in Australian history for Chinese and Asian art, thoughtfully curated to offer a remarkable experienceforcollectors and enthusiasts of Chinese andAsian art.
LUKEGUAN HEAD OF ASIAN ART
此次LEONARDJOEL「海宴雲(yún)庭」重要中國輿亞洲藝術(shù)大拍，歷時5個月的微集輿等備，匯聚了共532件精美拍品，分為雨個場次呈現(xiàn)。其中「第一部分」Lot1-372包括REID家族重要中國藝術(shù)品收藏ll（Lot158-163）；高古瑪瑙和水晶專場Il（香港重要私人藏家，Lot248-268）。
此外，我們此次非常榮幸能呈現(xiàn)多個澳洲重要家族的珍貴收藏，包括：
-KatharineandJamesCampbell夫婦珍藏中國藝術(shù)品（Lot1-16）此收藏以高古瓷為主，兼具書，建藏於Katharine早年出任中國大使期間。
-墨爾本Doris EllenRoss（1904-1991）女士遺藏已故企業(yè)家和鋼琴家Ross女士出生于1904年，收藏建立與她在英國和歐洲和亞洲旅居的各個階段，包括Lot37：清道光官案青花鋪首耳壺。
-SueHewitt（1941-2024）女士遺藏前佳士得澳洲區(qū)域總丶全球首位女性拍賣官Hewitt女士藏Lot68明萬官御製黃釉碗。-已故香港著名玉器藏家ThomasKwok重要玉器收藏（Lot281-284)
-墨爾本重要資深藏家的中國書畫收藏（Lot149-157）藏品多於20世紀(jì)80至90年代購自香港，包括Lot154張大千《荷》其他亮點(diǎn)拍品還包括：Lot78明隆官案青花紅彩八音圖葫藍(lán)瓶；Lot84清乾隆唐英「陶」「」款墨彩雲(yún)龍圖硯屏：Lot116清乾隆剔紅“春至聚寶“插屏：Lot200元龍泉案“犀牛望月”盤；Lot163:龍山文化蛋殼黑陶高足杯：Lot349清康熙「宣德石叟」款錯銀觀音立像：Lot296清康熙「祈天祝聖人萬年長壽昌」和田白玉龍御量：Lot325清田黃瑞獸印章葛書微刻款等。
「第二部分」Lot373-532，為網(wǎng)上限時競拍，將於3月3日下午2點(diǎn)截標(biāo)。此部分涵蓋墨爾本著名醫(yī)生私人收藏（Lot373-392)、二十世紀(jì)精品瓷器（Lot413-422）等，其中來源佳，高性價(jià)比的拍品，其中包括Lot426清雍正「河圖洛書」官案青花盤等。本次「海宴雲(yún)庭」將成為澳大利亞歷史上最耀眼的一場中國輿亞洲藝術(shù)大拍，也是LEONARDJOEL亞洲藝術(shù)專為所有古代藝術(shù)品收藏家與愛好者準(zhǔn)偏的海天盛筵。
管璐
亞洲藝術(shù)部主管
Properties of Katharine and James Campbell Collection, Queensland
LOTS 1- 16
The pieces were mostly acquired during the period 2002-2006 while living in Beijing, where Katharine was posted as a diplomat at the Australian Embassy. Her husband James was a keen admirer and collector of qingbai wares from the Song dynasty, in particular, developing a broad interest in Chinese arts and crafts from ancient to modern times. The couple regularly looked for pieces at well known antique markets across Beijing, developing good relationships with many antique store owners, and further afield when their travels took them to many provinces acrossChina.
這些藏品大多於2002年至2006年期間在北京生活時購得。當(dāng)時，凱瑟琳在澳大利亞大使館任外交官，而她的丈夫詹姆斯則是一位對宋代青白瓷充滿熱情的收藏家，對古至今的中國藝術(shù)輿工藝品產(chǎn)生了廣泛興趣。這對夫婦經(jīng)常造訪北京著名的古董市場，與許多古董店店主建立了良好的關(guān)係。此外，他們在旅行中造訪了中國許多省份，也為其收藏增添了更多珍貴的藏品。
REN ZHONG (B.1976)
Scholar on a boat.
Ink and colour on paper.
Framed,nscribed,signed and four red seals of th artists.
84 x 42.4cm
$4,000-6,000
任重設(shè)色紙本硬木框
2
ATTRIBUTED TO MA YUANYU (1669-1722) Peonies and quails,
hanging scroll,
ink and colour on paper,
inscribed, signed and two red seals of the artists. 129 \Chi 66.5cm
$1,500-2,500 3
ANONYMOUS, QING DYNASTY (1644-1911) Court Ladies in the Garden.
Hanging scroll,
ink and colour on paper.
130.5x68cm PROVENANCE
China Guardian,Beijing, 13/01/2002, lot 1373. $2,000-3,000
清佚名「仕女圖」設(shè)色紙本排源流：北京嘉德，2002年1月13日，拍品號：1373。
4
ANONYMOUS,REPUBLICPERIOD,EARLY 20TH CENTURY
Hanging scroll,
ink and colour on paper,
inscribed, signed and three red seals of the artists. 122 x 31.5cm
$1,000-2,000
民國 紫青女史「花卉博古」設(shè)色本排軸
5
A PAINTED TIBETAN THANGKA PADMAPANI,
19TH/20TH CENTURY
51.5 x 42cm
$500-700
西藏十九/二十世紀(jì)壇城唐卡西藏十九/二十世紀(jì)蓮花手菩薩唐卡
6
A PAINTED TIBETAN THANGKA MANDALA,
19TH/20THCENTURY
76x57cm
$800-1,200
A CHINESE QINGBAI CUP AND CUPSTAND,
SONG DYNASTY (960-1279)
Cup:8cm diameter; Cupstand:12cm diameter
$2,000-3,000
宋青白杯及杯托
A CHINESEMOULDEDQINGBAIBOXAND COVER,SONGDYNASTY(960-
1279)
The cover is finely decorated with a peony branch. 8cmdiameter
$800-1.200
宋影青印牡丹紋蓋盒
9
A CHINESE JUN PURPLE SPLASHED BOWL,
YUAN DYNASTY (1368-
1644)
17.4cm diameter
$3,000-5,000
元鈞案青釉紫斑盤
10
ACHINESEQINGBAICARVEDBOWL,
SOUTHERN SONG DYNASTY (1127-1279)
The interior is carved and incised with wave patterns. With a fitted box.
19.4cm diameter
$1,500-2,500
南宋影青刻海浪紋盤
11
A CHINESELONGQUAN CELADON TWIN
FISHWASHER,SOUTHERN SONG
DYNASTY (1127-1279)
12.5cm diameter
$1,000-2,000
南宋龍泉青釉雙魚洗
12
A SMALL CHINESE QINGBAI BOX AND
COVER, SONG DYNASTY (960-1279)
5.5cmdiameter
$600-800
宋影青蓋盒
13
APAIROFFINECHINESE QINGBAICARVED “BOYS"BOWLS,SOUTHERN SONG(1I27-1279) Each bowl with a foliate rim and a conical shape. A qingbai bowl with very similar decorations see Christie's New York, 22/9/2023,lot 1021.
17.9cm and 17.4cm diameter
$3,000-5.000
南宋影青娃娃紋盤一對
14
A CHINESE SHANXISTONE CARVING OF A
STYLIZEDFISH,LATEMING
DYNASTY,17TH CENTURY
119.8 \Chi 30cm
$800-1,200
晚明山西青石雕魚形磐
A CHINESESANCAI GLAZEDTILE,MING
DYNASTY (1368-1644)
Decorated with a buddha and twobodhisattva,later
mountedtoa tablescreen
91.4 x 47cm
$2,500-3,500
明三彩佛像硬木插屏
16
A CHINESE HUANGHUALI CHAIRJIAOYI,
QING DYNASTY (1644-1911)
99 x 62.3 x 54.3cm
$1,000-2,000
清黃花梨雕交椅
A FINE CHINESE BLUE AND WHITE DISH, KANGXI PERIOD (1662-1722)
The dish is finely decorated with “Eight Horses of Muwang". The base is with a blue and white censor mark within a double ring mark.
22cmdiameter
PROVENANCE
A private collection,ACT., acquired from Raymond and Victoria Tregaskis Oriental Antiques, Sydney, in circa2006.
$2000-3000
清康熙青花「穆王八駿」圖盤
18
A RARE CHINESEBLUEAND WHITEPLATE, KANGXIPERIOD (1662-1722)
It is finely decorated with three manchu ladies with an attendant. The base is with a blue and white leaf mark within a double ring mark.
15.5cm diameter
PKUVENANCE
LrIste s Lonuon, 19 /9.
A private collection, ACT., acquired from Raymond and Victoria Tregaskis Oriental Antiques,Sydney, 20/08/2005.(with original receipt,receipt no.0455) $1,000-2,000
清康熙青花人物侍女盤
A CHINESE KRAAK WARE SMALL BLUE AND WHITE BOWL, LATE WANLI PERIOD (1573-1619) It is finely potted and the center is finely is decorated with a roundel featuring a scholar in a mountain landscape.
14cm diameter
PROVENANCE
A private collction, ACT, acquired from Anita Gray, London in 1/9/1997 (With original receipt, no. 0750) $700-900
明萬晚期青花盤
20
A CHINESEBLUEANDWHITE‘PHOENIX'
JAR, KANGXI PERIOD (1644-1911)
30cmhigh PROVENANCE
Brans Antiques & Arts, W.A. $2,000-3,000
清康熙青花鳯紋罐
21
A CHINESEBLUEANDWHITEVASE
BAOFUPING,19THCENTURY
20cmhigh
$1,500-2,500
清十九世紀(jì)青花包袱瓶
22
ACHINESEBLUEANDWHITE"PHOENIX" DISH,YONGZHENG PERIOD (1722-1735) The interior centre,the back and base are finely decorated with phoenix flying amongst clouds. 2lcmdiameter
PROVENANCE
Private collection, VIC. $4,000-6,000
清雍正青花鳯紋碟
23
A PAIR OFCHINESEBLUEANDWHITE
‘DRAGON'DISHES,GUANGXUSIX
CHARACTERMARKSIN UNDERGLAZEBLUE
AND OF THE PERIOD (1875-1908)
16.5cmdiameter
$3,000-5.000
清「大清光年製」六字青花楷書款龍紋盤一對
24
A PAIR OFCHINESE BLUEAND WHITE
SQUARE BOTTLES,TRANSITIONAL PERIOD,
17THCENTURY
each27.5cm high PROVENANCE
A private collection, W.A. $1,500-2,500
明/清過渡期青花方瓶一對
A CHINESE BLUE AND WHITE GU SHAPED VASE,LATEMINGDYNASTY,16THCENTURY 30.5cmhigh
$1.000-2.000
晚明十六世紀(jì)青花默面紋
26
A CHINESE BLUE AND WHITEVASE GU,
KANGXI PERIOD (1644-1911)
35.7cm high
$2,000-3,000
清康熙青花
27
A FINELARGECHINESEBLUEANDWHITE BOWL,KANGXI PERIOD (1662-1722)
The bowl is finely potted and decorated with three groups of antique vessels,the interior centre is decorated with another similar group,the base with an apocryphal Chenghua mark.
19.5cmdiameter
PROVENANCE
A private collection, ACT., acquired from Anita Gray, London, 13/1/1995. (with original receipt, receiptno.423)
$2.000-3.000
清康熙青花博古盤
ACHINESEBLUEANDWHITEPORCELAIN BOWL,DAOGUANGSIX-CHARACTERSEAL MARKINUNDERGLAZEBLUEANDOFTHE PERIOD (1821-1850)
With afittedbox.
A similar example please see Christie's NewYork, 17/4/2024,lot 33.
18.3cm diameter
A CHINESEBLUEANDWHITETULIPVASE,
QING DYNASTY, GUANGXU PERIOD (1875-
1908)
24.5cm high
$3,500-5,500
清光青花蓮蓬五管瓶
PROVENANCE
An Important private collection, USA. $6,000-8,000
29
清「大清道光年製」六字青花篆書款及本朝青花枝壽字紋
APAIROFCHINESEBLUEANDWHITE
‘FLORAL'BOWLS QING DYNASTY,
QIANLONG PERIOD (1736-1795)
Each with deep rounded sides rising from a short foot to a flared rim,the exterior decorated withfive large floral blooms borne on meandering leafy scrolls.With an old fitted box.
18.2\;cm diameter
31
A CHINESE BLUE AND WHITE BOWL,LATE WANLIPERIOD,CIRCA1600 The bowl is finely potted and decorated with fine trees in the form of two“shou" characters. 10cmdiameter
PROVENANCE
Collection of Tianminglou, Hong Kong, acquired in Hong Kong in 1979.
Sotheby's Hong Kong, 30/5/2019, lot 32.
$15,000-25,000
PROVENANCE
A private collection, ACT., acquired from Raymond and Victoria Tregaskis Oriental Antiques,Sydney, 23/08/2007. (with original receipt, receipt no. 0548) $600-800
清乾隆青花枝花卉盤一對 明萬厝晚期青花“壽”紋
32
A CHINESEBLUEANDWHITEANDCOPPER
REDDECORATEDBOWL,KANGXIPERIOD
(1662-1722)
20.6cmdiameter
$1,000-2,000
清康熙青花馨紅盤
33
A CHINESEBLUEANDWHITEWASHER, YONGZHENG MARK, QING DYNASTY (1644- 1911)
With a wood Japanese box.
7.8cmdiameter
$800-1,200
清雍正款青花枝紋水盂
34
A CHINESE/VIETNAMESEIMPERIAL BLUE AND WHITEDRAGON BOWL,SHAOZHI
MARK, DAOGUANG PERIOD (1820-1850)
The bowl is decorated to the exterior with a pair of striding dragons pursuing flaming pearls, separated by scrolling clouds.This type of blue and white bowls were madefor theVietnamese court.
15.3cm diameter
$2,000-3,000
清紹治年製款道光時期景德鎮(zhèn)製越南御用青花龍紋盤
35
A LARGECHINESEBLUEANDWHITEJAR, KANGXI PERIOD (1644-1722)
The jar is well decorated with four phoenixes in flight amongst a continuous peony scroll, a band of Ruyi fungus around the neck, and an under-glazed blue doublering to the base.
35cm high
PROVENANCE
Raymond and Victoria Tregaskis Oriental Ceramics & Works of Art.
$2.000-3.000
清康熙青花鳯紋罐
36
ALARGECHINESEBLUEANDWHITEBASIN,
QING DYNASTY,17TH/I8TH CENTURY
38cm diameter;36.4cm high
$2,500-4,500
清十七/十八世紀(jì)青花山水紋大缸
The Estate of Miss Doris Ellen Ross (1904-1991) LOTS37-40
Born in Melbourne in 1904, Miss Doris Ellen Ross demonstrated prodigious talent as a pianist from a young age. In 1914, she began her studies at the Melbourne University Conservatorium of Music, charting a promising path in music. By 1919, she had moved to London to further her piano studies, subsequently performing in concerts and recitals until 1935.Following her return to Melbourne, Miss Ross joined her family's business of owning and managing hotels. After World War II, she travelled extensively across England, Europe, and Asia, amassing a significant collection of antiques and artworks during her journeys.
37
AFINECHINESEBLUEANDWHITE ‘FLORAL'OVOIDHUVASE,DAOGUANGSIXCHARACTERSEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1821-1850) The ovoid body raised on a spreading foot encircled by a band of petal lappets,and moulded with double bow-string borders enclosing bands of composite foliate and lotus scroll interrupted by a pair of moulded dragon mask and ring handles, all above a band of wind-tossed waves on the lower body repeated in a border at the mouth rim above a band of upright leaf tips on the waisted neck.
An almost identical hu vase, see Sotheby's New York, 21/9/2022,lot 222.
24.8cm high
PROVENANCE
Acquired in Hong Kong in the 5Os by Miss Doris Ellen Ross (1904-1991),hence by descent. $20,000-30,000
清「大清道光年製」六字青花篆書款及本朝青花枝花卉鋪首衡環(huán)尊
38
A CHINESEGILTIRON"DRAGON"BELTHOOK,17TH CENTURY OR EARLIER8cmwide
PROVENANCE
Acquired in Hong Kong in the 50s by Miss Doris Ellen Ross (1904-1991), hence by descent.
$800-1,200
清十七世紀(jì)或更早鐵鎏金龍紋帶
39
ARARECHINESEGILTANDSILVERED BRONZECONTAINER,LIAODYNASTY (916-1125)
16.8cm high; 1158g PROVENANCE
Acquired in Hong Kong in the 5Os by Miss Doris Ellen Ross (1904-1991), hence by descent.
$800-1,200
鐵鎏金銀花卉紋罐
A CHINESEWHITEJADECARVED OPENWORK ARCHAISTIC BISTYLEPLAQUE, QINGDYNASTY,18-19CENTURY 10.4\;x 6cm.
PROVENANCE
Acquired in Hong Kong in the 5Os by Miss Doris Ellen Ross (1904-1991), hence by descent.
$2,000-3,000
清十八/十九世紀(jì)和田白玉雕「宜子孫」排牌
41
A CHINESE WHITE JADE CARVED PLAQUE,
QING DYNASTY (1644-191)
5.7 x 4.5cm
$1,000-2,000
清和田白玉牌
TWOCHINESEWHITEJADEDCARVED PENDANTS, QING DYNASTY (1644-191) 7cm and5cmhigh
$1,000-2,000
清和田白玉雕牌雨
43
A CHINESE WHITEJADECARVEDPENDANT,
QING DYNASTY (1644-191I)
4.5x3cm
$800-1,200
清和田白玉牌
44
A FINE CHINESE WHITEJADE CARVED
DOUBLE GOURD DAJI PLAQUE,QING
DYNASTY (1644-1911)
6cmhigh PROVENANCE
A private collection, Toorak. $2,000-3,000
清和田白玉雕葫形大吉排牌
45
A CHINESEWHITEJADECARVED"DARGON" PENDANT, QING DYNASTY (1644-1911)
One side carved with a five-claw dragon, the other side carved with two characters“Long De".
6.5x4.3x0.8cm
$1,000-2,000
清和田白玉雕龍紋牌
46
A CHINESE WHITE JADE CARVING OF A
CHILONG PENDANT, QING DYNASTY (1644-
1911)
5.8cm high
$1,500-2,500
清和田白玉雕龍
47
A CHINESE WHITE JADE BANGLE, QING
DYNASTY (1644-1911)
7.9cm diameter
$1,000-2,000
清和田白玉手
48
A CHINESEWHITEJADECARVEDBANGLE, QING DYNASTY (1644-1911)
With a fitted box.
7.9cmdiameter
$2,000-3,000
清和田白玉雕手
A GROUP OFFOUR CHINESEJADE HAIRPINS, MING/QING DYNASTY The longest: 19.5cm
PROVENANCE
A private collection, Toorak. $2,000-3,000
明/清和田玉雕髪簪一組四件
A CHINESE AGATE CARVED PENDANT, QING DYNASTY (1644-1911)
It's finely carved with two boys on one side.
5cmhigh
$800-1,200
清瑪瑙雕排
51
ACHINESETHREECOLOURJADEITE CIGARETTE HOLDER,QING DYNASTY,LATE 19TH/EARLY20TH CENTURY The top is finely carved with a lion. 7.5cm long
PROVENANCE
The property of The Estate of Venise Alstergren. $600-800
晚清翡翠福祿壽雕煙嘴
A CHINESEAPPLE-GREEN COLOURED
JADEITE PENDANT, LATE QING DYNASTY (1644-1911)
It is oval-shaped and intricately carved with a cluster of pomegranates. The jadeite features an appealing, bright apple-green hue and was later mounted in gold as abrooch.
4cm wide (overall)
PROVENANCE
The C.Philip Cardeiro Collection. Christie's London, 13/5/2014, lot 44 (part) $50,000-70,000
晚清果翡翠雕「多子多?！古偶?/p>
53
APAIROFCHINESEJADEITEROUNDEL PENDANTS
Later mounted in gold to a pair of ear rings. 2cmdiametereach
$1,500-2,500
翡翠耳環(huán)一對
A PAIR OF CHINESEJADEITE EAR RINGS
2cm longeach
$600-800
翡翠耳環(huán)一對
55
A CHINESEPEACH-BLOOM GLAZEDBOX
AND COVER,KANGXIMARK, GUANGXU
PERIOD (1875-1908)
6.9cmdiameter
$2,000-3,000
清康熙款光時期豇豆紅釉蓋盒
56
A CHINESE CELADON GLAZEDBRUSH REST, REPUBLICPERIOD,EARLY20THCENTURY With a Japanese wood box.
7.2cmlong
$600-800
民國二十世紀(jì)早期豆青釉筆添
57
APAIROFCHINESERUBY-REDGLAZED BOWLS,GUANGXUSIX-CHARACTERIRONREDMARK AND OF THEPERIOD(1875-1908) 13.7cm diametereach
PROVENANCE
Private collection of a gentleman, VIC. $2,500-3,500
清「大清光年製」六字紅楷書款及本朝胭脂紅釉盤一對
A CHINESE APPLE-GREEN GLAZED WINE CUP, KANGXI MARK, QING DYNASTY (1644- 1911)
With a fitted box.
5.4cm diameter
$1,000-2,000
清康熙款果釉杯
59
A CHINESEBLUE-GLAZEDSQUARE
VASE,CONG,XIAFENGSIX-CHARACTER UNDERGLAZEDBLUE MARK AND OF THE PERIOD (1850-1861)
29.5cm high; PROVENANCE
A private collection, Sydney. $10,000-20,000
清「大清咸豐年製」六子青花款及本朝祭藍(lán)釉琮式瓶
60
A CHINESECOPPERREDGLAZEDSTEM
BOWL,QIANLONG MARK, GUANGXU
PERIOD (1875-1908)
16.8cm diameter; 10.8cm high
$800-1,200
清乾隆款光時期祭紅釉高足盤
61
A CHINESE FAMILLE-ROSE WINE CUP, QING DYNASTY,18TH CENTURY
The cup is finely decorated with five immortals
reading a Taiji scroll with their attendance near a pinetree.
7cmdiameter
$1,500-2,500
清十八世紀(jì)粉彩五老觀太極圖杯
62
APAIROFCHINESEFAMILLEROSE
BUTTERFLIESBOWLS,YONGZHENG MARK,
QING DYNASTY (1644-1911)
9cmdiameter
$3.000-5.000
清雍正款粉彩蝶紋盤
63
A CHINESE FAMILLE ROSE BOTTLE VASE, QING DYNASTY (1644-1911)
With a fitted hongmu stand and a Japanese wood box.
25cmhigh
$3,000-5,000
清粉彩牡丹紋瞻瓶
64
A CHINESEFAMILLE ROSEPORCELAIN VASE,BY LIANG DUISHI (ACTIVE 1920-1937) On side is finely decorated in famille rose with a scholar,a lady and two attendants in the studio,the other side with a poem translated as“cultivate virtue with careful thought, setting a model within the home; uphold family traditions through poetry and propriety." With three red seals of the artist: Ren, Xu and Ying.Another red seal of the artist “Shi Lu” on thebase.
Liang Duishi, also known by his literary names Shi Lu and Li Ze Xuan, graduated from the prestigious Jingxi Provincial Class-A Industry Ceramics
School.After completing his studies,he returned to Nanchang to establish and manage his own business, the Li Ze Xuan Ceramics Store. Tragically, in 1937, while fleeing for safety, he was killed in an air raid by a Japanesebomber.
21.5cm high PROVENANCE
China Guardian Beijing,13/5/2013,lot 5319. $10,000-20,000
民國梁允石作粉彩人物瓶源流：嘉德北京，2013年5月13日，拍品號：5319。
65
A CHINESEFAMILLEROSEVASE,
QIANLONG SIX-CHARACTER SEAL MARK IN
UNDERGLAZE BLUEAND OF THE PERIOD
(1736-1795)
20.5cmhigh PROVENANCE
Collection of Neville Healy.
A private collection,Coburg,VIC., acquired from above in2005.
$2,000-3,000
清「大清乾隆年製」六字青花篆書款及本朝粉彩羅漢象耳瓶
66
A CHINESELANGYAOVASE,QINGDYNASTY
(1644-1911)
35.4cmhigh
$800-1,200
清郎黒紅釉長瓶
67
A LARGE CHINESEFLAMBE GLAZEVASE,
DAOGUANG MARK, QING DYNASTY (1644-
1911)
43cmhigh
The Estate of Sue Hewitt (1941-2024) LOT68
Sue Hewitt's remarkable career began in the mid-1960s, where she served as Personal Assistant to the wife of the Administrator of Papua New Guinea from 1965 to1967,a role that led to her appointment as Personal Assistant to Maie Casey, wife of the Governor-General, Lord Casey, from1967to1969.
In 1969, Sue joined Christie's, as the Sydney Office Manager for its newly established Australian branch. Her career with Christie's spanned nearly two decades, during which she achieved numerous milestones, including becoming the first woman auctioneer for Christie's worldwide in 1976. She subsequently held leadership roles such as Managing Director, Deputy Chairman, andNon-ExecutiveDirector.
After leaving Christie's, she took on several Commonwealth appointments, including membership in the National Cultural Heritage Committee. She also established herself as a respected art consultant and valuer, working with public galleries, private clients, and corporate entities right upto her death inFebruary2024.
Sue Hewitt (1941-2024)遺產(chǎn)。
SueHewitt的非凡職業(yè)生涯始於20世紀(jì)60年代中期。她於1965年至1967年間任巴布亞新內(nèi)亞行政長官夫人的私人助理，此後被任命為總督凱西動爵（LordCasey）夫人梅：凱西（MaieCasey）的私人助理，任職時間為1967年至1969年。
1969年，Sue加入了佳士得拍賣行，任其新成立的澳洲分部一悉尼瓣事處的經(jīng)理。在佳士得近二十年的職業(yè)生涯中，她取得了多頂里程碑式的成就，包括於1976年成為佳士得全球首位女性拍賣師。隨後，她任了多個重要領(lǐng)導(dǎo)職位，包括總經(jīng)理丶副主席以及非執(zhí)行董事。
離開佳士得後，Sue肩負(fù)多頂英聯(lián)邦任命，包括任國家文化遺產(chǎn)委員會（NationalCulturalHeritageCommittee）的成員。此外，她還建立了自己作為兿術(shù)顧問和定專家的卓越聲響，為公共畫廊丶私人客戶及企業(yè)提供服務(wù)，直至她於2024年2月逝世。
68
A FINE CHINESEYELLOW-ENAMELLED BOWL, WANLI SIX-CHARACTER MARK IN UNDERGLAZEBLUEWITHINADOUBLE CIRCLE AND OF THE PERIOD (1573-1619) The bowl is thinly potted with rounded sides rising to a slightly flared rim, supported on a short foot, enamelled inside and out with a rich yellow enamel of deep egg-yolk tone. The base is covered with a clearglaze.
A Wanli yellow-enamelled bowl of similar size is in the Percival David Collection, now on loan to the British Museum (accession number:PDF. 543), illustrated in the R.Scott,Illustrated Catalogue of Ming and Qing Monochrome Wares in the Percival David Foundation of Chinese Art, London, 1989, no.543, pp.18-19; another three similar bowls sold at the auctions, one was sold at Christie's Hong Kong, 29/5/2019,lot 3153;the other one sold at the same house on 30/5/2005,lot 146l; the third one was sold at Sotheby's Hong Kong, 9/4/2024, lot 156. l6cm diameter
PROVENANCE
Christie's London, 10/6/1974, lot 91 (with the originalreceipt).
$7.000-9.000明「大明萬年製」款及本朝御製黃釉盤
源流：
佳士得偏敦，1974年6月10號，拍品號：91（附原發(fā)票）。
69
A CHINESETURQUOISEGLAZEDMOULDED ‘CHILONG'BOXANDCOVER,QIANLONG FOUR-CHARACTERMOULDEDSEALMARK AND OF THE PERIOD (1736-1795)
With an oldJapanese wood box.
14.6cm diameter;6cm high
PROVENANCE
An old private collection, Japan. (With an original insurance receipt, dated to June,1917) $4,000-6,000
清「乾隆年製」四字模印篆書款及本朝松石釉仿
古龍紋蓋盒及日本木盒
附1917年6月保險(xiǎn)單原件
70
A CHINESE IRON RED-GLAZED DISH,
QIANLONG SIX-CHARACTER UNDERGLAZE
BLUE SEAL MARK AND OF THE PERIOD
(1736-1795)
16.6cmdiameter
$1,500-2,500
清「大清乾隆年製」六字青花篆書款及本朝祭紅釉盤
71
A CHINESEPEACH-BLOOM-GLAZE
AMPHORA VASE,LIUYEZUN,KANGXI MARK, GUANGXU PERIOD (1875-1908)
with a fitted wood stand.
16.7cm high
$2,000-3,000
清康熙款光時期豇豆紅釉柳葉尊
A CHINESEPEACH-BLOOM-GLAZE
AMPHORA VASE, LIUYEZUN, KANGXI MARK, GUANGXU PERIOD(1875-1908)
with a fitted wood stand.
15cm high
$4,000-6,000
清康熙款光時期豇豆紅紅釉柳葉尊
A SMALL CHINESE YELLOW-GROUNDINK ENAMELED“POEM"VASE,QIANLONG MARK,REPUBLIC PERIOD,EARLY 20TH CENTURY
The body is finely decorated with a poem in ink enamel with red seals of TangYing. With a carved woodstand.
4.6cm high (vase)
$800-1,200
民國二十世紀(jì)早期黃地墨彩詩文瓶及木底座
74
A CHINESEFAMILLE-ROSEANDIRON-RED ‘BOYS'SNUFFBOTTLE,QIANLONGFOURCHARACTERMARK
With an old fitted box.
5.9cmhigh
$800-1.200
清乾隆款嬰圖粉彩鼻煙壺
75
AVERYRAREANDFINECHINESESOFT
PASTEFAMILLE-ROSESQUAREMOULDED VASE,QIANLONGSIX-CHARACTER
MOULDEDSEALMARKANDOFTHEPERIOD (1736-1795)
The front and back each side is finely moulded in relief with a scholars’studio scene.
10.8cmhigh
John Sparks Ltd, London. (label to the base). $5,000-7,000
清「大清乾隆年製」六字模印篆書款及本朝胎粉 彩博古紋方瓶
76
ALARGECHINESEFAMILLEVERTEVASE, QINGDYNASTY,19THCENTURY
The vase is finely decorated with flowers and birds. 58cmhigh
$2,000-3,000
清十九世紀(jì)粉彩花鳥大瓶
77
A PAIROF CHINESELARGEFAMILLE-ROSE
VASES,TONGPING,DAOGUANGSIX
CHARACTERUNDERGLAZEBLUEMARK
AND OF THE PERIOD (1820-1850)
Each about 6l.5cm high
$3,000-5,000
清「大清道光年製」六字青花楷書款及本朝粉彩大筒瓶一對
78
ANIMPORTANT AND RARE CHINESE BLUE AND WHITE AND IRON RED GROUND
SQUAREDOUBLE-GOURD"EIGHTMUSICAL INSTRUMENTS"VASE,LONGQING SIX
CHARACTER UNDERGLAZE MARK AND OF THE PERIOD(1567—1572)
Compare with a similar vase,see Enlightening
Elegance - Imperial Porcelain of the Mid to Late Ming, The Huaihaitang Collection, p. 220, fig.55, The Chinese University of Hong Kong Art Museum, 2012.
18.5cm high
Collection of an important Japanese collector.
LITERATURE
Refined Connoisseurship:An Appreciation of Japanese Private Collections in Chinese Ceramics, no.99.
$100,000-200,000
明「大明隆年造」六字青花楷書款及本朝御製青明「大明隆慶年造」六字青花楷書款及本朝御製青花紅彩八音圖葫藍(lán)瓶
參閣：《機(jī)暇明道一懷海堂藏明代中晚期官案瓷器》，55圖，香港中文大學(xué)文物館，2012年。
源流： 重要日本私人藏家珍藏。
《名瓷我觀：日本私家收藏清賞》，圖版：99。
This vase has a square mouth and a tightened waist, shaped like a bottle-gourd but has squarish sides. The main theme of"Eight Musical Instruments" are painted with underglaze blue accompanied by flower sprays. The blank spaces are filled with overglaze red enamel over a secondary firing at a lower temperature.Thevery bright underglaze blue contrasts with the deep red overglaze enamel to produce an exquisite polarity bringing forth a riveting ancient look.The base has a six-character regular script mark of "made in the Great Ming's Longqing reign" in underglaze blue. This is indeed a fine piece of work from the Longqing period.
The"Eight Musical Instruments"(Bayin in Chinese) were well recorded inthe bookSanzijing bythe Song dynasty writerWangYingling.It stated that the pao (pottery gourds),tu (clay),ge (hide),mu (wood), shi (stone), jin (metal), si (silk) and zhu (bamboo) produce the eight sounds (Bayin).These sounds are typically represented by themusicalinstruments of zhong, qing, qin, xiao, sheng, xun, gu and zhu. The earlyMingEmperorTaizu established strictmusic and musical instruments to be performed at the very solemnimperial temples and ritual festivities.Subsequent emperors also followed in establishing ritual and solemn regal music to be performed during their reigns.The Jiajing reign (1522-1566) had established the most imperial ritual music.This was followed by Emperor Longqing (reigned 1567-1572). The Longqing period porcelains with the theme painting of the "Eight Musical Instruments"showed the emperor's devotion to ritual imperial music.
The Longqing period was only a short reign of six years.It was however a tumultuous six-year period including a great flood which had severely affected the production in Jingdezhen.Production of porcelain plummeted as a result. As such, it is usually quite rare to find porcelain vessels made in the Longqing period. However, Geng Baochang's renowned book Ming and Qing Porcelain on Inspection stated that:"It is not as recorded in most literature and reports that ‘there are no porcelain vessels of the Longqing period'. From some extant relics,it could be seen that the two types of porcelain, the wucai and the blue and white both achieved a very remarkable high skill in the three reigns of Jiajing, Longqing and Wanli. These two are head and shoulders above the rest of the other porcelain." The current squarish bottle-gourd vase is quite unique and innovative with a very light and taut body. The underglaze blue has a tinge of purple while the red ground color is pure and intense emanating an ancient elegance. This vase is still in an impeccable condition.Vessels of similar design and painting had not been found sofar after careful scrutiny of published details from various Chinese and overseas museums. This vase seems to be the only extant vessel of its kind from the Longqing period.
此瓶造型別致，方口束腰，呈方形葫蘆狀。器身以青花繪製“綬帶八音圖”為主題紋飾，間以折枝花卉裝飾，構(gòu)圖繁密而不失雅致。空白處施以紅彩，采用二次低溫?zé)u工藝完成。青花色澤鮮艷明麗，紅彩深沉純正，二者對比強(qiáng)烈，增添古樸大氣之美。器底書有“大明隆慶年造”六字青花雙框楷書款，彰顯其隆慶一朝官窯精品身份。
“八音”一詞源于宋代王應(yīng)麟《三字經(jīng)》：“鮑土革，木石金。絲與竹，乃八音?！币庵哥娯寂?、琴、簫丶笙、壩、鼓、祝八種傳統(tǒng)樂器，是中國文化中寓意吉祥的經(jīng)典圖案之一。類似的“天寶圖”在《程氏墨苑》中亦有記載，強(qiáng)調(diào)樂器圖案承載了聲、音、律與和諧理念?！抖Y記·樂記》曾提到：“樂者，天地之和也；禮者，天地之序也。”樂象征天地的和諧，禮則是宇宙的秩序與規(guī)范。明史中記載，明太祖製定宗廟禮樂，后歷代皇帝不斷完善，其中嘉靖朝最為盛行。隆慶皇帝秉承禮樂傳統(tǒng)，奉行“大樂與天地同和，大禮與天地同節(jié)”的理念。隆慶三年修訂的禮樂體系，與隆慶瓷器上的“八音圖”紋飾相互呼應(yīng)，反映出禮樂文化在器物上的彰顯。
隆慶朝僅有六年，因時局動蕩與景德鎮(zhèn)水患，瓷器產(chǎn)量銳減，存世器物尤為稀少。據(jù)耿寶昌《明清瓷器鑒定》記載：“隆慶時期的青花與五彩器物技藝尤為精湛，獨(dú)樹一幟?！贝朔叫魏J瓶胎體輕薄，製作精巧，青花呈藍(lán)紫色調(diào)，紅彩純正鮮艷，紋飾布局精密協(xié)調(diào)，古雅而端莊，盡顯明代製瓷藝術(shù)的高峰水準(zhǔn)。
經(jīng)查閱國內(nèi)外博物館資料，同類紋飾與器型罕見，僅見此一例。本品狀態(tài)保存完好，是隆慶一朝官窯匠心與卓越技藝的杰出結(jié)晶，尤為珍貴，堪稱傳世佳品。
A CHINESE FAMILLE ROSE DISH,I8TH
CENTURY
17cmdiameter
$1,000-2,000
清十八世紀(jì)宣德款粉彩海水瑞默文官碟
80
ACHINESEFAMILLEROSECUP,KANGXI
SIX-CHARACTERUNDERGLAZEBLUEMARK
AND OF THE PERIOD (1662-1722)
7cmdiameter
$1,500-2,500
清「大清康熙年製」六字青花楷書款及本朝粉彩人物杯
81
A CHINESEFAMILLEROSECUP,DAOGUANG IRON-REDFOUR-CHARACTERSEALMARK AND OF THE PERIOD (1821-1850) 7.6cm diameter; 6cm high
PROVENANCE
A private collection, Sydney and US. $800-1,200
清「道光年製」四字攀紅款及本朝粉彩人物詩文杯
82
A RARE PAIR OF DOUCAIDISHES, YONGZHENG SIX-CHARACTER MARKS IN UNDERGLAZE-BLUE WITHIN A DOUBLE SQUARES AND OF THE PERIOD (1723-1735) The interior of each dish finely decorated with grapes, the exterior with fruits and flowers branches.
Dishes featuring this grapevine pattern were crafted as emulations of Chenghua doucai prototypes,
such as the Chenghua-period wine cups. Notable examples include two pieces in the National Palace Museum (museum no. 005245N & 005246N) and another in the Capital Museum, Beijing (museum no. 00091442).
each 8.2cm diameter PROVENANCE
A private collection,Sydney,acquired in the early 2000s.
$30,000-50,000
清「大清雍正年製」六字青花楷書款及本朝斗彩葡萄紋盤一對
83
A CHINESEDOUCAIBOWL,QIANLONG MARK, GUANGXU PERIOD (1875-1908) 12.8cm diameter
PROVENANCE
A private collection, Toorak. $2,000-3,000
清乾隆款光時期斗彩卷草花卉盤
84
A RARE AND FINE CHINESEINK ENAMELED ‘DRAGON'PROCELAINPLAQUEAND HUANGHUALITABLE SCREEN, TANG YING SEAL MARK, QIANLONG PERIOD (1736-1795) The porcelain plaque features avigorous dragon painted in monochromatic ink, exhaling water, with swirling clouds emanating from its movements. The dragon’s coiling body weaves through the clouds,with its powerful claws and dynamic expression capturing a sense of vitality. The meticulous painting style conveys grandeur and an ethereal presence,evoking classical Chinese poetic imagery of dragons soaring throughcosmicrealms.
In the bottom right corner of the plaque are two red seals,“Tao” and “Zhu” seals frequently used by Tang Ying,a prominent imperial porcelain craftsman of the Qing dynasty. Tang Ying regarded this seal as symbolic of his craft, with its meaning rooted in ancient texts, signifying transformation and mastery.
TangYing,an admirer of dragon magery,often illustrated ink dragons and penned poetry that complemented his pieces.His poem collection, Tao Ren Xin Yu, includes several dragon-themed poems. One such poem appears on an ink-painted dragon brush pot held by theArt Museum of the Chinese University of Hong Kong,capturing a majestic image of a dragon resonant with ChenRong's Song-dynasty ink dragon paintings. This artistry reflects Tang Ying's deep admiration for the dragonmotif and his sophisticated, expressive approach to porcelain painting.
This seven-character quatrain about the ink dragon is also inscribed on a celestial vase with the Tao Jun mark by TangYing,formerly held by the China National Arts and Crafts Import and Export
Corporation.Both this piece and the museum
collection mentioned are available for reference. Inkstone screens were especially popular during the Qianlong period, prized as refined scholarly desk items.This piece combines the artistry of ceramics and painting,embodying the elegance of Song dynasty aesthetics and exuding a refined scholarly charm. It parallels the ink-painted dragon brush pot and the ink dragoncelestial vase,displaying a unique artistry distinctive to TangYingis craft. As a sophisticated desk piece crafted by Tang Ying himself, it serves as a rare testament to his years in porcelain production, enhancing its value as a collector's item.
24 5cm hioh· 14 5cm wide
PROVENANCE
An important private collction, Hong Kong. $7,000-9,000
清乾隆唐英「陶」「」款墨彩雲(yún)龍圖硯屏瓷板正面以墨彩龍吐水，雲(yún)氣翻龍而動，龍軀騰挪現(xiàn)雲(yún)間，龍爪蚓勁有力，龍首髪皆張，龍口吐出甘霖，遍撒人間。整幅瓷繪製細(xì)膩有力，氣勢飄渺磅礴，頗有「扶河漢，觸華嵩。普厥施，收成功。元?dú)猓翁铡怪狻４砂逵蚁路解徖L紅彩連珠篆書方印「陶」「」，此為唐英自製瓷器中的常用印章，以「陶」自喻製陶之人，典出《墨子·耕柱》：「昔者夏后開使輩廉，折金於山川，而陶之於昆吾?！?/p>
唐英生前喜繪墨龍，其詩集《陶人心語》收錄多首畫龍?jiān)?，這些墨彩穿雲(yún)龍亦多繪於其自製瓷器之上。香港中文大學(xué)文物館藏唐英製墨彩雲(yún)龍紋筆筒上題詩云：「指日春雷震太空，甲鱗頭角動英雄。乘雲(yún)帶雨飛千里，吸霧呼風(fēng)上九重。杖葛陂仙法大，點(diǎn)睛僧壁巧人同。恩波挑浪溶溶暖，一任邀游四海中?！雇采砟垰忸H似宋代陳容墨龍圖。
此詩亦題於原中國文物總店藏唐英製「陶約」款墨彩雲(yún)龍?jiān)娢奶烨蚱恐?，此雨件博物館典藏可資參考。乾隆時期硯屏極為流行，作為文房雅器廣受文人雅士喜愛。本品融陶瓷丹青為一體，承宋時之氣，儒雅雋永，輿墨龍筆筒、墨龍?zhí)烨蚱坑匈闱ぶ?，是唐英自製文房雅器中的珍品，亦為其多年主持御案工坊權(quán)陶之實(shí)物見證，殊為難得，愈珍貴。
參閣：
清乾隆「陶鈞」款墨彩雲(yún)龍紋題詩天球瓶，原中國文物總店藏，《中國古代陶瓷藝術(shù)一明清彩瓷與顔色釉》，2007，頁178至頁181。清乾隆墨彩雲(yún)龍筆筒，香港中文大學(xué)文物館藏。
源流：香港重要私人藏家藏。
85
A PAIR OF CHINESE FRAMED QIANJIANG PANELS BY WU GAO SANREN, DATED TO 1918 Each panelfinely painted with a river landscape scene, inscribed, signed and one red seal of the artist. each panel(with frame):98.5x43cm $1,500-2,500
吳皋1918年淺絳彩山水排屏一對
86
A CHINESEFAMILLE-ROSEPORCELAINAND ZITANTABLESCREEN,19THCENTURY
The porcelain panel is finely decorated with a vibrant composition of flowers and butterflies, demonstrating exceptional artistry and meticulous attention to
detail. It is mounted within a finely carved zitan
wood frame,the reverse of which features an intricate design of five bats flying amidst swirling clouds above stylized waves, symbolizing blessings and longevity. The stand is further embellished with delicately
carved floral scrolls and archaistic patterns, adding a harmonious touch of elegance and cultural depth to thepiece.
A02015m
PROVENANCE
Private Collection,Melbourne,Australia,acquiredy decent from Milton W. Dobryzensky (Tao Peng Zhi Qian) Collection, purchased from Gumps pre-1950. $2,000-3,000
清中期紫檀雕嵌粉彩瓷板桌屏
源流：
陶朋志謙（Miltonw.Dobryzensky）藏，1950年前藏於菁金山Gumps百貨，後傅於家族後人
87
A PAIR OF CHINESE FAMILLE-ROSEDISHES,
QIANLONG MARK, GUANGXU PERIOD (1875-
1908)
16cmdiameter
$2.000-3.000
乾隆款光粉彩碟一對
A PAIR OF CHINESEFAMILLE-ROSE
DISHES,YONGZHENGSIX-CHARACTER UNDERGLAZED BLUE MARK AND OF THE PERIOD (1723-1736)
Each dish finely decorated on the interior with a blossoming peony and other fruit tree branches. 15cm diameter
PROVENANCE
Bonhams London, 14/5/2019, lot 609. Collection of Tang Shaoyi (1862-1938),the first Prime Minister of theRepublic of China. $8,000-12,000
清「雍正六字青花楷書款」及本朝粉彩花果紋盤 一對
源流：
邦翰斯偏敦，2019年5月14號，拍品號：609。
民國第一任內(nèi)閣總理唐紹儀蓄藏。
89
A CHINESEFAMILLEROSE
CHRYSANTHEMUMDISH,YONGZHENG
MARK
19.5cm diameter
$5,000-7,000
清雍正款粉彩牡丹花卉紋盤
90
A PAIR OFCHINESEIRON-REDANDGILT DECORATED"DRAGON"CUPS,GUANGXU MARK AND OF THE PERIOD, DATED TO 1905 The two characters Zheng Jun'are written in gold at the centre of the interior.
7.5cmdiameter
$1,500-2,500
清「光三十一年秋季大操紀(jì)念」款及本朝攀紅龍 描金龍紋杯一套
91
A PAIR OF CHINESE WUCAI‘DRAGON
ANDPHOENIX'BOWLS,GUANGXUSIX
CHARACTER MARKS IN UNDERGLAZE BLUE AND OF THE PERIOD (1875-1908)
Each bowl has deep, rounded sides flaring slightly to the rim, and the exterior is decorated with two phoenixes descending between green and iron-red dragons pursuing flaming pearls amidst flower sprigs, below a band of Buddhist Emblems alternating
with ruyi heads joined by a blue line. The interior is decorated with a medallion of an iron-red dragon leaping in pursuit of a flaming pearl.
14cmdiameter
$10.000-20.000
清「大清光年製」六子青花楷書款及本朝五彩龍 鳳紋一對
92
TWOCHINESEIRON-REDDECORATED
‘DRAGON'CUPS,TONGZHIANDGUANGXU MARKSAND OFTHEPERIODS.
One is with Tong zhi mark and of the period, the other one with Guangxu mark and of the period. 6cmdiametereach
$2,000-3,000
清同治款及本朝暮紅龍紋杯及光緒款及本朝攀紅 龍杯
93
A PAIROFCHINESEIRONREDANDGILT DECORATEDDRAGONBOWLS,QIANLONG MARK,GUANGXU/EARLYREPUBLIC
PERIOD,EARLY 20TH CENTURY
each bowl with its original fitted carved zitan stand, the pair also with a fitted zitan box.
12cm diameter;7 cm high
PROVENANCE
A private collection Melbourne, acquired from an important estate in Marietta, GA,USA in 24th May, 2015.
$5000.7000
乾隆款清末/民國初年攀紅描金龍紋盤一對及原配紫檀底座及錦盒
94
A VERYRARECHINESEAUBERGINE
GLAZED MEIPING, QIANLONG INCISED SIX-CHARACTER SEAL MARK AND POSSIBLY OF THE PERIOD (1736-1795)
Similar example see Christie's Hong Kong,
30/5/2024,1ot 2707.
22.6cmhigh
PROVENANCE
The Quek Kiok Lee Collection.
Gora Singh Mann Collection,Wollongong (label no. 1123)
Mr Mann was a well-known local philanthropist, has been collecting art for over fifty years and has amassed an impressive collection. With his business partner and friend, William Tatlow, they donated a significant portion of their collection of Asian ceramics and art to the Wollongong Art Gallery.
Mr Mann has also generously donated art from
his collection to the Mudgee District Hospital, the Mid-Western Regional Council and many other local businesses.
An important private collection, Sydney.
$40,000-60,000
清「大清乾隆年製」六字篆書刻款或?yàn)楸境哑ぷ嫌悦菲?/p>
95
ALARGECHINESEWHITEGLAZEDANHUA DECORATEDVASE,YONGZHENGPERIOD (1722-1735)
The body was finely incised with floral scrolls. It's with a fitted zitan stand and a Japanese wood box. 40cmhigh
An important private collection, Tokyo, Japan. $5,000-6,000
清雍正白瓷暗花燈箭瓶
96
ACHINESE TEADUSTGLAZEDVASE, QIANLONG MARK, QING DYNASTY (1644-1911) The vase is in an archaistic form, it's covered with a tea-dust glaze, characterized by its rich,lustrous tone and smooth,fine surface.While predominantly greenish in hue,closer inspection reveals the interplay of yellow and green powder-like glazes. The subdued and elegant coloration conveys a sense of restraint and dignity,freefrom ostentation.It embodies a serene and understated sophistication,resonating with the simplicity and purity valued by literati and scholars.
It's with a fitted hongmu stand, and a Japanese wood box.
PROVENANCE
Collection of Asano Sayijiro (by repute). $8,000-10,000
清乾隆款茶葉末釉雙耳瓶源流：日本東京淺野家舊藏(據(jù)收藏?。?/p>
97
A CHINESE CLAIR-DE-LUNE GLAZED VASE, KANGXI MARK, QING DYNASTY (1644-1911) 22cm high
$3.500-5.500
清康熙款天青釉如意耳梅瓶
98
ARARE CHINESEWUCAIAND UNDERGLAZE DECORATEDBOWL,WANLI SIX-CHARACTERMARKWITHINDOUBLECIRCLES AND OF THE PERIOD (1573-1619) With shallowrounded sides rising to a slightly everted rim from a short foot, painted in underglaze and enamelled on the exterior with nine children at play in a landscape scene,below a band of stylised waves around the rim, the interior with a simplified dragon within double-circles,blue borders at the interior rim and foot ring. With a Japanese wood box.
Compare toavery similarbowl,see Christie'sHong Kong, 1/6/201l, lot 3829.
10.8cm diameter PROVENANCE
An old private collection, VIC. $4,000-6,000
明「大明萬年製」六字青花楷書款及本朝五彩嬰圖
99
A LARGEANDFINE CHINESEFAMILLEROSE VASE,JIAQING PEIROD(1796-1820)
It's finely painted with immortals in the landscape. Compare to a similar example, see Sotheby's Paris, 9/12/2021, lot 177.
70cmhigh
PROVENANCE
The Quek Kiok Lee Collection.
Gora Singh Mann Collection, Wollongong (label no. 1123)
Mr Mann was a well-known local philanthropist, has been collecting art for over fifty years and has amassed an impressive collection. With his business partner and friend, William Tatlow, they donated a significant portion of their collection of Asian ceramics and art to the Wollongong Art Gallery. Mr Mann has also generously donated art from
his collection to the Mudgee District Hospital, the Mid-Western Regional Council and many other local businesses.
An important private collection, Sydney.
$15,000-25,000
清嘉慶粉彩山水高士大瓶
100
ACHINESEWUCAIHIGHFOODWATER POTANDCOVER,YONGZHENGFOURCHARACTERUNDERGLAZE BLUE MARK AND OF THEPERIOD ((1723-1735)
The body is finely decorated with three fish in iron red.
6.7cm high;6.2cm diameter
$1,500-2,500
清「雍正年製」四字青花楷書款及本朝五彩魚藻 紋高足水孟
101
A CHINESE LARGE FAMILLE-VERTE DISH,
QING DYNASTY,19TH CENTURY
42cmdiameter
$1,000-2,000
清十九世紀(jì)五彩人物大盤
102
ACHINESEFAMILLEVERTEBRUSHPOT,
KANGXI/YONGZHENGPERIOD,18TH
CENTURY
13.5cm high;10.2cm diameter
$1,500-2,500
清十八世紀(jì)康熙/雍正時期五彩人物筆筒
103
A CHINESE FAMILLE ROSE VASE,JIAQING
MARK, REPUBLIC PERIOD,EARLY 20TH
CENTURY
28cmhigh
$800-1,200
民國二十世紀(jì)早期粉彩瓶
104
ACHINESEFAMILLEROSEGILT
DECORATEDCORAL-GROUND\*LANDSCAPE”
VASE, QIANLONG SIX-CHARACTER SEAL
MARK IN IRON REDAND POSSIBLY OF THE
PERIOD (1736-1795)
34cm high PROVENANCE
An important private collection,Tokyo,Japan. $12,000-22,000
清乾隆款或?yàn)楸境汉鞯胤鄄书_光山水大瓶
105
AFINECHINESELARGEFAMILLEROSE
SGRAFFIATORUBY-GROUNDLANDSCAPE
VASE,QIANLONGSIX-CHARACTERIRON
RED MARK, LATE QING DYNASTY, LATE 19TH
CENTURY
41.4cm high
$1,500-2,500
清乾隆款十九世紀(jì)粉彩珊瑚地匝道開光山水紋大瓶
106
A CHINESEYIXINGGE-GLAZEDFLOWER SHAPED BOWL,QING DYNASTY (1644-1911) with a carved fitted wood stand.
17.7cm diameter
$1,500-2,500
清宜興紫砂哥釉花口盤
107
A CHINESEINSCRIBEDGE-GLAZEDYIXING
FLOWER SHAPED BOWL, PENGNIAN MARK,
QING DYNASTY,19TH CENTURY
10.5cmdiameter
$1,500-2,500
清十九世紀(jì)彭年款宜興紫砂哥釉菊瓣紋盤
108
A CHINESEBLACKTIXI'LACQUERBOWL MING DYNASTY,16TH CENTURY The exterior of the bowl is deeply carved through layers of black and red lacquer with ruyi-shaped cloud scrolls,the interior and base along with the rims lined with a metal alloy fitting. It's with a fitted box.
A similar tixi bowl, see Christie's New York,21/3/2019, lot 1121.
15.3cm diameterPROVENANCE
Sotheby's London, 10/5/2017, lot 143.$8,000-12,000明十六世紀(jì)黑漆剔犀如意紋盤
源流：
蘇富比偏敦，2017年5月10日，拍品號：143。
A FINE CHINESE CARVEDCINNABAR LACQUER BOWL,MING DYNASTY (1368-1644) The bowl is finely carved to the exterior with the SevenSages of the Bamboo Grove engaged in various literati pursuits,including playing the qin, accompanied by young attendants set within a bamboo grove, the interior lined with silvered metal.
Similar example see Bonhams London, 2/l1/2021, lot 14.A larger example see Christie's Hong Kong, 20/11/2023, lot 2944.
16amdin PROVENANCE
Sakamoto family collection, Tokyo. $5,500-7,500
明剔紅竹林七賢盤
110
A SMALL CHIENSE CINNABAR LACQUER CARVEDBOXANDCOVER,MING DYNASTY (1368-1644)
The cover is finely decorated with a scholar sitting under a pine tree. With a wooden Japanese box. 4cmdiameter
$800-1.000
明 剔紅樹下高士小香盒
111
A LARGE CHINESE CINNABAR LACQUER CARVEDBOXANDCOVER,QIANLONG MARK, QING DYNASTY (1644-1911) 34.7cm diameter;14.7cm high
PROVENANCE
A private collection, Toorak. $3,000-5,000
清乾隆款剔紅亭臺人物大蓋盒
112
AVERYFINECHINESECARVEDCINNABAR
LACQUERBOXANDCOVER,QIANLONG
PERIOD (1736-1795)
21.lcmdiameter
$8.000-10.000
清乾隆剔紅山水高士蓋盒
113
ACHINESESQUARECARVEDCINNABAR LACQUER DISH, MING DYNASTY (1644-191) The interior is finely carved with scholars and an attendant in a natural landscape.
24cmdiameter
$2,000-3.000
明剔紅萎角訪友圖方盤
114
A LARGE CHINESE TIXILACQUER TRAY, MINGDYNASTY,16TH/17TH CENTURY With a Japanesewood box.
52x33.5cm
$6,000-8,000
明十六/十七世紀(jì)剔犀大托盤
115
AVERYFINECHINESECARVEDCINNABAR LACQUER·MAGPIE'BOWLMINGDYNASTY (1368-1644)
The bowl is finely carved to the exterior with two magpies perched on boughs of flowering prunus, all between keyfret bands to the rim and foot,the interior and base lined with silvered metal.
11.6cm diameter PROVENANCE
Sakamoto family collection, Tokyo. $5,500-6,500
明 剔紅喜上梅梢盤
116
ACHINESECARVEDPOLYCHROMELACQUER TABLESCREEN,QIANLONGPERIOD (1736-1795)
This table screen is framed with zitan wood, its outer edges decorated with swirling guaizi (hook) patterns resembling flowing clouds. The rectangular frame is meticulously crafted and rests within a zitan stand carved with ruyi scroll motifs, showcasing fine detail andprecision.
The screen's surface is embellished with tihong (carved red lacquer) work.A brocade-patterned ground serves as the base, upon which a treasurefilled jubao pen (auspicious treasure basin) is intricately carved,surrounded by entwinedforal scrolls. The basin overflows with various symbols of prosperity and good fortune, emanating radiant light. Above it, a prominent “Chun"(Spring) character is depicted, its interior featuring a foral brocade pattern with a central round cartouche.Within this cartouche, a Shouxing (God of Longevity) figure is seated beneath a pine tree,accompanied by a crane and a deer, symbolizing “Harmony of Crane and Deer in Spring”and “Pine and Crane for Longevity,” both auspicious motifs.
The Chun character and treasure motifs are
traditional symbols of good fortune in ancient
Chinese imperial culture,frequently featured on various artifacts. This piece employs the classic
carved lacquer technique, showcasing rich and solid lacquer application, masterful carving precision, and smooth, expressive lines. The overall composition is perfectly balanced, presenting the design in its finest form, epitomizing the exquisite craftsmanship and culturalheritage of the time.
75221m
PROVENANCE
A private collection, Japan, acquired from London in the 80s.
$8.000-12.000
清乾隆剔彩「春至聚實(shí)」插屏
此插屏外側(cè)為紫檀木框，框上綴有拐子紋，呈流雲(yún)狀，四方周正，插入刻如意卷草紋飾的紫檀架上，細(xì)之處精雕細(xì)琢。屏面施剔紅，先鋪錦紋作地，再雕刻出包圍在枝花卉之中的聚實(shí)盆來，盆中可見各式吉祥瑞寳，映射出萬道霞光，正上方又托其一個碩大的“春”字，字內(nèi)點(diǎn)綴花形錦地，其中心可見圓形開光，居中有一壽星端坐於松下，身旁仙鶴、文鹿，取“鶴鹿同春”、“松鶴延年”等祥瑞之意。
春字聚寶是中國古代宮廷中的一種傅統(tǒng)吉祥圖案，常被刻盡於各種器具之上。這件作品用經(jīng)典的雕漆工藝來予以表現(xiàn)，施漆純正扎實(shí)，連刀犀利入神，通過流暢的線條勾勒和對整體構(gòu)圖的完美把握將其以最好的狀熊呈現(xiàn)出來。
119
117
AFINEBEIJINGPARTIAL-GILTSILVER
ENAMEL BOX AND COVER, QING DYNASTY
(1644-1911)
6.2cmdiameter
Mark Walberg Fine Art and Antiques, P.A., USA. $500-700
清北京銀胎琺琊蓋盒
118
A CHINESEGILT-BRONZEAND CLOISONNE
CENSER, QIANLONG MARK AND OF THE
PERIOD (1736-1795)
14.5cm wide; 8cm high
$8,000-12,000
清「乾隆年製」款及本朝掐絲琺琊獸耳香爐
119
A CHINESE GILTBRONZE CLOISONNE
ENAMELINCENSESQUAREVASE,STICKS
AND SQUAREBOX AND COVER,QIANLONG
MARK AND OF THE PERIOD (1736-1795)
vase:12cm high;box:6cm wide
$5,000-7,000
清「大清乾隆年製」及千字文款及本朝掐絲琺琊香具
120
ACHINESEARCHAISTICGILT-BRONZEAND CLOISONNE ENAMELFANGDING CENSER ANDCOVER,QIANLONGMARKANDOFTHE PERIOD (1736-1795)
A similar example see Sotheby's Hong Kong,
25/11/2022, lot 512.
13cm high
$6,000-8.000
清「大清乾隆年製」及千字文款及本朝掐絲琺琊方鼎式香爐
121
A CHINESE GILTBRONZEAND TURQUOISE
INLAID CENSER AND CAP STAND, QING
DYNASTY (1644-1911)
28.5cmhigh
$5,000-7,000
清鎏金嵌松石高足香薰本品在鋼胎上施鎏金製成，器形別，頂部蓋面以中心為軸，分兩段放射性散開而呈菊瓣?duì)?，輿托底的兩層反向菊瓣相合，顯得豐潤滿，富貴華麗，極具宮廷風(fēng)。下方立三如意足，修長曲折，如意柄上各處突起卷草狀的雕飾，豐富了全器的層次感，而點(diǎn)綴於三如意足通體的夔龍樣松石雕嵌則帶來了清雅的格調(diào)，在色彩上加強(qiáng)了全器的整體性。
器物造型古樸大氣，鎏金厚重，璀璨奪目，光芒耀眼，加嵌松石更增玲琊滿目，五彩續(xù)紛之感，形製上看，在可作香薰之用外，亦可作為帽架使用，凸出清宮造瓣處作經(jīng)典。
122
A CHINESE GILTBRONZECLOISONNE ENAMELFLOWERVASE,JINGTAIMARK, LATE MING DYNASTY, 16TH/17TH CENTURY The vase is supported by three equidistant gilded copper goat figures,crafted with remarkable lifelikeness, symbolizing the traditional concept of Sanyang Kaitai (Three Goats Heralding Prosperity).
The word“goat”(yang) is a homophone for“sun” (yang),with the three goats representing the rising sun,midday sun, and setting sun—each symbolizing vibrant vitality. The rising sun signifies illumination and radiant clarity; the midday sun represents
fullness and brilliance; and the setting sun embodies a golden glow and majestic beauty.Additionally,“goat” (yang) is also associated with“auspiciousness"
(xiang). Its gentle and refined nature has long been regarded as a symbol of etiquette and morality,
embodying the virtues of “gentle as a lamb.
19cm high
$12.000-25.000
晚明掐絲琺琊三羊花插
此花插整體呈圓筒狀，筒壁施天藍(lán)色琺琊釉為地，又有紅、黃、白、、藍(lán)等各種色料勾勒出的枝花卉分怖其表面。圓筒口部置蓋，鋼鎏金的蓋面凸起，滿怖祥雲(yún)飛蝠的圖案，又開中心一大、周圍六小的七個開孔，可作插花之用。圓筒底部同樣為掐絲琺琊枝蓮紋，中心處留“景泰年製”款，緣處則是等距承三頭鋼鎏金羊作為底足，羊身惟妙惟肖，暗喻傅統(tǒng)的“三羊開泰”之。
“羊”同“陽”，三羊即指朝陽丶正陽丶夕陽，三者皆含勃勃生機(jī)之意：朝陽明，其臺光；正陽中天，其臺宣朗；夕陽輝照，其臺騰射?！把颉庇肿鳌跋椤保云淙逖艤睾偷奶匦远蝗藗円曌髦v究禮儀、遵道德的化身，而引申出“德如羔羊”的秉性。
123
A CHINESE CLOISONNEENAMELAND
PARCEL-GILT‘ELEPHANT'TRIPOD CENSER ANDCOVERQINGDYNASTY,18THCENTURY A similar pair see Sotheby's New York, 20/3/2024, lot218.
20omhiah PROVENANCE
Sotheby's New York, 19/3/2016, lot 1368. $8,000-12,000
清十八世紀(jì)掐絲琺琊局部鎏金象足爐
A CHINESE GILTBRONZE CLOISONNE
ENAMELBELL,QIANLONGMARK,19TH
CENTURY
33cmhigh
$5,000-7,000
清乾隆款十九世紀(jì)掐絲琺琊鐘
125
A CHINESEBRONZETRIPODCENSERWITH SCROLLHANDLESANDELEPHANT-HEAD FEET, LATE MING/EARLY QING DYNASTY, 17THCENTURY
of tapering cylindrical shape, with scroll handles, all supported on three elephant-heads,the base with an apocryphal six-character mark Da Ming Xuan De Nian Zhi.
12cm wide;8.3cmhigh
PROVENANCE
Sotheby's London, 18/6/2019, lot 28
$4,000-6,000
明末清初十七世紀(jì)三象足香爐源流：蘇富比偏敦，2019年6月18日，拍品號：28.
126
A CHIENSEBRONZECENSER,JIA CANG ZHEN BAO MARK,17TH/18TH CENTURY A bronze censer with the same mark, see Sotheby's London, 22/2/2022, lot 51.
9cmwide
$1.000-2.000
清十七/十八世紀(jì)「家藏珍寳」款銅香爐
A CHINESE BRONZE CENSER AND COVER, BOSHANLU, MING DYNASTY (I368-1644) 25cmhigh
PROVENANCE
Bluett & Sons, London label to the base. $4,000-6,000
明博山爐
博山爐又博山香爐、博山香熏、博山熏爐，是中國漢、晉時期民間常見的焚香所用器具，其出現(xiàn)輿燃香原料和人們的生活方式有關(guān)。西漢之前，人們使用茅香，然香氣馥郁，但煙火氣很大。武帝時，南海地區(qū)的龍腦香、蘇合香傅入中土，亞將香料製成香球或香餠，下置炭火，用高溫將這些樹脂類的香料徐徐燃起，香味濃厚，煙火氣又不大，因此出現(xiàn)了形熊各翼、巧奪天工的博山爐。詩仙李白的詩句：“博山爐中沉香火，雙煙一氣凌紫霞”，的就是博山爐熏香時香煙繚的迷人意境。
本品圓口淺腹，外側(cè)勾勒高騰的浪花，腹底接高足，整體近似馬上杯的形製，爐蓋與爐身的海面相契合，同樣表現(xiàn)淘涌的波濤，上方起峻峭起伏的山，層層疊疊形熊不一，宛若熊熊燃燒的烈火，輿底下的海浪相結(jié)合，呈現(xiàn)出無比宏大的氣勢。爐體爐蓋均以古鋼為料，色調(diào)深沉，莊古樸，富有歷史的沉激感，獨(dú)特的造型是集肅穆與華麗於一體，玩味十足，渾然天成。
128
TWOBRONZE CENSERS,QING DYNASTY,
18THCENTURY
13cm wide (both)
$1,000-2,000
清十八世紀(jì)香爐雨件
129
AVERYFINEANDLARGECHINESEBRONZE COVEREDCENSERINTHEFORMOFA
BUDDHA'SHAND CITRON,MING DYNASTY, CIRCAI7THCENTURY
The covered censer is cast as a large finger citron borne on a leafy branch that is hollowed at the end for the addition of water,the pierced cover with leafy stemhandle. For a similar example, see Christie's New York, 25/3/2010,lot 833.
29cm wide; 24cm high
PROVENANCE
A private collection, U.S.
EXHIBITIONS Melbourne,Vault of Heaven-A Chinese Art Exhibition to Celebrate the Year of the Dragon, Leonard Joel, 05-07 July, 2024.
LITERATURE
Vault of Heaven-A Chinese Art Exhibition to
Celebrate the Year of the Dragon,Leonard Joel, 05-07 July, 2024, no.1l p.17.
$5.000-7.000明十七世紀(jì)青鋼佛手瓜形鋼香爐
展鷺：
墨爾本，《穹》，2024年7月5-7日。
出版：
LeonardJoel，《穹》，2024年7月5-7日，展品號：11，頁：17。
130
A CHINESE HUANGHUALI SQUAREINCENSE BOX AND COVER, QING DYNASTY (1644-191I) 9cmwide
清黃花梨卷草紋香盒
131
A FINECHINESEZITANCARVEDBOXAND COVER, KANGXI PERIOD (1644-1911)
The box and cover are intricately carved in the form of a mallow flower, with overlapping petals elegantly radiating from a central stigma.
7.8cm diameter PROVENANCE
Halls Holdings Ltd. (label).
An important private collection,Sydy. $5,000-7,000
清康熙紫檀雕花型香蓋盒
132
A CHINESEBAMBOOVENEERBOXAND COVER,QINGDYNASTY,18THCENTURY 8.9 x 6.7cm
$3.000-5.000
清十八世紀(jì)竹黃貼玳瑁實(shí)相花蓋盒
133
ACHINESEHUANGHUALISTATIONERYBOX AND COVER,QING DYNASTY (1633-1911)
Together with a small huanghuali brush pot.
22.5 x 15.5 x 4cm (box)
$1,000-2,000
清黃花梨文具盒及筆筒
134
A CHINESEHUANGHUALIDOCUMENTBOX,
BAITIEHE, QING DYNASTY (1644-1911)
35x20 x6.6cm
$1,000-2,000
清黃花梨拜帖盒
135
ACHINESEZITANCARVEDRECTANGULAR
DRAGONBOXANDCOVER
22cmlong
$1,000-2.000
紫檀龍長方盒
136
ACHINESEHARDSTONEANDMOTHER
OF-PEARL INLAID HUANGHUALILOTUS'
RETANGULARBOXANDCOVER,QING
DYNASTY (1644-1911)
19.5cm long PROVENANCE
Private collection of an artist, Japan. $1,500-2,500
清嵌百寶蓮藕圓方盒
137
ACHINESEAGARWOODCARVEDLOTUS
STEMS, QING DYNASTY (1644-1911)
18cmlong
$1,000-2,000
清沉香雕蓮葉蓮藕把件
138
A CHINESE JADEINLAID HONGMU CARVED DRAGONFOLIATE RIMDISH
The interior center was inlaid with a pale white jade dragon open work plaque. With a fitted Japanese lacquerbox.
21.5cmdiameter
$4.000-6.000
元清玉透雕團(tuán)龍璧嵌紅木透雕菱花盤
139
APAIR OFRARE CHINESE WHITEJADE PANELSWITHSEMI-PRECIOUSSTONE
INLADSAND CARVEDWOODFRAME,MIDQINGDYNASTY,18TH/19THCENTURY
Each panel inlays with agates, turquoise and tiger stones.
32x25eachoverall
The Edrina Collction, Hong Kong, acquired from Jade House Antiques,Jade&Works of Art, Hong Kong, 28/5/201l (with original receipt). $2,000-3,000
明/清十八/十九世紀(jì)玉嵌瑪瑙，松石，老虎石花卉
排屏一對
源流：
香港昇雯閣藏，2011年5月28日購於香港中易公司（附原發(fā)票複印件）
140
A CHINESE WHITE JADE-INLAID
HARDWOOD RUYISCEPTER, QING DYNASTY
(1644-1911)
45cmlong
$8,000-12,000
清紅木嵌白玉三鑲?cè)缫?
141
A FINE CHINESE INLAID ZITAN SQUARE VASE FORMED CASE, QING DYNASTY, 18TH CENTURY
The case is modelled in the shape of a square lantern, with the sides colourfully decorated with lotus sprays and butterflies,which are rendered in various hardstones. The flared neck is carved with stylised lappets and the stepped base is raised onfour short feet.
An almost identical pair, see Christie's Paris, 6/9/2015, lot 245.
33.7cm high
Private collection of a calligrapher, Japan. $8,500-12,000
清十八世紀(jì)紫檀木嵌八寶燈箭此器取紫檀木為料，作方形，方口，方圈足，部輿近足處相對，均略向內(nèi)收束，亞刻畫排列整齊的蕉葉紋飾。瓶腹為方桶狀，四面環(huán)回紋開光，每個開光內(nèi)俱貼染牙、壽山石為飾，點(diǎn)綴出連綿的藤蔓和茁壯放的的西番蓮，引來一對蝴蝶翩起舞，令盡面增添了不少生機(jī)活力。瓶壁中的一面實(shí)為暗門，打開後別有洞天，內(nèi)置暗屜，可存放各類御玩珍實(shí)，用來怡情自樂，這也是清代御用器的一大特色。
紫檀木質(zhì)繳密，色調(diào)深沉而顯穩(wěn)重大方，素有“一時紫檀一時金”的法，常被清代內(nèi)廷造瓣處探用來製作各種器物，其自然形成的紋理也被工匠們運(yùn)用得出神入化，產(chǎn)生了獨(dú)特的藝術(shù)效果。在此基上，精繳細(xì)巧的百實(shí)嵌工藝更為全器豐富了色彩上的變化和發(fā)展，尤其是與深邃沉穩(wěn)的紫檀組合在一起，達(dá)到典雅和華麗的完美結(jié)合。
142
A CHINESE SILVER INLAID AND JADE
ZITANG HUANGHUALI CABINET, QING
DYNASTY (1644-1911)
36 x 27.5 x 27.5cm
$5,000-7,000
清紫檀梅花紋雙門
A CHINESE HUANGHUALI CARVED STAND,
QING DYNASTY (1644-1911)
35.4 long; 15.3cm deep; 8.9 high
$1,000-2,000
清黃花梨小炕桌
144
A NEST OFFOUR GRADUATED CHINESE HONGMU TABLES, LATE 19TH/EARLY 20TH CENTURY
A similar example see Christie's London,17/2/2015, lot 224.
71.7 x 49.5 x 36.7cm
$800-1,000
清十九世紀(jì)末/二十世紀(jì)初紅木雕竹節(jié)紋套桌
146
145
A RAREANDFINETIBETAN RITUALROBE, CIRCA19TH/EARLY20THCENTURY 166 x 117.5cm
A CHINESEFINELYEMBROIDEREDBLUE SILKDRAGONROBE,19THCENTURY
Similar example,see Christie's New York, 22/3/2018, lot 975.
204x140cm PROVENANCE
A private collection,SouthYarra,acquired from Suzy Labasi prior 1995.
$3.000-5.000 PROVENANCE
A private collection, UK.
An important private collection, South Yarra. $3,000-5,000
清十九/二十世紀(jì)西藏祭祀袍清十九世紀(jì)藍(lán)地刺龍袍
147
ACHINESEIMPERIALGOLDEMBROIDERED
BLUE-GROUND SILK'DRAGON'ROBE,
LONGPAO,MID-QING DYNASTY,18TH
CENTURY
220 x 133cmPROVENANCE
Judith Rutherford,Antique Chinese Textile,Australia.
The Edrina Collection, Hong Kong.
$5,000-7,000清中期十八世紀(jì)藍(lán)地刺龍袍
源流：
澳大利亞Judith Rutherford Antique ChineseTextiles.
香港昇雯閣珍藏.
The robe is worked entirely in couched gold threads with nine writhing five-clawed dragons confronting flaming pearls amidst ruyi-form clouds interspersed with bats and thebajixiang, all reserved on a blue ground above auspicious emblems rising from the terrestrial diagram and lishui stripe at the hen; with midnight-blue cuffs and collar decorated with further dragons and clouds.
The use of the blue colour was associated with the Temple of Heaven,south of the palace,where the Emperor offered sacrifice at the winter solstice and also prayed for rain during the summer months. The dragon robes (long pao)‘a(chǎn)re mostly blue,but brown, turquoise, orange, yellow and red ones do exist and were predominantly worn bymen....The salient features are the hem design of stripes representing water with turbulent waves above,repeated on the sleeves at elbow level, and mountain peaks rising from the water,with symmetrically-placed dragons among clouds covering themain body of the garment.'(V. Wilson, Chinese Dress, London, 1986, p.12).
A RARE CHINESELEATHER TRAVEL BOX FOR ROBES AND SUMMER HAT, QING DYNASTY, 19TH CENTURY
63.2 x 40 x 39.5cm PROVENANCE
Judith Rutherford, Antique Chinese Textile, Australia.
The Edrina Collection, Hong Kong.
Hong Kong, Heavenly Boxes: The Edrina Collection of Tang, Song, Ming, and Qing Boxes.
LITERATURE
Heavenly Boxes: The Edrina Collection of Tang, Song, Ming, and Qing Boxes, no. 18, pp.56-57. $400-600
晚清十九世紀(jì)夏季官服及官帽皮盒
源流：
澳大利亞JudithRutherfordAntiqueChineseTextiles.
香港昇雯閣珍藏.
展鷺：
香港，《天作之盒：昇雯閣藏唐宋明清珍實(shí)盒》出版：
《天作之盒：昇雯閣藏唐宋明清珍寶盒》，圖版：18，頁：56-57。
An old Melbourne private collection of Chinese Paintings, acquired from Hong Kong since the 80s LOTS149-157
Born in Melbourne in 1904, Miss Doris Ellen Ross demonstrated prodigious talent as a pianist from a young age. In 1914, she began her studies at the Melbourne University Conservatorium of Music, charting a promising path in music. By 1919, she had moved to London to further her piano studies, subsequently performing in concerts and recitals until 1935.Following her return to Melbourne, Miss Ross joined her family's business of owning and managing hotels. After World War Il, she travelled extensively across England, Europe, and Asia, amassing a significant collection of antiques and artworks during her journeys.
149
WU SHU BEN (alias LI XIAN, 1869-1938)
Birds and flowers,
ink and colour on paper,
hanging scroll, inscribed, signed and two red seals of the artist.
78.5 x 36.5cm; 163.5 x 56cm (overall scroll)
$600-800 吳樹本 (1869-1938)
花鳥，設(shè)色本，排軸，題識，名，鈴印。 150
TAO DAO (alias YI SUN,1825-1900)
Landscape,
ink and colour on paper,
hanging scroll, inscribed and two red seals of the artist.
179 x 44.5cm; 253 x 72cm (overall scroll)
$600-800 151
WU YUN (alias HUA YANG SHAN REN,181l1883)
Peony,
ink on paper,
hanging scroll, inscribe, signed and one red seal of the artist.
95 x 42cm; 217.5 x 65.5cm
$600-800
