1149 ANONYMOUS MEIJI OR TAISHO PERIOD, 20TH CENTURY A Japanese pencil study of a nude, possibly by the artist Hashiguchi Goyo (1881-1921), the beauty depicted comfortably seated, her eyes lowered, with two red seal marks to the bottom left corner, one reading Honjo, the reverse with another incomplete nude, framed, 33.5cm x 33.5cm. ￡80-120 Provenance: from the Milne Henderson collection of Japanese art. 1150 KAMISAKA SEKKA (1866-1942) MEIJI ERA, C.1910 Two Japanese woodblock prints, one entitled Tomoe no Yuki (Whirling Snow) from the album Momoyogusa (A World of Things) depicting a traveller caught in a snow storm; the other depicting a makimono, the handscroll partly open to reveal two beauties wearing Heian-style garments, with a red seal mark, both prints framed and glazed, 28cm x 43cm max. (2) ￡500-1,000 Provenance: from the Milne Henderson collection of Japanese art. See the British Museum, access. no.1991,1112,0.161.1 for another example of the snow print. 99

1151 KATO TATSUSABURO (ACT. C.1970) SHOWA PERIOD, 1971 Nine Japanese paintings, all designs for traditional paper kites, from an edition of 100 hand-painted albums published by Unida, Tokyo, variously depicting animals, auspicious symbols and legendary figures, all in box frames and glazed, all approx. 44cm x 33cm. (9) ￡400-600 Cf. T Streeter, The Art of the Japanese Kite, p.113 no.45, for an illustration of the kite depicting Kintaro and the carp by Kato Tatsusaburo. 100 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

A COLLECTION OF TAKASHI MURAKAMI (1962-) PRINTS OF DORAEMON LOTS 1152-1155 1152 1152 TAKASHI MURAKAMI (1962-) HEISEI ERA, 2018 Six limited edition offset lithographs printed in colour on wove paper, entitled ‘Doraemon, Thank You’, ‘Doraemon, Here We Go’, ‘Doraemon: Hip Hip Hurrah!’, ‘Doraemon’s Daily Life’, ‘Doraemon and Author Fujiko F. Fujio are in the Field of Flowers’, and ‘Doraemon in the Field of Flowers’, three depicting Doraemon from the front and three from the back, all published by Kaikai Kiki Co., Ltd., Tokyo, all signed Murakami in silver ink, framed and glazed, all approx. 57cm x 65cm. (6) ￡2,800-3,200 1153 TAKASHI MURAKAMI (1962-) HEISEI ERA, 2017 A limited edition offset lithograph printed in colour on wove paper entitled ‘Wouldn’t it be nice if we could do such a thing’, depicting a multitude of characters from Doraemon’s world, numbered 787/1000 or 1111, published by Kaikai Kiki Co., Ltd., Tokyo, signed Murakami in silver ink, framed and glazed, 50.3cm x 102cm. ￡500-800 See Sotheby’s London, From Japan with Love, 13th October 2020 for another print from the same series. 1153 101

1154 TAKASHI MURAKAMI (1962-) HEISEI ERA, 2018 Two limited edition offset lithographs printed in colour on wove paper, one entitled ‘Anywhere Door (Dokodemo Door) in the Field of Flowers’ and the other ‘We Came to the Field of Flowers through Anywhere Door (Dokodemo Door)!’, both depicting Doraemon and his friend Nobita Nobi standing beside the teleportation gate, one numbered 787/1000 and the other 993/1000, published by Kaikai Kiki Co., Ltd., Tokyo, signed Murakami in silver ink, framed and glazed, both approx. 59.5cm x 59.5cm. (2) ￡1,100-1,300 1155 TAKASHI MURAKAMI (1962-) HEISEI ERA, 2018 Two limited edition offset lithographs printed in colour on wove paper, one entitled ‘Many things Await Beyond Anywhere Door (Dokodemo Door)’ and the other ‘On an Endless Journey on a Time Machine with the Author Fujiko F. Fujio!’, both depicting Doraemon and his friends amongst a multitude of flowers, one numbered 783/1000 and the other 794/1000, published by Kaikai Kiki Co., Ltd., Tokyo, signed Murakami in silver ink, framed and glazed, both approx. 71.5cm x 71.5cm. (2) ￡1,100-1,300 102 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

A COLLECTION OF JAPANESE CINEMA POSTERS LOTS 1156-1162 1156 TWO JAPANESE JAMES BOND 007 POSTERS SHOWA ERA, 1972 AND 1983 Both featuring Sean Connery, the first of Dr. No (1972 re-release) and the other of Never Say Never Again (1983), both 72.5cm x 51.5cm. (2) ￡200-300 1157 THREE JAPANESE JAMES BOND 007 POSTERS SHOWA ERA, 1979 AND 1981 All three featuring Roger Moore, the first of Moonraker (1979) and the two others of For Your Eyes Only (1981), all approx. 72.5cm x 51.5cm. (3) ￡300-400 103

1158 TWO JAPANESE JAMES BOND 007 POSTERS SHOWA ERA, 1981 Both featuring Roger Moore, the first of A View to a Kill (1981) and the other of For Your Eyes Only (1981), approx. 72.5cm x 51.5cm. (2) ￡200-300 1159 THREE JAPANESE JAMES BOND 007 POSTERS SHOWA ERA, 1970-80s All three featuring Roger Moore, one of Live and Let Die (1973), the second of The Man with the Golden Gun (1974) and the third of Octopussy (1983), all approx. 72.5cm x 51.5cm. (3) ￡300-400 104 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

1160 TWO JAPANESE STAR WARS POSTERS SHOWA ERA, 1977 Both for Episode IV - A New Hope, both featuring Princess Leia and Luke Skywalker, both approx. 72.8cm x 51.5cm. (2) ￡200-300 1161 1162 TWO JAPANESE STAR WARS POSTERS TWO JAPANESE STAR WARS POSTERS SHOWA ERA, 1980 AND 1983 SHOWA ERA, 1980 AND 1983 Both featuring photographs of the main characters, the first for Episode V - Both featuring paintings of the main characters, the first for Episode V - The The Empire Strikes Back (1980) and the other for Episode VI - Return of the Empire Strikes Back (1980) and the other for Episode VI - Return of the Jedi Jedi (1983), both approx. 72.8cm x 51.5cm. (2) (1983), both approx. 72.8cm x 51.5cm. (2) ￡200-300 ￡200-300 105

SAGEMONO \& NETSUKE LOTS 1163-1222 106

107

1163 A JAPANESE GOLD AND BLACK LACQUER THREE-CASE INRO EDO OR MEIJI PERIOD, 19TH CENTURY Decorated with a continuous design of flowers issuing from a rocky outcrop, with small chrysanthemums to one side and large white blossoms made of mother of pearl inlays, the rest of the decoration rendered in gold takamaki-e and hiramaki-e, with a glass ojime, a wood bead and a manju netsuke carved with a dense design of leafy tendrils, the inro 7.4cm. ￡200-400 1164 AN UNUSUAL JAPANESE FIVE-CASE GOLD LACQUER INRO MEIJI PERIOD OR LATER, 19TH OR 20TH CENTURY Decorated with the elegant figure of Seiobo, the Queen Mother of the West standing amongst clouds, wearing loose robes with long ribbons floating behind her, the reverse with the steps to her divine palace, the face and hair of the figure rendered in thick enamels and her clothes with details in gold foil on the takamaki-e and nashiji ground, a three-character mark underneath, attached to an agate ojime, 8.8cm. PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. ￡300-500 Provenance: an American private collection, purchased 1990s-2010s. 1165 A JAPANESE GOLD LACQUER SIX-CASE INRO EDO OR MEIJI PERIOD, 19TH CENTURY The tall body decorated to the top and sides with a continuous design of a mountainous river landscape, with waterfalls amongst luxuriant vegetation and above crashing waves, the design rendered in gold and silver takamaki-e, shishiai togidashi maki-e, nashiji and kirikane lacquer, a three-character signature reading Kajikawa saku to the base, 10.5cm. ￡400-600 Provenance: an American private collection, purchased 1990s-2010s. 108 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

two views 1166 signature λ A JAPANESE BLACK AND GOLD LACQUER FIVE CASE INRO MEIJI PERIOD, 19TH CENTURY Decorated with an elegant design of feathers rendered in gold, silver and red lacquer takamaki-e on a black roiro ground, each side depicting a large peacock feather and smaller ones from other bird species, inscribed with two characters for Zeshin after Shibata Zeshin (1807-91) in gold lacquer to the base, together with an ivory netsuke of the cut-tongue sparrow, the suzume with eyes inlaid in dark horn, 8.5cm and 4.8cm. (2) ￡800-1,200 Provenance: formerly from a Swiss private collection. 1167 λ A JAPANESE FOUR-CASE GOLD INRO MEIJI PERIOD, 19TH CENTURY Decorated in the style of Kano School paintings with a large tiger seated on its haunches in a bamboo grove, the eyes of the big cat inlaid in light horn, the design in gold takamaki-e and hiramaki-e, the reverse with branches of bamboo rendered in raden mother of pearl inlays, attached to a reticulated ivory ojime carved with many flowerheads, the inro 6.9cm. ￡1,200-1,500 109

1168 two views signature 1168 λ A JAPANESE GOLD AND BLACK LACQUER THREE-CASE INRO MEIJI PERIOD, 19TH CENTURY Decorated with a continuous design of a cockerel, a hen and their chicks pecking seeds, the birds amongst large chrysanthemum flowers, the design rendered in gold, silver and red takamaki-e and nashiji lacquer on the black roiro ground, a two-character signature signed Jo O (for Jokosai) with kao to the base; attached to a coral ojime and with an en-suite ivory manju netsuke with a large cockerel to the top, the inro 7.4cm. ￡2,000-2,500 Provenance: an American private collection, purchased 1990s-2010s. 1169 A JAPANESE GOLD AND BLACK LACQUER FIVE-CASE INRO MEIJI PERIOD, 19TH CENTURY Decorated with a continuous design of two peacocks in a luxuriant garden, the male bird pecking at the ground whilst his companion looks to the side, with many flowering branches around them, the eyespots inlaid in mother of pearl and the rest of the design rendered in gold and silver takamaki-e, nashiji and hiramaki-e lacquer on the black roiro ground, signed underneath with a three-character mark in gilt reading Inagawa saku and with a red pot seal mark, together with a melon-shaped stag antler and metal ojime, the inro 8.2cm. ￡1,800-2,200 Provenance: an American private collection, purchased 1990s-2010s. 1169 110 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

signature 1170 two views 1170 A JAPANESE GOLD AND BROWN LACQUER TWO-CASE INRO BY MIZUTANI SHUTOHO EDO PERIOD, 18TH CENTURY The wide body decorated with gold takamaki-e, black and red lacquer and raden mother of pearl inlays on the rich chocolate-brown ground, one side with a large cockerel and a hen and the other with large flowers and foliage, the flanges to the interior decorated with cracked-ice patterns, the base with a six-character signature for Mizutani Shutoho, with a filigree metal ojime and a wood netsuke carved in openwork with views of thatched buildings by pine trees, together with a kiri box, the inro 7.6cm. (2) ￡2,000-3,000 Provenance: an English private collection, Somerset. See Bonhams, London, The Edward Wrangham Collection of Japanese Art, Part IV, for a related inro by Mizutani Shutoho decorated with chickens. signature 1169 111

1171 two views signature 1172 1171 A JAPANESE GOLD AND BLACK LACQUER FOUR-CASE INRO MEIJI PERIOD, 19TH CENTURY Decorated to one side with a kyobako, the empty sutra box and cover left open on a beach, with crashing waves in the background, many seashells scattered over the sand and large pine trees to the side, the top with scrolling clouds, the continuous design rendered in gold, silver and red takamaki-e and nashiji on the black roiro lacquer ground, the base with a five-character signature reading Koma Kyuhaku saku, attached to a coral ojime, i7.7cm. ￡2,000-2,500 Provenance: an American private collection, purchased 1990s-2010s. 1172 AN UNUSUAL JAPANESE FOUR-CASE LACQUER INRO EDO OR MEIJI PERIOD, 19TH CENTURY Decorated to all sides with a continuous design of broken wagon wheels discarded amongst vines and scrolling tendrils, the front with a praying mantis standing on a leaf, the design rendered in red and black takamaki-e lacquer in relief on the mottled toffee-coloured ground imitating agate, three leaves made of silvered metal inlays, together with a glass ojime, the inro 8cm. ￡1,000-2,000 Provenance: an English private collection, Somerset. 112 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

1173 two views 1173 A JAPANESE GOLD AND BLACK LACQUER FOUR-CASE INRO EDO PERIOD, 19TH CENTURY Decorated with a continuous design of a flowering tree in gold and silver togidashi and hirame on the black roiro ground, signed in red lacquer to the side with a four-character seal mark in a rectangular cartouche for Shiomi Masanari, attached to a coral ojime and with an en-suite square manju netsuke, decorated with a weeping willow in gold lacquer on the black ground, with three decorative metal studs, the back with a long inscription and a two-character signature for Komin, the inro 7.4cm. ￡2,000-2,500 Provenance: an American private collection, purchased 1173 1173 1173 1990s-2010s. signature signature inscription on the inro on the netsuke on the netsuke 1172 113

signature 1174 two views 1174 A JAPANESE GOLD LACQUER FOUR-CASE INRO EDO OR MEIJI PERIOD, 19TH CENTURY Decorated to one side with Shoki the Demon Queller holding an oni by the horn, the small monster with his hands clasped in prayer, probably begging for his release; the reverse with two further oni looking mischievous, one with a green complexion holding a kanabo spiked club, the design rendered in gold, silver and coloured takamaki-e lacquer on the okibirame ground, the base signed Jo O (Jokasai) with kao, together with a glass ojime, 7.5cm. ￡1,800-2,200 Provenance: an American private collection, purchased 1990s-2010s. 1175 A JAPANESE GOLD LACQUER FOUR-CASE INRO MEIJI PERIOD, 19TH CENTURY Decorated to both sides with a continuous design of Okame in an interior, the Goddess of Mirth peacefully sleeping against a large rectangular pillow whilst holding an open fan, a blind open behind her; the other side with a black lacquer tsuigasane (table tray) and a wooden tray, the designs rendered in gold, silver, red and black takamaki-e, hiramaki-e and tsukegaki on the nashiji ground, the base signed with three tensho characters, possibl for Hosen saku, attached to a coral ojime, the inro 9.2cm. ￡1,500-2,000 Provenance: an English private collection, Somerset. 1175 114 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

signature 1176 two views 1176 A JAPANESE GOLD AND BLACK LACQUER FOUR-CASE INRO EDO PERIOD, 18TH OR 19TH CENTURY Decorated with a continuous scene of an ascetic seated underneath a tree, the emaciated man wrapped in long robes and observing a fishing rod before him; the reverse with a young man carrying a bundle of sticks on his back and walking whilst reading an open book, the decoration rendered in gold, silver and red takamaki-e, hiramaki-e and nashiji lacquer on the black roiro ground, the base with a four-character signature reading Kanshosai saku for Kanshosai Toyo, attached to a coral bead, the inro 7.5cm. ￡1,800-2,200 Provenance: an American private collection, purchased 1990s-2010s. Cf. G Lazarnick, Netsuke \& Inro Artists, and How to read their signatures, vol.II, pp.1184-88 for other examples of inro by Kanshosai Toyo. The artist explains that Toyo was employed by Lord Hachisuka, the daimyo of Awa Province, who made him a samurai in recognition of his talent. Several generations of lacquer artists after him used his name and signature. signature 1175 115

two views 1177 A RARE JAPANESE GOLD AND RED LACQUER THREE-CASE INRO MEIJI PERIOD, 19TH CENTURY The flattened circular body richly decorated to each side with the Shochikubai (the Three Friends of Winter), with branches of pine, flowering prunus, and bamboo sprays rendered in gold and silver takamaki-e, hiramaki-e and kirikane on the deep red ground, together with a rock crystal ojime and a kiri box, 7.2cm. (2) ￡2,000-3,000 Provenance: an English private collection, Somerset. 116 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

two views 1178 signature λ A JAPANESE SHIBAYAMA-STYLE INLAID IVORY FOUR-CASE INRO MEIJI PERIOD, 19TH CENTURY Decorated with a dense design of a large eagle perched on a flowering branch of prunus, the bird of prey observing a sparrow in flight beneath it, the reverse with another small bird underneath large hibiscus flowers and leaves, looking up at two butterflies fluttering above; each side embellished with inlays in mother of pearl, coral and horn, signed Masaaki / Shomei in a mother of pearl cartouche underneath; attached to en-suite Shibayama-style ojime and netsuke, the bead decorated with flowers inlaid in mother of pearl and metal studs; the lid of the manju netsuke decorated with a dense design of flowerheads, the inro 9.5cm. ￡3,000-5,000 Provenance: an English private collection, Somerset. 117

1179 1180 A JAPANESE SMOKING SET A JAPANESE SMOKING SET EDO OR MEIJI PERIOD, 18TH OR 19TH CENTURY EDO OR MEIJI PERIOD, 18TH OR 19TH CENTURY The kiseruzutsu (pipe case) of muso-zutsu form and made of woven The kiseruzutsu (pipe case) of muso-zutsu form and made of woven rattan, decorated with a large tetsubin and with sprays of millet rattan, decorated with two jardinieres containing fruiting plants, the hung from a tall mast behind, the design rendered in gold, silver and design rendered in gold, silver, black and brown takamaki-e lacquer, brown takamaki-e lacquer, the kettle in seido-nuri lacquer imitating a two-character signature to the back for Nobusane / Shinzan; metal, with remnants of a signature in gold to the side; the tabakoire the tabakoire (tobacco pouch) of thick leather, embellished with a (tobacco pouch) of tooled leather, the front with European-style mae-kanagu shaped as a lion dog gnawing on its back leg, together designs of arabesques and the back with grapes and vines, the gold with a coral ojime, the kiseruzutsu 21.3cm. (2) mae-kanagu shaped as flowering sprays of chrysanthemum, together with an agate ojime, the kiseruzutsu 20.5cm. (2) ￡600-800 ￡500-800 Provenance: an English private collection, Somerset. Provenance: an English private collection, Somerset. 1181 1182 TWO JAPANESE SMOKING SETS AN UNUSUAL JAPANESE LACQUERED WOOD EDO OR MEIJI PERIOD, 18TH OR 19TH CENTURY SMOKING SET MEIJI PERIOD, 19TH CENTURY Both with stag antler kiseruzutsu of otoshi-zutsu form, the first pipe case carved with a sennin sat on the back of a giant catfish leaping The kiseruzutsu (pipe case) of muso-zutsu form decorated with amongst crashing waves, attached to a wood ashtray netsuke with a maple leaves, the en-suite tonkotsu (tobacco box) cleverly carved copper bowl, and a leather pouch with bone rings for fastening; the to simulate a tabakoire (tobacco pouch), embellished with a copper other kiseruzutsu carved with a panel depicting pomegranates under mae-kanagu shaped as a sake cup and gourd bottle, the side opening a reticulated shippo-tsunagi cash pattern, with a rattan and leather to reveal a sliding compartment with an oval aperture, together with tonkotsu, the tobacco container embellished with a rectangular an agate ojime, the kiseruzutsu 21.5cm. (2) mae-kanagu featuring two quails, signed, the pipe cases 20.8cm and 17.5cm. (2) ￡150-250 ￡400-600 Provenance: an English private collection, Somerset. The pipe case with the fish may be an illustration of the myth of the Namazu or Onamazu, a giant catfish that lives underneath the islands of Japan. The figure may represent the deity Takemikazuchi who controls the monster. When the beast escapes its divine keeper, its movements are said to cause earthquakes. Provenance: an English private collection, Somerset. 118 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

1179 1180 1181 1182 119

1183 1184 TWO JAPANESE LACQUERED KISERUZUTSU (PIPE CASE) TWO JAPANESE LACQUERED KISERUZUTSU (PIPE CASE) MEIJI PERIOD, 19TH CENTURY MEIJI PERIOD, 19TH CENTURY Both pipe cases of muso-zutsu form, the first made of woven rattan Both pipe cases of muso-zutsu form, the first made of woven rattan and decorated with lotus flowers and leaves in gold, red and black and decorated with Hotei carrying his large bundle on a stick, the takamaki-e lacquer, signed to the back; the other in red negoro-style jovial God of Good Fortune depicted in gold and silver takamaki-e lacquer with two large persimmons on a branch, the fruits in red, and nashiji and his body in seido-nuri lacquer, the reddish-brown gold and black takamaki-e, with a metal ring and loop to the rim, colour imitating copper, a two-character seal mark to the back; the signed in a rectangular reserve to the back, 21.6cm and 20.5cm. (4) other in wood and stag antler, decorated with Daruma under lines of calligraphy, the Father of Zen Buddhism wearing his typical red robes, ￡800-1,200 signed above the figure, the rim with a stag antler ring carved with key fret and scrolls, 20cm and 21.1cm. (4) Provenance: an English private collection, Somerset. ￡800-1,200 Provenance: an English private collection, Somerset. 1185 1186 TWO JAPANESE KISERUZUTSU TWO JAPANESE KISERUZUTSU MEIJI PERIOD, 19TH CENTURY EDO OR MEIJI PERIOD, 19TH CENTURY Both pipe cases in stag antler and of otoshi-zutsu form, the first Both pipe cases of otoshi-zutsu form, the first made of ivory and carved with an armour-clad samurai lifting his sword over his carved in low relief with an elegant ho-o, the mythical bird with head, possibly throwing it in the river before him, signed; the other its beak buried in its breast feathers as it stretches its wings, depicting Shoki the Demon Queller riding on a horse, an oni feeding with a branch of paulownia beside it and a further branch above it pellets from a large circular basket; both pipe cases with a loop for for suspension, a two-character signature for Hakuo in a metal suspension carved as branches of pine, 19.5cm and 20.2cm. (2) cartouche to the back, possibly for Meigyoku; the other in stag antler and carved with a lone figure travelling under the cover of ￡300-500 night, concealing something in their long coat and wearing a tall hat, the moon crescent high above, 20.6cm and 20.4cm. (2) Provenance: an English private collection, Somerset. ￡500-800 The figure may be Tokiwa Gozen or Lady Tokiwa (1138-c.1180), a noblewoman from the Heian period often represented fleeing with her young son Minamoto no Yoshitsune (c.1159-89) during the Heiji Rebellion in 1160. Provenance: an English private collection, Somerset. 120 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

1183 1184 1185 1186 121

1187 A LARGE JAPANESE STAG ANTLER KOGATANA NETSUKE MEIJI PERIOD, 19TH CENTURY Of curved form and hiding a short blade, the surface decorated with a dense design of a writhing dragon amongst clouds, with two tama (grant-wishing jewels), leafy tendrils, flowers, key frets, and the extremities with monsters’ heads, attached to a bamboo tonkotsu, the tobacco box carved with a three-clawed dragon emerging from clouds whilst grasping a tiger with its scaly tail, on a dense ground of cross designs, the lid with clouds and bamboo leaves; together with a wood tonkotsu decorated with many insects in a variety of inlays including mother of pearl, lacquer, horn and bone, the kogatana netsuke 36.2cm. (3) ￡500-800 1188 A COLLECTION OF THIRTY-ONE JAPANESE OJIME BEADS EDO PERIOD AND LATER, 18TH CENTURY AND LATER Strung as a necklace and made of mixed materials including glass, metal, wood, horn, stag antler, aventurine and other hardstones, one a small inlaid bronze cube featuring a minute cross, possibly for a ‘Hidden Christian’ worshipper; another Chokaro Sennin’s horse on his double gourd, some shaped as coins, 2.4cm max. ￡300-500 1189 TWO JAPANESE OKIMONO OF ANIMALS MEIJI PERIOD, 19TH CENTURY The first in bronze and depicting a seated tiger, the big cat with a long tail resting on its back and its head turned to the left; the other a wood carving of a plump puppy, its eyes inlaid with dark beads, signed Masanao underneath, 9cm and 8.5cm. (2) ￡200-300 122 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

1190 FOUR JAPANESE WOOD BOKUTO (WOODEN SWORDS) EDO AND MEIJI PERIOD, 18TH AND 19TH CENTURY Three shaped as dragons, the fourth a stylised whale with inlaid eyes; the largest mythical creature carved with a simulated saya (scabbard) with a ribbed surface and a fake kozuka handle, the eyes lacquered; all with holes for suspension, 55cm max. (4) ￡400-600 Provenance: the largest bokuto from the collection of French Japanophile Louis Gonse (1846-1921), by repute. Bokuto were imitation swords worn by doctors, actors and travelling merchants in the 1700s and 1800s. Real swords could only be carried by samurai, and at night, it gave the impression of a real sword that would warn off potential attackers. Louis Gonse (1846-1921) 1191 A JAPANESE WOOD JIZAI OKIMONO OF A SNAKE MEIJI PERIOD, 19TH CENTURY The fully articulated body of the reptile realistically rendered, with a movable lower jaw and the eyes inlaid in horn, approx. 114cm. ￡400-600 See Christie’s London, Art of Japan, 8th December 2016, lot 19, for another wood model of a snake by Masakazu. 123

1192 1193 FOUR JAPANESE WOOD NETSUKE OF FIGURES FOUR JAPANESE LACQUERED WOOD NETSUKE MEIJI PERIOD, 19TH CENTURY EDO PERIOD AND LATER, 18TH CENTURY AND LATER The first in dark wood, possibly ebony, carved as Gama Sennin laughing whilst One a negoro-style seal netsuke depicting two lion dogs standing on their hind standing with his right foot on his large pet toad, the eyes of the amphibian legs and holding a brocade ball, raised on a rectangular plinth carved to the inlaid in horn, a two-character signature for Ryuzan underneath; another underside with three characters; two others carved as seated figures, the last a seated man using a nose tickler to sneeze, signed Hokei in a rectangular depicting an elderly man with a small turtle, possibly Urashima Taro, in black reserve to the base; the third an elderly couple tying down a small wolf before lacquer with remnants of red, yellow and silver, a two-character signature them, unsigned; the last a man carrying a large sack on his back with the underneath, 4cm max. (4) faces of two distraught oni poking from holes, signed Minko, 4.6cm max. (4) ￡300-500 ￡500-800 1194 1195 THREE JAPANESE NETSUKE TWO JAPANESE WOOD NETSUKE MEIJI PERIOD, 19TH CENTURY MEIJI PERIOD, 19TH CENTURY Two in wood, the largest depicting a spider on a persimmon, the body of One carved as three travellers on a boat, one a sarumawashi with his pet the insect in mother of pearl; the other carved as a bundle of firewood in monkey, signed Masamin underneath; the other depicting Chinese sages in a woven basket; the third netsuke a small rat peeping out of Daikoku’s sack a bamboo grove, the base carved a two-character signature possibly reading of treasures, the rodent movable, the bag probably made of corozo nut, all Ganshu / Shugetsu and an unusual kao, 7cm and 3cm. (2) unsigned, 4cm max. (3) ￡300-500 ￡300-500 124 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

1196 1197 AN UNUSUAL LARGE JAPANESE WOOD NETSUKE A JAPANESE WOOD NETSUKE OF GAMA SENNIN EDO OR MEIJI PERIOD, 19TH CENTURY EDO PERIOD, 18TH CENTURY Carved as a standing hunchbacked man, possibly blind, holding a walking The Immortal depicted standing, holding with one hand a fruiting branch of stick with one hand whilst smiling contentedly as he scratches his neck, the peaches and with the other his pet toad climbing on his shoulder, wearing a himotoshi made from a loop at the back of his hakama (culotte), 9.2cm. coat of mugwort leaves and a gourd at his waist, with a deep dark patina and some carved features worn off, 7.9cm. ￡400-600 ￡300-500 Provenance: an English private collection, Somerset. Provenance: an American private collection, purchased 1990s-2010s. 1198 1199 THREE JAPANESE MASK NETSUKE TWO JAPANESE NETSUKE MEIJI PERIOD, 19TH CENTURY MEIJI PERIOD, 19TH CENTURY Two in wood, the first depicting Okame, the Goddess of Mirth with her One in dark wood, carved as a large pumpkin with movable seeds inside mouth slightly open as she laughs; the other carved as Usofuki grimacing, visible through a slit in the fruit’s flesh, with a two-character signature for signed Hidemitsu at the back; the third in negoro-style red lacquer, modelled Gyokuso and a seal mark for Ji; the other made from a corozo nut and as a cluster of masks depicting a variety of figures including an oni, a tengu depicting a snail on a fruit, unsigned, 3.5cm and 4cm. (2) and the fox Inari, 4.1cm max. (3) ￡300-500 ￡300-500 125

1200 A JAPANESE WOOD NETSUKE OF A FROG MEIJI PERIOD, 19TH CENTURY The large amphibian depicted crouching with its head slightly turned to the left, its bulging eyes inlaid, the warts and bumps on its skin realistically rendered in ukibori, a two-character signature for Sukeyuki in a rectangular cartouche underneath, 4.7cm. ￡1,800-2,200 Cf. G Lazarnick, Netsuke \& Inro Artists, and How to Read Their Signatures, vol.II, p.1052, for an example of a frog netsuke by Sukeyuki, possibly this very piece. 1201 A JAPANESE UMIMATSU (SEA-PINE) NETSUKE OF A FROG EDO PERIOD, 18TH CENTURY The large amphibian clambering upon a rocky outcrop, its bulging eyes inlaid in light and dark horn, the umimatsu of variegated colours, unsigned, 3.5cm. ￡400-600 Provenance: an American private collection, purchased 1990s-2010s. 1202 AN UNUSUAL JAPANESE WOOD AND CORAL NETSUKE EDO PERIOD, 18TH OR 19TH CENTURY Naturalistically modelled as the severed tentacle of an octopus, the carving in dark wood, possibly ebony, the tentacle with realistic suckers to the side and the end entwined around a small branch of coral, 5.5cm. ￡300-500 126 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

1203 inscription underneath A JAPANESE WOOD NETSUKE OF A TORTOISE MEIJI PERIOD, 19TH CENTURY The reptile almost completely withdrawn into its shell, its head out, the eyes inlaid in light and dark horn, the top of its carapace opening to reveal the himotoshi, the underside inscribed Seki-shu Enokawa Seiyodo Tomiharu ch?koku (carved by the Eno River in Iwami Province by Seiyodo Tomiharu 1733-1810), 5.2cm. ￡1,000-1,500 1204 A JAPANESE WOOD NETSUKE OF TORTOISES MEIJI PERIOD, 19TH CENTURY Carved as two young clambering upon the back of an adult, the larger animal with its limbs retracted against its body and its nose only just poking out of the carapace, unsigned, 4cm. ￡500-800 127

two views 1205 A JAPANESE WOOD NETSUKE OF A DRAGON EDO PERIOD, 18TH CENTURY The three-clawed monster coiled around a sacred pearl of wisdom, the scales on its back and other carved details worn off with age, a two-character signature in a rectangular reserve underneath, possibly for Tomotada, 4.5cm. ￡1,000-1,500 1206 A JAPANESE WOOD NETSUKE OF A COCKEREL MEIJI PERIOD, 19TH CENTURY The bird depicted resting on a war drum, its eyes and the drum studs inlaid with minute black beads, the chicken’s feathers and the surface of the instrument realistically carved, with a single character inscribed to the top, possibly for Yoshi, and a seven-character inscription underneath, 3.2cm. ￡500-1,000 Provenance: an American private collection, purchased 1990s-2010s. The characters on the drum refer to writings by the Chinese Tang Dynasty poet Wang Wei (699-759). In this verse, he longs for a peaceful time when the moss would grow undisturbed on the forest floor, and the muffled beating of the drum wouldn’t startle the birds. In Japanese lore, a chicken on a drum is a symbol of peace as a war drum fallen into disuse, becomes a perch for a cockerel. 128 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

two views 1207 A JAPANESE WOOD NETSUKE OF A RECUMBENT RAM EDO PERIOD, 18TH CENTURY Depicted with its head turned to the left, its long hair trailing behind its back, its legs neatly tucked underneath its body and with its eyes inlaid in horn, unsigned, 4.8cm. ￡3,000-5,000 Provenance: an English private collection, Somerset, purchased in Japan. 1208 λ A JAPANESE IVORY NETSUKE OF A DEER EDO PERIOD, 18TH CENTURY The recumbent sika deer depicted with its head turned towards its back, its legs drawn in and with the eyes inlaid in horn, unsigned, 4.8cm. ￡400-600 Provenance: an English private collection, Somerset. 129

1209 1210 1209 1210 A JAPANESE WOOD NETSUKE OF A WOLF OR YAMA-INU A LARGE JAPANESE WOOD NETSUKE OF A WOLF OR A (WILD DOG) YAMA-INU (WILD DOG) EDO OR MEIJI PERIOD, 19TH CENTURY EDO PERIOD, 18TH CENTURY The emaciated animal seated on its haunches and biting a large human skull resting before it, its eyes inlaid in bone and horn, its tail neatly tucked The emaciated beast seated on its haunches with its mouth wide open, underneath and signed Minkoku, 4.7cm. its front paw resting on a leg of venison before it, the eyes inlaid, its tail ￡400-600 tucked underneath forming the himotoshi and signed Tomotada in an oblong Provenance: an English private collection, Somerset. reserve, 5.5cm. 1211 ￡300-500 Provenance: from the collection of a lady of title, and thence by descent. See Japanese Works of Art, 1st July 2020, for the first part of this private collection of netsuke sold in these rooms. 1211 A JAPANESE WOOD NETSUKE OF A PUPPY MEIJI PERIOD, 19TH CENTURY The small plump dog depicted gnawing at the strap of a large straw sandal, its eyes in gilt and the pupil inlaid with minute black beads, the underside with a paper collection label numbered 244-5, 3.9cm. ￡400-600 1212 TWO JAPANESE WOOD NETSUKE EDO AND MEIJI PERIOD, 18TH AND 19TH CENTURY The first a large carving of a shishi and her young, the lion dog ferociously baring its fangs; the other a dog and her puppy, the adult wearing a collar with a bell, both unsigned, 6.7cm and 4.6cm. (2) ￡500-800 Provenance: an American private collection, purchased 1990s-2010s. 1212 130 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

1213 1214 1215 1213 A JAPANESE WOOD NETSUKE OF A TIGER EDO PERIOD, 18TH CENTURY Seated on its haunches and with its head turned to the left, baring its fangs in a snarl, its long tail curling around its body, with details of the fur finely rendered and stained, signed Masanao underneath, 2.8cm. ￡1,000-2,000 Provenance: an American private collection, purchased 1990s-2010s. Cf. N Davey, Netsuke, p.221 no.674 for a comparable netsuke of a tiger signed Masanao. 1214 A JAPANESE WOOD NETSUKE OF A TANUKI MEIJI PERIOD, 19TH CENTURY The mischievous-looking racoon-dog with its right arm raised as it beats on its distended stomach, its mouth wide open and with the eyes inlaid in gilt metal, signed Minko underneath, 3cm. ￡600-800 1215 A JAPANESE WOOD NETSUKE OF A SHISHI MEIJI PERIOD, 19TH CENTURY The lion dog depicted with both front legs resting on a brocade ball whilst it tries to gnaw at it, with a smaller movable ball inside, the mythical creature with a long mane, a spiralling tail and its eyes inlaid with small dark beads, the base signed Masamitsu in a rectangular cartouche, 4.2cm. ￡400-600 Provenance: an American private collection, purchased 1990s-2010s. 1216 TWO JAPANESE WOOD NETSUKE EDO PERIOD, 18TH CENTURY The first carved as a monkey delousing its young whilst the infant eats a fruit, the larger primate with its eyes inlaid in light horn, a two-character signature underneath; the other carved as a lion dog, the shishi crouching on a shaped base, the carved features worn with age, unsigned, 4cm and 5.3cm. (2) ￡500-800 1216 131

1217 A JAPANESE WOOD NETSUKE OF MONKEYS MEIJI PERIOD, 19TH CENTURY Realistically carved as a primate cradling her young before her, their hair finely rendered and their eyes inlaid in light and dark horn, signed Ikko in a shaped reserve at the back, 3.6cm. ￡800-1,200 See Japanese Works of Art, 14th November 2018, lot 847 for a related netsuke by Ikko sold in these rooms. Also, see Christie’s London, 15th May 2013, lot 421 for another example. Cf. F Meinertzhagen, The Meinertzhagen Card Index on Netsuke in the Archives of the British Museum, Part A, p.225 where other monkeys by Ikko are listed. 1218 A JAPANESE WOOD NETSUKE OF A MONKEY MEIJI PERIOD, 19TH CENTURY The large primate seated on its haunches, a contented expression on its face as it holds a peach before its chest, its other hand comfortably resting on its feet, signed Masanao underneath, possibly for Masanao of Yamada (Ise Province), 5.2cm. ￡600-800 1219 A JAPANESE WOOD NETSUKE OF MONKEYS MEIJI PERIOD, 19TH CENTURY Carved as an adult and its young, the larger primate delousing the other whilst the infant eats a fruit, their eyes inlaid with small black beads, the base signed Tomokazu in an oval reserve, 3.6cm. ￡400-600 Provenance: an American private collection, purchased 1990s-2010s. 132 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

1220 AN UNUSUAL JAPANESE LACQUER NETSUKE MEIJI PERIOD, 19TH CENTURY Modelled as a rabbit and a monkey neck-wrestling, the primate depicted in red and gold lacquer with its eyes inlaid with minute mother of pearl and black beads, his opponent in silver lacquer and its eyes inlaid with red beads, unsigned, 3.9cm. ￡500-800 Provenance: an American private collection, purchased 1990s-2010s. 1221 TWO JAPANESE WOOD NETSUKE EDO OR MEIJI PERIOD, 18TH OR 19TH CENTURY The first boxwood and carved as a cluster of mushrooms, the fungi of different sizes and the stalk of one forming the himotoshi, signed Masanao underneath; the other in darker wood and depicting a small plump rabbit, its eyes inlaid with minute pink beads, 3.6cm and 3.7cm. (2) ￡400-600 1222 A JAPANESE WOOD NETSUKE OF LEVERETS MEIJI PERIOD, 19TH CENTURY The charming animals huddled against each other, both carved with long ears and large eyes inlaid with black beads, 4cm. ￡400-600 END OF SALE 133

JAPANESE SIGNATURES AND MARKS 1001 1002 1003 1004 1005 1006 1006 1006 1007 1008 1009 1013 1013 1014 1014 1015 1021 1022 1023 1023 1024 1024 1025 1026 1028 1029 1030 1031 1032 1033 1033 1034 1035 1037 1039 1047 1048 1049 1050 1054 1058 1058 1059 1059 1062 1062 1062 1064 1064 1064 1068 1071 1071 1071 1071 1071 1071 1071 1072 1072 1072 1072 1073 1074 1074 1074 1075 1075 1076 1077 1078 1079 1080 1081 1081 134

1081 1082 1082 1083 1083 1083 1083 1084 1085 1085 1088 1093 1100 1100 1164 1165 1166 1168 1169 1170 1171 1173 1173 1173 1174 1175 1176 1178 1180 1181 1183 1183 1184 1184 1185 1186 1189 1192 1192 1192 1193 1195 1195 1198 1199 1200 1203 1205 1206 1206 1209 1210 1213 1214 1215 1216 1217 1218 1219 1221 135

AUCTION INFORMATION OPENING HOURS LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of Castle Street Salerooms our auctions via bid.woolleyandwallis.co.uk, enabling you to Monday to Friday 9am – 5.30pm take part in the bidding from anywhere in the world live as it happens. Castle Gate Offices Monday to Friday 9am – 5.30pm BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium VIEWING thereon of 25% plus VAT @20% (totalling 30% inclusive) on All our auctions are on view at least two days prior to the sale the first ￡500,000 and 12% plus VAT @20% (14.4% inclusive) and details will be found in the relevant catalogues. thereafter. REGISTERING WITH US CONDITION REPORTS All first time buyers need to register with us. Once registration The relevant department will be pleased to give condition is complete you will be provided with a permanent paddle reports on any lot, where practical. All weights and measures number which can be used in all future sales. given in the catalogue should be regarded as approximate. To register, you will need to provide two forms of identification: The colours printed in the catalogue are not necessarily true. 1. a passport or photographic driving licence SALE RESULTS 2. a utility bill or document showing your name and address These will be posted on our website shortly after the sale. You can register in person or by contacting the office on +44 (0)1722 424500 or emailing PACKING AND SHIPPING enquiries@woolleyandwallis.co.uk Woolley \& Wallis do not offer a packing and despatch service You will be asked to show your documents, or fax or email but the following are carriers in our area. copies. Alban Shipping +44 (0)1582 493099 PLEASE NOTE: Registering with thesaleroom.com or through info@albanshipping.co.uk our website does not automatically register you with us. www.albanshipping.co.uk BIDDING AT AUCTION Kimdan Ltd +44 (0)7973 389436 See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, andy@kimdan.co.uk even if you have bid with us before, in order that we are compliant with Money Laundering Regulations. Mailboxes +44 (0)1962 622133 BIDDING IN THE ROOM mbewinchester@btconnect.com To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the www.mbe.co.uk/winchester day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. Pack \& Send +44 (0)1635 887237 newbury@packsend.co.uk COMMISSION BIDDING www.packsend.co.uk/newbury If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the Please note that we cannot be held responsible for any damage auctioneer who will purchase the lot as cheaply as possible or loss to items once they are in the hands of a carrier. bearing in mind any reserve price and other bids. EXPORTING YOUR PROPERTY FROM THE UK TELEPHONE BIDDING If you are exporting your property, import taxes, customs It is usually possible to bid on the telephone by prior duties and other fees may apply at the country of destination. arrangement with the office. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country. Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand-carried exports. In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE CITES REGULATIONS Payment is due immediately after the auction in pounds Please note that lots marked λ may be subject to CITES sterling. If you are a first time buyer we will need your name, Regulations when exported. address and bank details and will require funds to be cleared before purchases can be released. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ The following methods of payment may be made: ARTIST’S RESALE RIGHT / DROIT DE SUITE Bankers draft, cashiers cheque, personal cheque, travellers Lots marked with a ? symbol are potentially subject to a levy. cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card Droit de Suite is a royalty payable to a qualifying artist or payments of over ￡1,000 where the card-holder is not present. the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Royalties are calculated on a sliding percentage scale based on Account no. 00957707 the hammer price excluding the buyer’s premium. The royalty Sort code 30-97-41 does not apply to lots selling below the sterling equivalent of IBAN no. GB20LOYD30974100957707 €1,000 and the maximum royalty payable on any single lot is BIC code LOYDGB21063 the sterling equivalent of €10,000. Credit cards: Visa or Mastercard Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant Debit cards: Delta, Switch, Connect, American Express, collecting agency. Union Pay Please enquire for the accepted exchange rate on the day of Where practical, payment can be made and purchases the sale. collected during the auction. Royalties for Droit de Suite are as follows: We reserve the right to add storage charges to all lots not 4% Up to €50,000 collected within 30 calendar days of the sale. This will include 3% €50,000.01 - 200,000 a handling fee of ￡20 (+ VAT) per consignment and a storage 1% €200,000.01 - 350,000 charge of ￡2 (+ VAT) per lot per day. No goods will be allowed 0.5% €350,000.01 - 500,000 to be collected until these charges have been paid. 0.25% In excess of €500,000 Up to a maximum levy of €10,000 LOT SYMBOLS FIREARMS VAT Lots marked ? in the catalogue, or by any other means Lots marked with a dagger (?) are subject to VAT on the identified as controlled firearms, are subject to the UK hammer price. Lots marked with an omega (Ω) have been firearms/shotgun licencing regime, and should only be viewed/ temporarily imported from outside the EU and are subject to purchased by individuals with appropriate licences. It is the VAT at 5% on the hammer price and the buyer’s premium. In responsibility of the bidders to ensure that they are legally online catalogues, the Sales Tax % column indicates the rate of authorised to acquire the lot that they are bidding for. In the VAT on hammer price. event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re-offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. 1. Introduction. The following informative notes are intended to assist They will be executed as cheaply as possible having regard to the reserve Buyers, particularly those inexperienced or new to our salerooms. All sales (if any) and competing bids. If two buyers submit identical commission are conducted on our printed Conditions of Sale which are readily available bids the auctioneers may prefer the first bid received. Please enquire in for inspection and normally accompany catalogues. Our staff will be happy advance about our arrangements for the leaving of commission bids by to help you if there is anything you do not fully understand. telephone or fax. 2. Agency. As auctioneers we usually contract as agents for the seller 11. Methods of Payment. As a general rule any cheques tendered will need whose identity, for reasons of confidentiality, is not normally disclosed. to be cleared before removal of the goods is permitted. Please discuss Accordingly if you buy your primary contract is with the seller. with our Office in advance of the sale if other methods of payment are envisaged (except cash). 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower 12. Collection and storage. Please note what the Conditions of Sale state estimate may represent the reserve price and certainly will not be below it. about collection and storage. It is important that goods are paid for and Estimates do not include the Buyer’s Premium or VAT (where chargeable). collected promptly. Any delay may involve the buyer in paying storage Estimates are prepared some time before the sale and may be altered by charges. announcement before the sale. They are in no sense definitive. TERMS OF CONSIGNMENT FOR SELLERS 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the first ￡500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter. Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the 5. VAT. (?) indicates that VAT at the current standard rate is payable by consignor has the Seller’s authority to contract. Similarly the words ‘we’, the purchaser on the hammer price as well as being an element in the ‘us’, etc. refer to the Auctioneers. buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the 2. Commission is charged to sellers at the following rates: 15% + VAT on Dealers Margin Scheme or because VAT is due at 20% on importation each lot sold for up to ￡999, 10% + VAT on each lot realising ￡1,000 and into the UK. The symbol (Ω) indicates that the lot has been imported from above. outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both 3. Removal costs. Items for sale must be consigned to the sale room by any the hammer price and the buyer’s premium). Lots which appear without stated deadline and at your expense. We may be able to assist you with either of the above symbols indicate that no VAT is payable on the hammer this process but any liability incurred to a carrier for haulage charges is price. This is because such lots are sold using the Auctioneers’ Margin solely your responsibility. Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020. Please refer to 4. Loss and damage waiver. We are not regulated by the FSA for the SOFAA website for updates to the Terms and Conditions). provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To 6. We are, primarily, agents for the seller. We are dependent on information justify accepting liability, we make a charge of 1.5% of the hammer price provided by the seller and whilst we may inspect lots and act reasonably plus VAT or, if unsold, our mid estimate of the hammer price. If the owner in taking a general view about them we are normally unable to carry out of goods consigned instructs us in writing not to take such action, they a detailed or any examination of lots in order to ascertain their condition then remain at owner’s risk unless and until the property in them passes to in the way in which it would be wise for a buyer to do. Intending buyers the Buyer or they are collected by or on behalf of the owner, and clause 4 have ample opportunity for inspection of goods and, therefore, accept is inapplicable. responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition 5. Illustrations. The cost of any illustrations is borne by you. If we consider of lots contained in the Conditions of Sale. Neither the seller nor we, as that the lot should be illustrated your permission will usually be asked first. the auctioneers, accept any responsibility for their condition. In particular, The copyright in respect of such illustrations shall be the property of us, mechanical objects of any age are not guaranteed to be in working the auctioneers, as is the text of the catalogue. order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect 6. Minimum bids and our discretion. Goods may be offered subject to a which that examination ought to have revealed to the auctioneer but reserve agreed between us before the sale in accordance with clause 7. which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed 7. We may sell lots below the reserve provided we account to you for the because they are ‘deliberate forgeries’ may be returned and repayment same sale proceeds as you would have received had the reserve been the made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is hammer price. If you specifically give us ‘discretion’ we may accept a bid of defined in our Conditions of Sale). up to 10% below the formal reserve. 7. Electrical goods. These are sold as ‘a(chǎn)ntiques’ only and if bought for use Reserves. must be checked over for compliance with safety regulations by a qualified electrician first. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be 8. Export of goods. Buyers intending to export goods should ascertain (a) sold. Reserves must be reasonable and we may decline to offer goods whether an export licence is required for the goods to leave the U.K. which in our opinion would be subject to an unreasonably high reserve and (b) whether there is any specific prohibition on importing the goods (in which case goods carry the storage and insurance charges stipulated in in question into the destination country because, e.g. they may contain these Terms of Consignment). prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall (b) A reserve once set cannot be changed except with our consent. not justify cancellation or rescission of the sale contract or any delay in (c) Where a reserve has been placed only we may bid on your behalf and only payment. up to the reserve (if any) and you may in no circumstances bid personally. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. 8. Electrical items. These are subject to detailed statutory safety controls. Some form of identification will be required if you are unknown to us. Where such items are accepted for sale you accept responsibility for the Please enquire in advance about our arrangements for telephone bidding. cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance (h) The singular includes the plural and vice versa as appropriate. etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances 2. BIDDING PROCEDURES AND THE BUYER responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the (a) Bidders are required to register their particulars before bidding and to satisfy contrary. Where we are obliged to return the price to the buyer when the lot any security arrangements before entering the auction room to view or bid; is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us (b) the maker of the highest bid accepted by the auctioneer conducting the sale the sale proceeds. The liability to reimburse the sale proceeds shall not arise shall be the buyer at the hammer price and any dispute about a bid shall be where you are acting reasonably and honestly and are unaware of the forgery settled at the auctioneer’s absolute discretion by reoffering the Lot during but we are or ought to have been aware of it. the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you (c) Bidders shall be deemed to act as principals. must collect such items from the saleroom promptly on being so informed. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. of any reserve and the right to refuse any bid is also reserved. 12. Withdrawn and bought in items. These are liable to incur a charge of up 3. INCREMENTS to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. Bidding increments shall be at the auctioneer’s sole discretion. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions 4. THE PURCHASE PRICE of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us The Buyer shall pay the hammer price together with a premium thereon of and any buyer or third party for all losses liabilities and expenses incurred in 25% plus VAT @20% (totalling 30% inclusive) on the first ￡500,000 and 12% respect of and as a result of any breach of this undertaking. plus VAT @20% (14.4%) inclusive thereafter. 14. Authority to deduct commission and expenses and retain premium and 5. VALUE ADDED TAX interest. Value Added Tax on the hammer price is imposed by law on all items affixed (a) You authorise us to deduct commission at the stated rate and all expenses with a ? or Ω. Value Added Tax is charged at the appropriate rate prevailing incurred for your account from the hammer price and consent to our right by law at the date of sale and is payable by buyers of relevant lots. (Please to retain beneficially the premium paid by the buyer in accordance with our refer to ‘Information for Buyers’ for a brief explanation of the VAT position). Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. 6. PAYMENT (b) You authorise us in our discretion to negotiate a sale by private treaty not (a) Immediately a lot is sold you will: later than the close of business on the day of the sale in the case of lots (i) give to us, if requested, proof of identity, and unsold at auction, in which case the same charges will be payable as if such (ii) pay to us the total amount due in pounds sterling lots had been sold at auction and so far as appropriate these terms apply. (b) Any payments by you to us may be applied by us towards any sums owing 15. Warehousing. We disclaim all liability for goods delivered to our saleroom from you to us on any account whatever without regard to any directions of without sufficient sale instructions and reserve the right to make minimum you or your agent, whether express or implied. warehousing charge of ￡2 per lot per day. Unsold lots are subject to the same (c) In line with new legislation we reserve the right to investigate and identify charges if you do not remove them within a reasonable time of notification. If the source of any funds received by us. The completion of the sale of a Lot not removed within three weeks we reserve the right to sell them and defray will be postponed or cancelled at our discretion if further time is needed charges from any net proceeds of sale or at your expense to consign them to for investigation, or if you are in breach of your warranties as a buyer, or the local authority for disposal. if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque five weeks after the sale unless the buyer has not paid 7. TITLE AND COLLECTION OF PURCHASES for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any (a) The ownership of any Lots purchased shall not pass to you until you have sums owed by you to us on other transactions to be deducted from the sale made payment in full to us of the total amount due. proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should (b) You shall at your own risk and expense collect any lots that you have therefore bear this potential liability in mind before parting with the proceeds purchased and paid for from our premises not later than 3 working days of sale until the expiry of 28 days from the date of sale. following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, CONDITIONS OF SALE storage and insurance charges. Woolley \& Wallis Salisbury Salerooms Ltd carries on business with bidders, (c) No purchase may be collected and we shall not release any lot to you or your buyers and all those present in the auction room prior to or in connection agent until it has been paid for. with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES 1. DEFINITIONS (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent In these Conditions: for the seller and on our own behalf, shall at our absolute discretion and (a) ‘a(chǎn)uctioneer’ means Woolley \& Wallis Salisbury Salerooms Ltd or its authorised without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; as to authorship, origin, date, age, period, culture or source but which is (iii) to resell the lot (by auction or private treaty) in which case you shall be unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it responsible for any resulting deficiency in the total amount due (after would have had if it had been in accordance with the description; crediting any part payment and adding any resale costs). Any surplus so (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) arising shall belong to the seller; when the auctioneer brings down the hammer; (iv) to remove, store and insure the lot at your expense and, in the case of (d) ‘terms of consignment’ means the stipulated terms and rates of commission storage, either at our premises or elsewhere; on which Woolley \& Wallis Salisbury Salerooms Ltd accepts instructions from (v) to charge interest at a rate not exceeding 1.5% per month on the total sellers or their agents; amount due to the extent it remains unpaid for more than 3 working days (e) ‘total amount due’ means the hammer price in respect of the lot sold together after the sale; with any premium, Value Added Tax chargeable and any additional charges (vi) to retain that or any other lot sold to you until you pay the total amount due; payable by a defaulting buyer under these Conditions; (vii) to reject or ignore bids from you or your agent at future auctions or to (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer impose conditions before any such bids shall be accepted; price of the lot sold less commission at the stated rate, Value Added Tax (viii) to apply any proceeds of sale of other Lots due or in future becoming due to chargeable and any other amounts due to us by the seller in whatever you towards the settlement of the total amount due and to exercise a lien (that capacity and however arising. is a right to retain possession of any of your property in our possession for any (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur

liability for death or personal injury (except as required by law by reason of our concession only; in all other respects these Conditions shall be construed as negligence) or similarly for the safety of the property of persons visiting prior having full force and effect. to or at a sale. 21. English law applies to the interpretation of these Conditions. 10. COMMISSION BIDS 22. Prior written consent must be sought by the buyer or any other party for Whilst prospective buyers are strongly advised to attend the auction and the use of any images, illustrations and written materials produced by or for are always responsible for any decision to bid for a particular lot and shall Woolley \& Wallis relating to a lot or sale, including the contents of a catalogue. be assumed to have carefully inspected and satisfied themselves as to its Copyright for any of the aforementioned will remain the property of Woolley condition, we will if so instructed clearly and in writing execute bids on their \& Wallis, subject to the provisions of the Copyright, Designs and Patents Act behalf. Neither the auctioneer nor our employees or agents shall be responsible 1988. Woolley \& Wallis and the seller make no representations or warranties for any failure to do so save where such failure is unreasonable. Where two or that the buyer of a lot will acquire any copyright or other reproduction rights more commission bids at the same level are recorded we reserve the right in to it. our absolute discretion to prefer the first bid so made. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS 11. WARRANTY OF TITLE AND AVAILABILITY In accordance with long standing practice in Fine Art Sale Rooms certain terms The seller warrants to the auctioneer and you that the seller is the true owner used in descriptions in the Catalogue have the meanings ascribed to them in of the property consigned or is properly authorised by the true owner to the glossary below. consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. Glossary 12. AGENCY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of The auctioneer normally acts as agent only and disclaims any responsibility for fact. The Company reserves the right, in forming their opinion, to consult and default by sellers or buyers. rely upon any expert or authority considered by them to be reliable. 13. TERMS OF SALE (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, The seller acknowledges that lots are sold subject to the stipulations of these whether preceded by an initial or not, indicates that in our opinion the work is Conditions in their entirety and on the Terms of Consignment as notified to the by the artist named. consignor at the time of the entry of the lot. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less 14. DESCRIPTIONS AND CONDITION certainty as to authorship is expressed than in the preceding category. (a) Whilst we seek to describe lots accurately, it may be impractical for us to (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio carry out exhaustive due diligence on each lot. Prospective buyers are given of the artist which may be or may not have been executed under the artist’s ample opportunities to view and inspect before any sale and they (and any direction. independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but the understanding that, inevitably, representations or statements by us as to distinct hand, closely associated with the named artist but not necessarily his authorship, genuineness, origin, date, age, provenance, condition or estimated pupil. selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working negligently or fraudulently. Subject to the foregoing neither we the auctioneer in the artist’s style, contemporary or nearly contemporary, but not necessarily nor our employees or agents nor the seller accept liability for the correctness his pupil. of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of hereby excluded. This Condition is subject to the next following Condition a later date. concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our 15. FORGERIES opinion the signature and/or date and/or inscription have been added by Notwithstanding the preceding Condition, any lot which proves to be a another hand. deliberate forgery (as defined) may be returned to us by you within 21 (j) Dimensions are given height before width. days of the auction provided it is in the same condition as when bought, (k) Pictures are framed unless otherwise stated. and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the BOOKS AUCTIONS evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that If, on collation, any named item in this catalogue proves defective in text (1) if the catalogue description reflected the accepted view of scholars and or illustration, the lot may be returned within 14 days of the sale with the experts as at the date of sale or (2) you personally are not able to transfer a defects stated in writing. This proviso shall not apply to defects stated in the good and marketable title to us, you shall have no rights under this condition. catalogue or announced at the time of sale; nor to the absence of blanks, half The right of return provided by this Condition is additional to any right or titles, tissue guards or advertisements, damage in respect of bindings, stains, remedy provided by law or by these Conditions of Sale. spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed GENERAL photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return. 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. ARTIST’S RESALE RIGHT / DROIT DE SUITE 17. (a) Any right to compensation for losses liabilities and expenses incurred in Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each respect of and as a result of any breach of these Conditions and any exclusions time a work is resold during the artist’s lifetime and up to a period of 70 years provided by them shall be available to the seller and/or the auctioneer as after the artist’s death. appropriate. Royalties are calculated on a sliding percentage scale based on the hammer (b) Such rights and exclusions shall extend to and be deemed to be for the price excluding the buyer’s premium. The royalty does not apply to lots selling benefit of employees and agents of the seller and/or the auctioneer who may below the sterling equivalent of €1,000 and the maximum royalty payable on themselves enforce them. any single lot is the sterling equivalent of €10,000. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail Droit de Suite, which is not subject to VAT, will be added to the buyer’s or Swiftmail in which case it shall be deemed to have been received by the purchase price and then passed on to the relevant collecting agency by the addressee 48 hours after posting. auctioneer. 19. Special terms may be used in catalogue descriptions of particular classes of Please enquire for the accepted exchange rate on the day of the sale. items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. Royalties for Droit de Suite are as follows: 4% Up to €50,000 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding 3% €50,000.01 - 200,000 the strict terms of these Conditions or of the Terms of Consignment shall 1% €200,000.01 - 350,000 affect the position at the relevant time only and in respect of that particular 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ? symbol are potentially subject to the levy.

PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley \& Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you. DATA CONTROLLER AND CONTACT DETAILS THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and the General Data Protection WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU Regulation (GDPR). We will process your personal data because it is necessary for the performance If you have any questions about how we use your personal data, whom we of a contract with you (for example, a contract to use our Services) or in order share it with, or if you wish to exercise any of the rights set out in this Notice, to take steps at your request prior to entering into a contract. In this respect, we please contact us using the following details: use your personal data for the following: ? By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, ? to interact with you before you enter into a contract with us, such as 51-61 Castle Street, Salisbury, SP1 3SU. when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); ? By email – privacyofficer@woolleyandwallis.co.uk ? once you have engaged us and entered into a contract, to provide you with ? By telephone – +44 (0)1722 424599 the Services set out in any contractual documents. HOW WE COLLECT YOUR PERSONAL DATA In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services We collect your personal data from the following sources: or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. ? From you when you: - i nteract with us before entering into a contract with us, for example when LEGITIMATE INTERESTS you express your interest in our Services; We may also process your personal data because it is necessary for our or a - i nstruct us to provide Services to you, sign contractual documentation third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: and provide information in connection with those instructions; - c ommunicate with us by post, telephone, email or via our website, for ? to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; example in order to make enquiries or register for an online account; - in various other ways as you interact with us during your time as a user ? to deal with any concerns or feedback you may have in the performance of the Services; (or potential user) of our Services, for the various purposes set out below. ? for our internal business record keeping and processes; ? From third parties such as: ? to seek advice on our rights and obligations, including obtaining legal - o ther auction houses and individuals and organisations in the advice; auctioneering trade whom we may contact to check background details ? to contact you for marketing purposes. If you do not wish to receive such about you; information, please let us know now or at any time in the future, and your - t hesaleroom.com who enable live online bidding and provide us with the details will be removed from our marketing list. We will not provide your name, contact details, the last four digits of registered payment cards personal data to third party organisations to use for their own marketing and transaction history (in relation to activity on thesaleroom.com) of purposes; individuals who register for one of our auctions (please see thesaleroom. ? to customise our website and marketing communications in line with your com’s privacy policy for further information). We also receive names, particular interests or preferences; contact details, sale details and payment details (the amount and date ? to collect money owed to us or our consignors; paid) from realex payments (thesaleroom.com’s payment provider); ? to carry out background and credit checks in relation to bidders and buyers. - s age pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of In this respect we will provide your data to the following: your payment card are provided); ? our professional advisors; - s hipping companies whom you hire to collect items you purchased from ? the-saleroom.com; us. ? debt collection agencies; ? third parties who assist us with our marketing; THE CATEGORIES OF PERSONAL DATA WE COLLECT ? our website and email management software provider. We may collect the following personal data about you: LEGAL OBLIGATIONS ? your name and contact details including address, telephone and email We may also process your Personal Data for our compliance with our legal address; obligations. In this respect, we may use your Personal Data for the following: ? your image, as captured by CCTV, if you attend our premises; ? to meet our compliance and regulatory obligations, such as our tax ? personal identification documents, including copies of government-issued reporting requirements or to carry out identity checks; identification such as passport and driving license which are required to ? in order to assist with investigations (including criminal investigations) register bidders (or when we need to verify a seller’s details); carried out by competent authorities; ? account details and other information relating to your transactions/dealings with us and your use of our Services; In this respect we will provide your data to the following: ? payment details such as credit card and bank account details; ? credit and payment history (where you open an account with us as a buyer ? external auditors; or bidder); ? the police and other competent authorities, including HMRC; ? information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and ? other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information. We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

CONSENT HOW LONG YOUR INFORMATION IS KEPT We may also process your Personal Data where we have your specific consent We will retain your personal data for as long as we are providing you with the to do so (for example, where we have your agreement to include information Services referred to in any contractual document, and for as long as is required about you (as a seller) in sale marketing materials) or where we have sought and for legal, regulatory, fraud prevention and our legitimate business purposes after obtained your consent to send you direct marketing by email, or for the use of the termination of your account/agreement with us, or if your application for a cookies on our website. If you have given your consent and you wish to withdraw particular Service is declined or abandoned. it, please contact us using the contact details set out above. In particular: Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to ? in relation to CCTV images taken when you attend our premises, we will provide all or some aspects of our Services to you and/or it may affect the retain these for a few months; provision of our Services. ? in relation to personal data relating to the transactions you have entered into SPECIAL CATEGORIES OF PERSONAL DATA with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal We process special categories of personal data for the following reasons: claims arise out of the provision of those Services; ? if it is necessary to protect your or another person’s vital interests (for ? we will retain your details on our marketing database until you inform us example, where you have a life-threatening accident or illness and we have that you no longer wish to receive our marketing communications. However, to process your personal data to ensure you receive appropriate medical where you do unsubscribe from our marketing communications we will attention); keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; ? if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our ? in relation to personal data relating to the provenance of works, we may customers); retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access YOUR LEGAL RIGHTS requirements prior to attending one of our events). Under the DPA you have the following rights: INTERNATIONAL TRANSFERS OF DATA ? to obtain access to, and copies of, the personal data that we hold about you; We transfer names and addresses on our Asian mailing list to a printing company ? to require that we cease processing your personal data if the processing is in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard causing you damage or distress; data protection clauses (adopted by the European Commission) and included in ? to require us not to send you marketing communications. our contract with the printing company. ? to require us to correct the personal data we hold about you if it is incorrect; ? to require us to erase your personal data; We share your data collected for marketing purposes and through our website ? to require us to restrict our data processing activities (and, where our with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject processing is based on your consent, you may withdraw that consent, without to an Adequacy Decision made by the European Commission in respect of Jersey. affecting the lawfulness of our processing based on consent before its withdrawal); PROFILING ? to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the We may use your geographical location to target our communications and purpose of you transmitting that personal data to another data controller; advertising and promotions to you. If you do not wish us to do this, then please ? to object, on grounds relating to your particular situation, to any of our contact us using the details provided above. particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

CASTLE RD A345 LONDON, ANDOVER VALUATIONS \& WINCHESTER Valuations are a core part of our business and are usually carried HU AMESBURY \& out by a senior specialist or director. Accuracy, speed and above all MARLBOROUGH confidentiality are paramount. LSE RD ASHLEY ROAD A36 CHURCHILL INSURANCE VALUATIONS WYNDHAM ROAD WAY Written valuations for insurance can vary from a single item to a large A360 NORTH estate. Before starting we discuss the various options available so that ILL WAY WEST CASTLE STREET the valuation is specifically tailored to individual client’s needs. DEVISES RD A36(T) CHURCH A36(T) CHURCHILL WAY EAST For valuations of an entire house contents an itemised bound WILWTIOLTNORND\&A36 CENTRAL SCOTS LN BEDWIN ST valuation is produced and can be accompanied by photographs when WARMINSTER CAR PARK required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim. SALISBURY FISHERTON ST CHIPPER LN SALT LN SOUTH WEST RD Woolley and Wallis valuations are accepted by all leading insurance companies. WINCHESTER ST PROBATE VALUATIONS MILL ROAD NEW CANAL We offer a speedy and professional service for executors and trustees NEW STREET and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually CATHEDRAL ST ANN STY SOUTH SOUTHAMPTON arrange for a house to be cleared and sent for auction, our Valuations A36(T) SOUTHAMPTON ROAD Department ensures that executors are informed of which sales are WOOLLEY \& WALLIS A36(T) CHURCHILL WA involved and the results thereof. SALEROOMS A338 BOURNMOUTH We also carry out valuations for Family Division, Capital Gains Tax, HARNHAM ROAD \& RINGWOOD and Private Treaty Sales. DOWNTON ROAD A338 A3094 Contact Amanda Lawrence +44 (0)1722 424509 | valuations@woolleyandwallis.co.uk NEW HARNHAM ROAD COOMBE ROAD FREE AUCTION VALUATIONS A354 DORCHESTER Free verbal valuations of items for sale are available at our Castle WEYMOUTH \& Street salerooms. Please telephone the relevant specialist or call our BLANDFORD office on +44 (0)1722 424500. DIRECTIONS FROM WOOLLEY \& WALLIS CASTLE STREET TO OLD SARUM Woolley \& Wallis Kia Motors E Salisbury Salerooms 51 – 61 Castle Street Old Sarum Park N S SP1 3SU Westover Garage W Woolley \& Wallis Sarum Business Park Unit 1B Castle Gate Business Park WOOLLEY \& WALLIS Old Sarum Castle Gate Salisbury SP4 6QX MARLBOROUGH \& SWINDON \& Ride WOOLLEY \& WALLIS A36 Churchill Way Portway Salisbury Salerooms Beehive Park 1st Self Access Storage A345 A345 Castle Rd WOOLLEY \& WALLIS SALISBURY Clifford Street, Mayfair AMESBURY A36 17 (2nd floor) Clifford Street, London W1S 3RQ Old Sarum (open by appointment only) Follow A345 for 1.7 miles. At Beehive Park \& Ride Woolley \& Wallis Salisbury Salerooms Ltd. follow the signs for A338 Swindon and Marlborough. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No.02998482 VAT No: 631 9832 29

ABSENTEE BID FORM PLEASE PRINT CLEARLY IN BLOCK LETTERS JAPANESE Lot Number in Brief Description of lot Price excluding numerical order buyer’s premium WORKS OF ART \& VAT TUESDAY 23RD NOVEMBER 2021 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. BUYER’S PREMIUM Each lot is subject to a buyer’s premium of 25% plus VAT at 20% Billing Name (please print) ????????????????????????????????? ????????????????????????????????????????????????????????? Address ?????????????????????????????????????????????????? ????????????????????????????????????????????????????????? ????????????????????????????????????????????????????????? ___________________________ Postcode ??????????????????? Daytime Telephone ??????????????????????????????????????? Email ???????????????????????????????????????????????????? ID may be required even if you have bid with us before. Signature ????????????????????????????????????????????????? Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: +44 (0)1722 424500 Fax: +44 (0)1722 424508

AUCTION CALENDAR 2021 NOVEMBER An impressive Japanese iron model of a hawk, Meiji period, 9th \& 10th Upper Slaughter Manor, The Collection of Micheál \& Elizabeth Feller 19th century SOLD FOR ￡53,750* 17th \& 18th Fine Jewellery ENTRIES ARE CURRENTLY BEING 23rd \& 24th Asian Art, Chinese Paintings \& ACCEPTED FOR OUR SPRING 2022 Japanese Works of Art SERIES OF ASIAN ART SALES DECEMBER 7th \& 8th Modern British \& 20th Century Art 14th Medals \& Coins, Arms \& Armour 15th African \& Oceanic Art | Antiquities 2022 JANUARY 12th Furniture, Works of Art \& Clocks 25th \& 26th Silver \& Objects of Vertu FEBRUARY 9th Fine Porcelain and Pottery MARCH 2nd Old Masters, British \& European Paintings 16th Clarice Cliff, Art Deco \& Design 30th Furniture, Works of Art \& Clocks Dates may be subject to change +44 (0)1722 424500 enquiries@woolleyandwallis.co.uk 51-61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

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