《神游》寓意著勇氣、力量的化身。
藝術(shù)家的創(chuàng)作理念源自于自然物體 - 火從地面向天空升騰的感覺(jué)。預(yù)示著
扶搖直上、不斷上升的態(tài)勢(shì)。
作品介紹
Description
Fugue implies the embodiment of courage and power.
The concept of the creation originates from the artist’s feeling of natural elements
that fire rising from the ground to the sky. It indicates the stance of steep and
constant rising.
LUJIAZUI GROUP COLLECTION ALBUM 095
作品材質(zhì)
作品尺寸
作品版數(shù)
購(gòu)藏時(shí)間
收藏單位
作品所在地
購(gòu)藏方式
青銅上色
2560×700×400mm
定制
2018
世紀(jì)大都會(huì)
世紀(jì)大道福山路口，地鐵世紀(jì)大道 6 號(hào)口出
購(gòu)買(mǎi)自上海勵(lì)森國(guó)際貿(mào)易有限公司
096 陸家嘴集團(tuán)藏品畫(huà)冊(cè)
Material
Size
Version No.
Purchase Year
Purchased by
Location
Source
Bronze with Color Tinting
2560×700×400mm
Customized
2018
Century Metropolis
Intersection between Century Avenue and Fushan Road, Lujiazui Direction, No. 6 Exit of Century Avenue Subway Station
Purchased from Shanghai Lisen International Trade Co., Ltd.
LUJIAZUI GROUP COLLECTION ALBUM 097
火焰Flamboyante 雕塑 Sculpture
藝術(shù)家 Artist
安托萬(wàn)·蓬塞 Antonie Poncet
098 陸家嘴集團(tuán)藏品畫(huà)冊(cè)
作品《火焰》，象征激情、融匯、升華。藝術(shù)家用現(xiàn)實(shí)抽象化的手法，詮釋
和演繹生命帶來(lái)的奇跡和感動(dòng)。在抽象的意境中，火焰幻化成更抽離的花
卉形象。
作品介紹
Description
The works of Flamboyante symbolizes enthusiasm, integration and sublimation.
The artist applies abstraction technique for the realities to explain and deduce
the miracle and affection brought by life. In the abstract conception, the flame is
magically changed into an even more abstracted flower image.
LUJIAZUI GROUP COLLECTION ALBUM 099
作品材質(zhì)
作品尺寸
作品版數(shù)
購(gòu)藏時(shí)間
收藏單位
作品所在地
購(gòu)藏方式
青銅上色
2400×1800×1800mm
定制
2018
世紀(jì)大都會(huì)
世紀(jì)大道張楊路口，百聯(lián)世紀(jì)門(mén)口
購(gòu)買(mǎi)自上海勵(lì)森國(guó)際貿(mào)易有限公司
100 陸家嘴集團(tuán)藏品畫(huà)冊(cè)
Material
Size
Version No.
Purchase Year
Purchased by
Location
Source
Bronze with color tinting
2400×1800×1800mm
Customized
2018
Century Metropolis
Gate of BailianShiji Building,
Purchased from Shanghai Lisen International Trade Co., Ltd.
LUJIAZUI GROUP COLLECTION ALBUM 101
工程雕塑 Engineering Sculpture 莫比斯環(huán) Mobius Strip
藝術(shù)家 Artist
納千景觀 Naqian Sight
102 陸家嘴集團(tuán)藏品畫(huà)冊(cè)
雕塑概念為“莫比斯環(huán)”把一個(gè)扭轉(zhuǎn) 180°后再兩頭粘接起來(lái)的紙條，具有
魔幻般的性質(zhì)。我們把這種莫比烏斯神奇的造型引入雕塑創(chuàng)作中，展現(xiàn)出
一種無(wú)限連續(xù)無(wú)限延展的意境。
作品介紹
Description
The concept of the sculpture is a Mobius Strip , which is a piece of paper twisted
180° and then bonded at both ends, showing its magical fantasy. We introduce
this magical shape discovered by Mobius into the creation of sculpture to develop
the artistic conception of unlimited continuity and extension.
LUJIAZUI GROUP COLLECTION ALBUM 103
作品材質(zhì)
作品尺寸
作品版數(shù)
購(gòu)藏時(shí)間
收藏單位
作品所在地
購(gòu)藏方式
拋光不銹鋼
高 2200mm
定制
2018
世紀(jì)大都會(huì)
陸家嘴金融貿(mào)易區(qū)（浦東新區(qū)陸家嘴街道 ）
上海納千景觀環(huán)境設(shè)計(jì)公司設(shè)計(jì)，景觀工程施工單位施工
104 陸家嘴集團(tuán)藏品畫(huà)冊(cè)
Material
Size
Version No.
Purchase Year
Purchased by
Location
Source
Polished stainless steel
Height 2200mm
Customized
2018
Century Metropolis
Lujiazui Finance and Trade Zone (Lujiazui Subdistrict, Pudong New District)
Designed by Naqian Sight Environmental Design Co., Ltd., and constructed by the construction unit of the landscape engineering
LUJIAZUI GROUP COLLECTION ALBUM 105
ABOUT
ARTISTS
藝術(shù)家簡(jiǎn)介
106 陸家嘴集團(tuán)藏品畫(huà)冊(cè)
108 James von Klemperer 詹姆斯·馮·克倫佩勒
108 Shinji Ohmaki 大卷伸嗣
109 Lorenzo Quinn 洛倫佐·奎恩
110 Keliang Wang 王克良
112 Feng Pang 逄峰
113 Yang Yu 于洋
114 Antonie Poncet 安托萬(wàn)·蓬塞
115 Naqian Sight 納千景觀
LUJIAZUI GROUP COLLECTION ALBUM 107
Shinji Ohmaki
大卷伸嗣
大卷伸嗣是日本當(dāng)代藝術(shù)的指標(biāo)藝術(shù)家之一。1971 年出生于日
本岐阜的他，目前居住與工作于東京。大卷伸嗣的作品具備詩(shī)意
與公共性，完美表現(xiàn)出空間與作品的對(duì)話(huà)，他的創(chuàng)作于獨(dú)特細(xì)膩
得美學(xué)形式中展露出對(duì)于時(shí)間存在與消逝的深刻體會(huì)，以及社會(huì)
的溫暖關(guān)懷。他的作品已經(jīng)在很多重要的國(guó)際性展覽中呈現(xiàn)，并
被納入公共收藏，享譽(yù)亞洲當(dāng)代藝術(shù)領(lǐng)域。
Shinji Ohmaki is one of the typical artists of modern art of Japan.
Born in 1971 in Gifu in Japan, he currently resides in and work in
Tokyo. The works of Shinji Ohmaki have both poetic conception
and public character, which could perfectly demonstrate the
communication between space and works. The unique and delicate
aesthetic forms could elaborate the deep experience for the existence
and elapse of time, as well as the warm care of the society. His works
have been presented in multiple major international exhibitions, and
collected by many public museums. He enjoys a high reputation in
the sector of modern art in Asia.
James von Klemperer
詹姆斯·馮·克倫佩勒
詹姆斯·馮·克倫佩勒是一位駐紐約的美國(guó)建筑師。他是 Kohn
Pedersen Fox（KPF）建筑公司的總裁。他以對(duì)新城市、城市
綜合體集群和超高層建筑的設(shè)計(jì)貢獻(xiàn)而聞名，包括目前世界第五
高的樂(lè)天世界大廈和目前正在曼哈頓中央車(chē)站旁邊施工的范德比
爾特一號(hào)。在 20 世紀(jì) 90 年代初，他還在建立 KPF 在亞洲的實(shí)
踐中發(fā)揮了主要作用。
James von Klemperer is an architect resided in New York. He serves
as President of Kohn Pedersen Fox (KPF). He is famous for the design
contribution to new cities, urban complex clusters and super high-rise
buildings, including the Lotte World Tower, ranking No. 5 in height
in the world, and Vanderbilt No. 1 under the construction near the
central station of Manhattan. At the beginning of 1990s, he also plays
a leading role in the practices of KPF in Asia.
108 陸家嘴集團(tuán)藏品畫(huà)冊(cè)
Lorenzo Quinn
洛倫佐·奎恩
洛倫佐·奎恩（Lorenzo Quinn）1966 年出生于意大利羅馬，
是世界領(lǐng)先的當(dāng)代雕塑家之一?？蛴?1980 年代初期進(jìn)入紐約
市美術(shù)學(xué)院（Academy of Fine Arts）入學(xué)時(shí)開(kāi)始從事繪畫(huà)工作。
受米開(kāi)朗基羅、貝尼尼和羅丹等大師的啟發(fā)，他創(chuàng)作了許多具有
紀(jì)念意義的公共藝術(shù)作品，還有很多尺幅更小，更適合與民眾互
動(dòng)的作品，傳遞出他對(duì)崇高信仰和真情實(shí)感的不懈追求。他的創(chuàng)
作手法具有詩(shī)意和象征意義，直面社會(huì)問(wèn)題，激勵(lì)人們?cè)趯捜菖c
和諧中進(jìn)一步發(fā)展。他最出名的是以手為主題創(chuàng)作的系列作品。
近十年精選展覽：
2015 洛倫佐·奎恩，翡翠畫(huà)廊，倫敦
2015 在洛倫佐·奎恩的手中，奧德賽畫(huà)廊，印度孟買(mǎi)
2013 Art al Set, Hermitage Hotel, 索爾德，安道爾
2013 詩(shī)集，Galleria Ca'd'Oro, 佛羅里達(dá)州邁阿密
2013 Full Circle, 翡翠畫(huà)廊，倫敦
2012 Rafart 畫(huà)廊，阿爾梅納爾，西班牙
2012 翡翠畫(huà)廊，倫敦
重要公共收藏（精選）：
2017 支持，威尼斯雙年展，意大利
2017 lOVE，米爾班克，倫敦
2017 愛(ài)了又愛(ài)，伯克利廣場(chǎng)，倫敦
2014 夢(mèng)想成真，菲爾特火車(chē)總站 德國(guó)
2013 Give and Take III, Castelldefels, 巴塞羅那，西班牙
2013 Tight Rope II, 愛(ài)了又愛(ài)，自然之力 II，伊維薩，巴利阿里群島
2012 卡塔爾多哈文化村自然之力 II
2012 自然之力 II，紐約第六大道派拉蒙大廈
2011 上帝的手，信仰的飛躍，國(guó)家冬宮，圣彼得堡，俄羅斯
2008 自然之力，濱海攔河壩，新加坡
2005 生命之樹(shù)，圣馬丁教堂，伯明翰，英國(guó)
2003 邂逅，現(xiàn)代藝術(shù)博物館，西班牙馬略卡島帕爾馬
Born in Rome, Italy in 1966, Lorenzo Quinn is one of the most
famous modern sculptors in the world. Quinn enrolled in Academy
of Fine Arts in New York in early 1980s, and started his painting
career since then. Under the inspiration of masters like Michelangelo,
Bernini and Rodin, he created many public art works with
commemorative significance, as well as many small sized works
catering for interactions with the audience. All these works have
transmitted his unremitting pursuit for the sublime faith and real
sentiments. His creation techniques have both poetic significance and
symbolic meaning. The works confront directly toward social issues
to motivate the people to get further development in tolerance and
harmony. He is most famous for his series works created with the
theme of hands.
Selected exhibitions in recent ten years:
2015: Lorenzo Quinn, Halcyon Gallery; London
2015: In the hands of Lorenzo Quinn; Odyssey Gallery; Mumbai, India
2013: Art al Set; Hermitage Hotel; Sordes, Andorra
2013: Poetic Significance; Galleria Ca’d’Oro; Miami, Florida
2013: Full Circle; Halcyon Gallery; London
2012: Rafart Gallery; Almenar, Spain
2012: Halcyon Gallery; London
Important public collections (selected):
2017: Support; Venice Biennial Exhibition; Italy
2017: LOVE; Milbank ; London
2017: Repeated Love; Berkeley Square; London
2014: Dream Come True; Filter Main Railway Station; Germany
2013: Give and Take III, Castelldefels; Barcelona, Spain
2013: Tight Rope II, Repeated Love, Power of Nature II; Ibiza, Balearic Islands
2012: Power of Nature II of Qatar Doha Cultural Village
2012: Power of Nature II, Paramount Building of Sixth Revenue of New York
2011: Hands of the God, Leap of Belief; State Hermitage Museum;
St.Petersburg, Russia
2008: Power of Nature; Coastal Barrage; Singapore
2005: Tree of Life; San Martin Church; Birmingham, UK
2003: Encounter; Modern Art Museum; Son Sant Joan , Spain
LUJIAZUI GROUP COLLECTION ALBUM 109
Keliang Wang
王克良
王克良，遼寧人。1969 年畢業(yè)于上海戲劇學(xué)院。一直留在南方，
擅長(zhǎng)水彩畫(huà)創(chuàng)作，他并沒(méi)有像其他畫(huà)家紀(jì)錄江南的景色，而是走
向抽象畫(huà)創(chuàng)作的道路。水彩畫(huà)的空靈與清透，正好與這種探索相
應(yīng)，成為了他很長(zhǎng)一段時(shí)間作品的主要形式，并為他取得了赫赫
贊譽(yù)。
過(guò)了知命之年時(shí)，王克良毅然舍棄成就斐然的水彩畫(huà)，開(kāi)始探索
油畫(huà)顏料在紙板上的表現(xiàn)。紙紋的色澤與質(zhì)地給予他筆觸的無(wú)限
自由，洗、擦丶點(diǎn)丶染，狂放淋漓，連對(duì)紙板的撕，拉都成了構(gòu)
圖中的元素，成為作品中的神來(lái)之筆。
大幅的布面抽象油畫(huà)，是畫(huà)家近年來(lái)藝術(shù)實(shí)踐中，最著力，也是
最精彩部分。大幅抽象作品的層次，細(xì)節(jié)，結(jié)構(gòu)的掌控，最能顯
示出藝術(shù)家的基礎(chǔ)，底蘊(yùn)，超越人力所及的尺幅，對(duì)藝術(shù)家體力
也是嚴(yán)酷的考驗(yàn)，而他卻以此為樂(lè)，享受著一次次挑戰(zhàn)。
1944 年出生遼寧
1969 年畢業(yè)于上海戲劇學(xué)院
中國(guó)美術(shù)家協(xié)會(huì)會(huì)員
同濟(jì)大學(xué)教授
Born in Liaoning in 1944
1969 Shanghai Theater Academy
Member of China Artists Association
Professor at Tongji University
Wang Keliang, a native of Liaoning. Graduated from Shanghai
Theater Academy in 1969. He has always stayed in the south and is
good at creating watercolor paintings. He did not record the scenery
of Jiangnan like other painters, but took the road of abstract painting
creation. The etherealness and clarity of watercolor painting, which
corresponds to this exploration, has become the main form of his
works for a long time, and has won him great praise.
After his fateful years, Wang Keliang resolutely abandoned his
accomplished watercolors and began to explore the performance of
oil paints on cardboard. The color and texture of paper textures give
him unlimited freedom of brushstrokes, such as washing, rubbing,
spotting, dyeing, and dripping wildly.
The large-scale abstract oil painting on canvas is the most focused and
exciting part of the artist's artistic practice in recent years. The mastery
of the layers, details, and structure of the large-scale abstract works
can best show the artist's foundation, heritage, and scale beyond the
reach of man. challenge.
110 陸家嘴集團(tuán)藏品畫(huà)冊(cè)
個(gè)展：
1998 年王克良繪畫(huà)展，巴貝利尼國(guó)家畫(huà)廊（意大利）
1996 年王克良作品展，貝林佐那市政廳（瑞士）
聯(lián)展：
2018 年，異號(hào)一上海抽象春季展（上海文化對(duì)外交流中心）
2018 年，風(fēng)流一上海抽象畫(huà)大展（上海油雕院）
2015 年，《百年華彩》中國(guó)水彩藝木研究展 ( 中國(guó)美術(shù)館 )
2012 年，中、日、韓世博舉辦城市美術(shù)交流展（韓國(guó)麗水）
2010 年，中、日、韓世博舉辦城市美術(shù)交流展（上海美術(shù)館）
2009 年，上海美術(shù)大展（上海美術(shù)館）
2006 年，第七屆全國(guó)水彩、粉畫(huà)展（鄭州）
2005 年，上海美術(shù)大展（上海美術(shù)館）
2004 年，第六屆全國(guó)水彩、粉畫(huà)展（上海美術(shù)館）
2002 年，第五屆全國(guó)水彩、粉畫(huà)展（廣州）
2001 年，上海美術(shù)大展（上海美術(shù)館）
2000 年，上海水彩、粉畫(huà)大展（上海美術(shù)館）一一作品獲得優(yōu)秀獎(jiǎng)
1999 年，第九屆全國(guó)美術(shù)作品展（南京）
1994 年，第八屆全國(guó)美術(shù)作品展（中國(guó)美術(shù)館）一一作品獲得優(yōu)秀獎(jiǎng)
收藏：
《歡慶 .2001.7.13 夜》( 上海美術(shù)館收藏 )
《被遺忘的片段之五》( 上海美術(shù)收藏 )
Solo Exhibition:
1998 Wang Keliang Painting Exhibition, Barberini National Gallery (Italy)
1996 Wang Keliang Works Exhibition, Bellinzona City Hall (Switzerland)
Joint Exhibition:
In 2018, Different Number One Shanghai Abstract Spring Exhibition (Shanghai
Cultural Exchange Center)
In 2018, Merry One Shanghai Abstract Painting Exhibition (Shanghai Oil
Sculpture Institute)
2015, "Century Huacai" China Watercolor Art Wood Research Exhibition
(National Art Museum of China)
In 2012, China, Japan and South Korea held an urban art exchange exhibition
(Yeosu, South Korea)
In 2010, China, Japan and Korea held an urban art exchange exhibition
(Shanghai Art Museum)
2009, Shanghai Art Exhibition (Shanghai Art Museum)
In 2006, the 7th National Watercolor and Pastel Painting Exhibition
(Zhengzhou)
2005, Shanghai Art Exhibition (Shanghai Art Museum)
2004, The 6th National Watercolor and Pastel Painting Exhibition (Shanghai
Art Museum)
In 2002, the 5th National Watercolor and Pastel Painting Exhibition
(Guangzhou)
2001, Shanghai Art Exhibition (Shanghai Art Museum)
In 2000, the Shanghai Watercolor and Pastel Painting Exhibition (Shanghai Art
Museum) won the Excellence Award one by one
In 1999, the 9th National Art Exhibition (Nanjing)
In 1994, the 8th National Art Exhibition (National Art Museum of China) won
the Excellence Award one by one
Collection:
Celebration. 2001.7.13 Night (collected by Shanghai Art Museum)
The Forgotten Fragment No. 5 (Shanghai Fine Arts Collection)
LUJIAZUI GROUP COLLECTION ALBUM 111
Feng Pang
逄峰
逄峰，1969 年出生于中國(guó)杭州，1993 年畢業(yè)于上海大學(xué)美術(shù)
學(xué)院雕塑系現(xiàn)任教于東華大學(xué)藝術(shù)設(shè)計(jì)學(xué)院。
Feng Pang, born in 1969 in Hangzhou, was graduated from sculpture
department of School of Fine Arts, Shanghai University in 1993.
Currently, he serves in School of Art and Design of Donghua
University.
精選展覽：
2015 作品《過(guò)客（機(jī)場(chǎng)的一天鑄造件）》、《五分鐘（機(jī)場(chǎng)的一天鑄造件）》
參加“城市之光”上海城市當(dāng)代雕塑與裝置藝術(shù)博覽。
2014 作品《喋喋喋不休》、《掙扎著試圖驅(qū)除滿(mǎn)腦子的章魚(yú)》參加“追夢(mèng)
時(shí)空”2014 上海雕塑藝術(shù)邀請(qǐng)展
2013 作品《米字路口》入選第七屆上海美術(shù)大展
2012 作品《米字路口》參加“具象 那邊”上海海平線(xiàn)油畫(huà)雕塑聯(lián)展
2010 鏡面不銹鋼系列作品《機(jī)場(chǎng)的一天》（5 組）捐贈(zèng)給上海浦東國(guó)際機(jī)
場(chǎng)并陳列在 T2 航站樓國(guó)內(nèi)出發(fā)與到達(dá)混流層
2009 作品《荏苒 卯時(shí) 2008》參加由中國(guó)人民對(duì)外友好協(xié)會(huì)、中國(guó)對(duì)外
文化交流協(xié)會(huì)和中國(guó)工藝美術(shù)學(xué)會(huì)共同主辦的“中國(guó)動(dòng)力——2009 中國(guó)
國(guó)際雕塑年鑒展”
2009 作品《過(guò)客》參加上海美術(shù)大展
2009 作品《荏苒 卯時(shí) 2008》、《荏苒 子時(shí) 2008 參加重啟——雕塑裝
置邀請(qǐng)展
2008 作品《從玉佛寺到玉佛寺》參加上海 2008 海平線(xiàn)繪畫(huà)公共藝術(shù)展
2008 作品《一開(kāi)始》參加上?！按髸r(shí)代之光 ” 上海青年美展30年回顧展”
2008 作品《和諧 B》參加奧地利維也納青年美術(shù)館中國(guó)青年藝術(shù)展
2008 作品《荏苒 卯時(shí) 2008》、《荏苒 亥時(shí) 2008》參加上?！叭吮拘浴?/p>
藝術(shù)家邀請(qǐng)展
Selected exhibitions:
2015: The works Passing Traveler (casting part for one day in airport, Fiveminute (casting part for one day in Airport) participated in the “Light of
Shanghai” Shanghai Urban Modern Sculpture and Device Air Expo.
2014: Works Chatter without Stop and Struggle to Get Rid of All Octopus in the
Head participated in the “Space-time for the Dream Pursuit” 2014 Shanghai
Sculpture Art Invitation Exhibition
2013: the works M Word Junction was selected to the Seventh Grand Art
Exhibition of Shanghai
2012: The works M Word Junction participated in the “Representation of That
Side” Shanghai Sea Horizon Oil Painting and Sculpture Exhibition
2010: mirror-surface stainless steel series works One Day in Airport (group
5) was donated to Shanghai Pudong International Airport, and exhibited in
mixing floor for Domestic Arrival and Departure on T2 Terminal.
2009: works Time Flies-Morning attended the China Power -2019 China
International Sculpture Yearbook Exhibition jointly hosted by Chinese People’s
Association for Friendship with Foreign Countries, China International
Culture Association and China Arts and Crafts Association.
2009: the works Passing Traveler attended the Shanghai Grand Exhibition of
Fine Arts
2009: works Time Flies -Morning 2008 and Time Flies -Mid-night 2008 attended
the Restart -Invitation Exhibition of Sculpture Devices
2008: works From Yufo Temple to Yufo Temple attended 2008 Sea Horizon
Public Art Exhibition
2008: works At the Beginning participated in “Light of the Grand Time”
Shanghai 30-year Retrospective Exhibition for Youth Art Exhibitions
2008: works Harmony B participated in the China Youth Art Exhibition of
Youth Gallery, Vienna, Austria
2008: works Time Flies -Morning 2008 and Time Flies -Mid-night 2008 attended
the Shanghai “Humanism” Artist Invitation Exhibition
112 陸家嘴集團(tuán)藏品畫(huà)冊(cè)
Yang Yu
于洋
于洋（b.1985），畢業(yè)于清華大學(xué)美術(shù)學(xué)院雕塑系，碩士；中國(guó)
雕塑學(xué)會(huì)會(huì)員，現(xiàn)任職上海工藝美術(shù)學(xué)院雕塑系。
Yang Yu (born in 1985) has a master degree from department of
sculpture of Academy of Fine Arts of Tsinghua University. As a
member of China Sculpture Institute, he serves in Department of
Sculpture of Shanghai Art and Design Academy.
精選展覽：
2017 作品《衡狀態(tài)系列》入選全國(guó)公共視覺(jué)優(yōu)秀作品雙年展并于劉海粟
美術(shù)館展出
2017 張之洞博物館張之洞塑像設(shè)計(jì)與制作
2016 作品《蘇州印象 - 景德路擴(kuò)建》被蘇州博物館收藏
2016 作品《衡》在未來(lái)大師計(jì)劃展覽中展出
2015 作品《王步文》參加清華大學(xué)紀(jì)念“一二·九”80 周年展覽中獲
得優(yōu)秀獎(jiǎng)
2014 作品《守衡》入選第十二屆全國(guó)美展
2014 作品《荷葉桌》、《蓮蓬燈》入選“中國(guó)好雕塑·為宅雕塑”
2014 作品《衡》入選造型新人展并在中國(guó)美術(shù)館展出
2013 作品《守望》入選清華美院第三屆“爆破”展
2009 作品《望》參加清華大學(xué)美術(shù)學(xué)院 B 區(qū)作品展
2009 作品《無(wú)題》在 798 藝術(shù)區(qū)零工廠參加展覽
2008 作品《田琴》參加清華大學(xué)美術(shù)學(xué)院 B 區(qū)作品展
2008 作品《騰飛的生命》參加奧林匹克美術(shù)大會(huì)大學(xué)生藝術(shù)榮經(jīng)評(píng)審入
選并被榮譽(yù)收藏
Selected exhibitions:
2017: works Equilibrium State Series was selected into the biennial exhibition
for national outstanding works in public vision, and exhibited in Liu Haisu Art
Museum
2017: Design and production of sculpture of Zhang Zhidong in Zhang Zhidong
Museum
2016: The works Impression of Suzhou-Expanded Construction of Jingde Road
was collected by Suzhou Museum
2016: works Equilibrium was exhibited in the exhibition of future master plan
2015: works Wang Buwen won excellent award in “12·9” 80th Anniversary
Exhibition of Tsinghua University
2014: works Equilibrium Conservation was selected into 12th National Fine Art
Exhibition
2014: works Lotus Leaf Table and Light Booms were selected into Good
Sculpture in China ·Sculpture for Residential Purpose
2014: works Equilibrium was selected into the modeling newcomer exhibition,
and exhibited in National Museum Of Fine Arts
2013: works Expecting was selected into the Third “Explosive” Exhibition of
Academy of Fine Arts of Tsinghua University
2009: works Watching participated in the exhibition in Zone B of Academy of
Fine Arts of Tsinghua University
2009: works Untitled attended the exhibition of Zero Workshop of 798 Art
District
2008: works Tian Qin participated in the exhibition in Zone B of Academy of
Fine Arts of Tsinghua University
2008: works Soaring Life participated in the College Student Art Exhibition of
Olympic Fine Arts Conference, and it was selected for honor collection after
review and evaluation.
LUJIAZUI GROUP COLLECTION ALBUM 113
Antonie Poncet
安托萬(wàn)·蓬塞
安托萬(wàn)·蓬塞（生于 1928 年）是歐洲戰(zhàn)后雕塑界備受矚目的代
表人物。他在瑞士長(zhǎng)大，從小就被藝術(shù)所包圍。他的父親是一位
畫(huà)家，他的祖父是納比斯運(yùn)動(dòng)的著名藝術(shù)家莫里斯 - 德尼，他
的理論為立體主義、野獸主義和抽象藝術(shù)的基礎(chǔ)做出了貢獻(xiàn)。
14 歲時(shí)，Poncet 在蘇黎世跟隨雕塑家 Germain Richier 學(xué)習(xí)。
從 1942 年起，他在洛桑的美術(shù)學(xué)院學(xué)習(xí)，然后搬到巴黎，正是
在他職業(yè)生涯的這個(gè)階段，他轉(zhuǎn)向了抽象主義。對(duì)形式的探索始
終是他最關(guān)心的問(wèn)題；" 我必須創(chuàng)造一個(gè)雕塑，它能夠以其平衡
的體積，其運(yùn)動(dòng)和豐滿(mǎn)的空間而生存。
龐塞受到布蘭庫(kù)西和讓 - 阿爾普作品的高度影響，特別是他們
對(duì)形狀、形式和體積的關(guān)注。龐塞創(chuàng)作的青銅器在觀者面前似乎
仍在成形，創(chuàng)造出一種動(dòng)態(tài)和短暫的感覺(jué)。表面紋理在他的作品
中具有真正的意義；他的雕塑被光滑地拋光，以加強(qiáng)光線(xiàn)的作用。
從 1952 年起，龐塞定期在主要的沙龍中展出，如青年沙龍、新
現(xiàn)實(shí)主義沙龍；1953 年在巴黎國(guó)家現(xiàn)代藝術(shù)博物館舉辦群展。
1956 年，他參加了在巴黎羅丹博物館舉辦的國(guó)際雕塑展，并被
選中代表瑞士參加威尼斯雙年展。在他的職業(yè)生涯中，他獲得了
幾個(gè)獎(jiǎng)項(xiàng)，包括 1983 年日本的 " 亨利 - 摩爾獎(jiǎng) "。
龐塞的作品現(xiàn)在被世界各地的眾多博物館收藏，包括巴黎國(guó)家現(xiàn)
代藝術(shù)博物館、巴黎地區(qū)當(dāng)代藝術(shù)基金會(huì)、米蘭現(xiàn)代藝術(shù)畫(huà)廊、
紐約現(xiàn)代藝術(shù)博物館、華盛頓特區(qū)希爾施伯恩博物館、明尼阿波
利斯美術(shù)博物館、多倫多美術(shù)博物館、芝加哥藝術(shù)學(xué)院、日本箱
根露天博物館。
Antonie Poncet (born in 1928) is a typical figure in the sculpture of
post-war age in Europe. He grew up in Swiss under strong artistic
atmosphere. His father is a painter, and his grandfather is Maurice
Denis, a famous artist of Nabis movement, whose theories have made
great contribution to the development foundation of cubism, fauvism
and abstract art.
When he was 14 years old, Poncert studied from sculptor Germain
Richier in Zurich. From 1942, he studied in art college in Lausanne,
and later moved to Paris. He transferred to abstractionism in this
stage of his career. The exploration for forms was his constant focus.
‘I must create a sculpture that could survive with its balance volume,
vivid motions and plump space.”
Poncet was highly influenced by the works of Brancusi and Jean Arp,
especially their attention on shapes, forms and volumes. The bronze
products created by Poncert seem to be under the forming process in
the eye of audiences, creating a kind of dynamic and instant feeling.
The surface texture has true significance in his works; his sculpture
has polished surface to enhance the effect of light rays.
From 1952, Poncert regularly exhibited his works in main saloons,
like Youth Saloon, New Realism Saloon; in 1953, he organized a
group exhibition in Paris National Modern Art Museum. In 1956, he
participated in the International Sculpture Exhibition in Paris Rodin
Museum, and his works was selected to participate in the Venice
Biennial Exhibition on behalf of Swiss. In his career, he won several
grand awards, including Henry Moore in Japan in 1983.
The works of Poncert have been collected by many museums
around the world, including Paris National Modern Art Museum,
Paris Modern Art Foundation, Milan Modern Art Gallery, New
York Modern Art Museum, Washington DC Hillsbourne Museum,
Minneapolis Art Museum, Toronto Art Museum, Chicago Art
College, Japan Hakone Outdoor Museum, etc.
114 陸家嘴集團(tuán)藏品畫(huà)冊(cè)
Naqian Sight
納千景觀
上海納千景觀環(huán)境設(shè)計(jì)有限公司（簡(jiǎn)稱(chēng)“納千景觀”）成立于
2005 年，具備風(fēng)景園林設(shè)計(jì)乙級(jí)資質(zhì)，總部位于中國(guó)上海。公
司與美國(guó) LGWS 設(shè)計(jì)公司為戰(zhàn)略合作伙伴，共同為中國(guó)境內(nèi)的
項(xiàng)目提供專(zhuān)業(yè)的景觀設(shè)計(jì)及咨詢(xún)服務(wù)。公司注重全程質(zhì)量控制和
施工現(xiàn)場(chǎng)指導(dǎo)，始終貫徹設(shè)計(jì)質(zhì)量第一和服務(wù)第一的原則，將國(guó)
際先進(jìn)的設(shè)計(jì)理念與中國(guó)深厚的文化底蘊(yùn)、豐富的自然資源充分
結(jié)合，創(chuàng)造優(yōu)美宜人并且可持續(xù)發(fā)展的環(huán)境。
Established in 2005, Naqian Sight Environmental Design Co., Ltd.
(hereinafter referred to as “Naqian Sight”) is headquartered in
Shanghai and has grade B qualification for the landscape architecture
design. The Company maintains strategic partnership with LGWS
design company of the United States to jointly offer professional
landscape design and consulting services for project in China. The
Company attached constant attention on full-process quality control
and on-site instructions for construction. They remain committed to
the principle of quality first and service first in design. The Company
also has good command of integrating the world leading design
ideas with the rich cultural deposits and abundant natural resources
of China to create the beautiful, comfortable and sustainable
environment.
LUJIAZUI GROUP COLLECTION ALBUM 115
