該頁(yè)無(wú)縮略圖
315
A CHINESEGREENJADECARVING OFA
PHOENIX SHAPEDVASE
16.5cm
$3,000-5,000
和田碧玉雕鳯形尊
316
A CHINESE WHITEJADE CARVING OF A BOY, QING DYNASTY (1644-1911)
With a fitted carved hongmu stand.
12.5cm high
$12,000-22,000
清和田白玉雕童子立像及紅木底座
317
A CHINESECELADONJADECARVINGOFA
HORSE, QING DYNASTY (1644-1911)
10cmlong
$3,000-5.000
清和田青白玉雕白馬默經(jīng)件
318
A CHINESECELADONWHITEJADECARVED
FIGUREOFGUANYINANDABOY,QING
DYNASTY (1644-1911)
llcmhigh
$5.000-7,000
清和田白玉觀音童子立象
Scholars Desk and Leisure Objects LOTS319-350
319
A CHINESEWHITEJADECARVINGOFA
LOTUS-FORMED BURSH WASHER, QING
DYNASTY
8.5cmwide
$2,500-3,500
清和田白玉雕花葉形筆洗
AVERYFINECHINESEYELLOWJADE
CARVEDBOXANDCOVER
The cover is finely incised with a magpie on a plum blossom branch,the base of the box incised with Qing Shang Zhai Cang.
5.5cm diameter; 2.5cm high
$2,000-3,000
320
AFINECHINESEWHITEJADEDOUBLE LOTUSBRUSHWASHER,QINGDYNASTY (1644-1911)
14.5cm long; ll.5cm wide
「清賞齋藏」款黃玉雕喜上眉梢小蓋盒
PROVENANCE
The MicheleStephen Collection. $3,500-5,500
清白玉荷花形筆洗
321
A CHINESEAGATE CARVEDMYTHICAL
BEASTFORMEDBOXANDCOVER,
QIANLONG PERIOD (1736-1795)
5.3cm long
$1,000-2.000
323
清乾隆瑪瑙雕瑞羊小蓋盒
A CHINESELAPISLAZULICARVING OFA LION, QING DYNASTY (1644-1911)
With a carved fitted zitan stand.
14cm long; 9.5cm high
$1,000-2,000
清青金石雕瑞獸坐像
324
A CHINESE SPINACHGREEN JADE BRUSH
POT, QIANLONG MARK, QING DYNASTY
(1644-1911)
15cm
$4,000-6,000
清乾隆款和田璧玉雕筆筒
325
“MYTHICAL BEAST' SEAL, QING DYNASTY (1644-1911)
The seal face is carved with “Du Shen” two characters in relief, the side is carved with“Zhongxia month of Renchen year in the Gai Nan Yin Studio, Ge Shuzheng".
Ge Shuzheng, also known as Ge Changying, was a renowned modern epigrapher and collector.
Renowned for his expertise in connoisseurship and his passion for collecting seals,he dedicated his life to preserving and studying epigraphy and seal art. His contributions to the field have earned him a significant place in the history of seal art.
5.5cm high; weight: 47g.
$5,000-7,000
清田黃瑞獸印章
田黃石因質(zhì)佳色濃、稀少難得而被尊為“石中之王”、“石帝”，早有“一兩田黃十兩金”之，身價(jià)無(wú)與倫比。明丶清各朝均將其作爲(wèi)貢品獻(xiàn)入皇宮，雕刻成用璽印及藝術(shù)件。
這件默章品色澤濃郁俏麗，質(zhì)地溫潤(rùn)凝膩，頂端立一瑞獸作，長(zhǎng)長(zhǎng)髯，毛髪豐密，頭頂長(zhǎng)角朝向後方，四足蹉曲伏於地面，是傅中的神獸，被刻盡得頗具寫實(shí)感，栩栩如生。章面呈長(zhǎng)方形，“慎”，取“厚重、謹(jǐn)慎”之意。印章一側(cè)刻款“壬辰仲夏月於南吟屋口葛書徽”，另一側(cè)則是於章面相同的“篇”“慎”二字。
葛書微即葛昌楹，為近代著名的金石家、收藏家，他精於鑒賞，好藏印，一生一“集藏金石，輯梓印譜”為情志，為保存金石研究印學(xué)不遺餘力，在印學(xué)史上也有著相當(dāng)重要的地位。
326
A CHINESETIANHUANGSEAL,SHANGJUN MARK, QING DYNASTY (1644-1911) This square seal is crafted from Tianhuang stone, characterized by its warm hue and fine texture. The knob is carved in low-relief with archaistic phoenix patterns on the interlocking ground patterns, commonly seen on ancient bronze vessels.
The smooth side of the seal bears the inscription "Shang Jun” and the characters “Chongqing", while the sealfaceis carved with the three characters "Chongqing Studio".
Shang Jun, whose real name was Zhou Bin, was a native of Zhangzhou in Fujian province and a master carver during the Kangxi reign of the Qing Dynasty. Renowned for his unique craftsmanship and exceptional skill in carving seal knobs, he produced numerous masterpieces. His work was highly esteemed among the literati, as evidenced by Xu Kang's praise in Records of Past Dreams and Shadows: “For seal knobs, Shang Jun’s works are second to none.” This highlights the high regard in which his creations were held by scholars and connoisseurs.
This seal,withits carefully selectedmaterial,simple yet elegant design,and traditional decorative
patterns,exemplifies the essence of Chinese cultural heritage.The exquisite craftsmanship of theknob further reflects the unparalleled skill of the master carver.
3.6cm high; weight: 30g.
$3,500-5,500
清尚均款田黃博古方章這枚方章取田黃石精雕而成，色澤溫潤(rùn)，肌理細(xì)密，章鈕上滿怖回作地，表面再淺浮雕古代青器上多見的鳯鳥紋裝飾，透露出一種古的神。光滑的章側(cè)留款“尚均”，另有“崇慶”字樣，章面同樣陰刻“崇慶”三字。
尚均本名周彬，福建漳州人，為清代康熙年間的雕刻大師，以其獨(dú)特的技藝和對(duì)印雕刻的造而聞名，留下了許多精品，清代文人徐康的《前夢(mèng)影錄》中就曾道：“印以尚均製作為第一”，可見其作品在文人雅士心目中的崇高地位。此印章用料考究，形製簡(jiǎn)約，仿古紋樣裝飾起來(lái)的印傅承著中華傅統(tǒng)文化的精髓，更是凸顯出大師手藝的精湛。
A SMALL CHINESE WHITE JADE CARVED LOTUS BOX AND COVER, QING DYNASTY, 18THCENTURY
with a fitted zitan stand and a Japanese wood box. 4 x2cm
$2,000-3,000
清十八世紀(jì)白玉蓮蓬小蓋盒及紫檀底座
328
A CHINESECELADONWHITEJADECARVED
LOTUS WASHER, QING DYNASTY (1644-1911)
With afitted hardwood stand
9.2cmwide
$6,000-8.000
清青白玉雕荷葉洗
ACHINESECELADONJADECARVINGOFA
MYTHICALBEAST
7.4cmlong
$3,000-5,000
和田白玉雕瑞獸
330
A CHINESEARCHAISTICPALE WHITEJADE CARVEDCENSER,BOSHANLU
with a fitted box.
19.5cm high
$3,000-5.000
明白玉仿古神人朱雀博山爐
331
A CHINESE BRONZE MIRROR,HAN DYNASTY (202 B.C.-220 A.D.)
One side was decorated with moulded inscriptions.It is with an certificate issued on 25th of October, 1984, by Ikuo Imai. And with a fitted box.
llcmdiameter
PROVENANCE
An important private collection, Kyoto,Japan.
OTHER NOTES
IkuoImai is a prominent Japanese scholar
specializing in the study of ancient Chinese bronze mirrors. His research focuses on the craftsmanship, inscriptions, decorative motifs,and cultural
significance ofthese artifacts,whichwere widely produced and used in ancient China as functional items and symbols of status and wealth.His work bridges the gap between Japanese and Chinese art historical studies, providing valuable insights into the significance of bronze mirrors in the broader context of East Asian history.
$1.000-2.000
漢銘文鋼鏡亞附日本鏡鑒定大家今井育雄鑒定證書（1984年10月25號(hào)）
332
A SMALLBRONZE MIRROR,WARRING
STATE/HANPERIOD,CIRCA3RDCENTURY B.C.
With a fitted box.
8.3cmdiameter PROVENANCE
A private collection, Toorak. $2,000-3,000
國(guó)青蟠紋鏡
333
A RARE CHINESEBRONZEMIRRORWITH SILVERINLAY,POSSIBLYTANGDYNASTY One side inlaid with a pair of phoenix and two other mythical beasts. With a fitted wood Japanese box. 20cmdiameter
$8.000-12.000
或?yàn)樘苹庑吻噤撉躲y鏡
334
A CHINESESILVERYBRONZEPETAL-LOBED MIRROR, TANG DYNASTY (AD 618-907) The mirror of linghua type finely cast with four mandarin ducks and floral scrolls surrounding the central knob, all below various flowering plants in the eight petals that form the rim.With a fitted wood Japanesebox.
A smaller example (20cm diameter), see Sotheby's New York, 22/3/2023, lot 635.
22cmdiameter PROVENANCE
A private collection, Japan. $6,000-8,000
唐花菱形鳯鳥紋鏡
335
AGROUPOFFOURCHINESESCHOLAR OBJECTS, QING DYNASTY (1644-1911) Comprising a dehua brush stand, with fitted wood stand, a jade inkstone, and two seals. brush stand:13cm wide
PROVENANCE
A private collection, Toorak. $2,000-3,000
清文房四實(shí)包括德化筆架山，和田玉硯臺(tái)，和雨枚和田玉印章
336
A SMALL CHINESE TAIHU SCHOLAR'SROCK
27.8 x14.5cm
$1,000-2,000
太湖文人賞石
337
A CHINESELINGBI SCHOLAR ROCK
25.5cm high including the stand
$1,000-2,000
靈璧文人賞石
338
A CHINESEYELLOWTAIHUSCHOLAR'S
ROCK
33x23.5cm
$1,000-2,000
黃太湖文人賞石
339
ACHINESEDUANSTONECARVEDTABLE
SCREEN, QING DYNASTY (1644-191)
39.8 x15.8cm PROVENANCE
A private collection, Toorak. $1,500-2,500
清端石雕桌屏
340
A CHINESESOAPSTONECARVED“DRAGON" BOULDER,LIANG GUOZHI MARK,QING
DYNASTY, QIANLONG PERIOD (1736-1795) The boulder is finely carved with dragons chasing flaming pearls amongst clouds and waves.The back is inscribed “Qianlong Wuchen Liang Guozhi Zhi (made by Liang Guozhi, in the year of Qianlong Wuchen (1748)). And “Yun Long Shengji Wei
Shidong"”(the cloud dragon flourishes at a time of prosperity,becoming the pillar of the era). It's with an old carved fitted zitan stand and an old fitted zitan box.
18cm wide; 13.5cm high
50007000
341
A CHINESESOAPSTONE CARVEDFIGURE
OF A SEATED LUOHAN, QING DYNASTY
(1644-1911)
ll.6cm wide, 7cm high PROVENANCE
Sotheby's Australia, lot 51. $1,500-2,500
清壽山石羅漢坐像
342
ACHINESEBOXWOODCARVEDFIGUREOF
A LUOHAN, QING DYNASTY (1644-191)
13cmlong
$1,500-2,500
清黃楊木雕福在眼前羅漢坐像
343
A LARGETAIHUSCHOLARROCK
with a fitted hard wood stand and a hard wood desk. 109 x 73x 46cm; 100kg
$6,500-8,500
大型太湖文人奇石
344
A CHINESEBRONZEVESSELGU,SONG
DYNASTY (960-1279)
17.8cm high
$600-800
宋青
345
A CHINESE ARCHAICBRONZE RITUALWINE VESSEL,FANG HU, WESTERN HAN DYNASTY (202 B.C. -9 A.D.)
See a similar Fang Hu, Qin dynasty, in the collection of Yunmeng Museum, Hubei province, illustrated in Zhongguo qingtongqi quanji(The Complete
Collection of Chinese Archaic Bronzes), vol.12,
Beijing,1998, pl.9.
37.4cm high A Private Collection of Antiquities, Melbourne, acquired from Antique House Inc. Oriental Art & Antiques, Honolulu, 11/7/1995 (with copy of the original receipt,receipt no.168 and certificate, certificate no.AC-313-9).
$2,000-4,000
347
ACHINESEARCHAICBRONZETRIPOD
FOOD RITUAL VESSL,DING,HAN DYNASTY (202B.C. - 220 A.D.)
Each side cast with a taotie mask motif.
31.9cmhigh,25cm diameter PROVENANCE
A Private Collection of Antiquities, Melbourne. $2,000-4,000
西漢青銅方壺
漢青銅鼎
346
A CHINESEBRONZEVESSELYAN,SONG/ MINGDYNASTY,13TH/16THCENTURY with a wood cover and a fitted wood stand.
Compare to a similar yan vessel, see Sotheby's New York, 18/9/2024, lot 27.
40cmhigh
348
ACHINESEBRONZERITUALFOODVESSEL YAN,POSSIBLYWESTERNZHOUDYNASTY (1046-771 B.C.)
Eight character cast inscription“X Zuo Zhou Wen Bao Che X" to the back of the interior wall.
23.8cmhigh PROVENANCE
Private collection,Melbourne, acquired prior to 1972. Mossgreen,11/2010, lot 470.
Private collection, Sydney.
$5,000-7,000
宋/明青
PROVENANCE
Aoyama and Ikeda collection, Kyoto, Japan.$8,000-12,000
或?yàn)槲髦芮?
銘文：祖作周文寶冊(cè)口
源流：
東京美術(shù)俱樂部成員青山，池田舊藏
349
A FINE AND LARGE CHINESE SILVER-INLAID BRONZEFIGUREOFGUANYIN,XUANDE SHISHOU MARK, KANGXI PERIOD (1662-1722) The graceful, standing figure has a serene expression, wears a silver bead necklace and layered robes inlaid in silver wire with bats amidst clouds that drape elegantly around the body and flare at the hem.A four-character mark,Xuande Shisou, is inlaid in silver wire on the back.With afitted hard wood stand.
Shisou, active during late Ming/early Qing period, was known for his extremely refined copper with inlaid silver wire works. His sculptures were made using refined purple copper, following the copper smelting techniques from the Xuande period.A close examinationof the exposed copper areas at the base of this sculpture reveals a purplish-gold hue with hints of green, and the silver glimmers subtly. The texture is fine and dense, and only such meticulously refined copper could achieve this transformative patina,thereby enhancing the expressiveness of the work.Compare to a larger example,see Christie's Paris, 10/12/2020,1ot 173; another similar example also see Christie's New York, 23/3/2018, lot 1027. 52cmhigh
PROVENANCE
An important private collection, W.A. $20,000-30,000
清康熙「宣德石叟」款錯(cuò)銀觀音立像
350
A CHINESEBRONZECASTFIGURE OF KUIXING, MING DYNASTY (1644-1911) 32.3cm high
$600-800
明青鋼魁星立像
351
A SINO-TIBETAN PAINTED THANGKA (TANKA) OF A DIPAMKARA BUDDHA, QING DYNASTY, QIANLONG PERIOD (1736-1795) Compare to a similar Thangka with a seated Amitabha, see Christie's New York,12/9/2018,lot 316. 00 A71 5amfinal.dinathaframa)
PROVENANCE
Private Collection,Melbourne,Australia,acquired by decent from Milton W. Dobryzensky (Tao Peng Zhi Qian) Collection, purchased from Gumps pre-1950. $5,000-7,000
清乾隆燃燈佛唐卡
陶朋志謙（Miltonw.Dobryzensky）菁藏，1950年前購(gòu)藏於舊金山Gumps百貨，後傅於家族後人。
TWO STUCCO GANDHARAN HEADS,
3RD/4THCENTURY
28cm and 20cm high
$1,500-2,000
公元三/四世紀(jì)鍵陀羅泥塑頭像雨枚
353
ANIMPRESSIVEGHANDARANSTUCCO
HEAD OFBODHISATTVA,4TH/5TH CENTURY AD.
The figure is with an elaborate headdress and wreaths surmounted by a lion mask pendant, the finely
workedface with crispfeatures and heavily lidded eyes,with looped earrings.
46cm high PROVENANCE
Acquired by the present owner inMelbourne froma private collection.
$6.000-8.000
公元四/五世紀(jì)鍵陀羅泥塑菩薩頭像
354
A GANDHARAN GREYSCHISTSEATED BUDDHA,3RD CENTURY With an original Christie's London catalogue. 39cmhigh
PROVENANCE Christie's London, 2/5/1996, lot 276. The Collection of a Prominent Melbourne Doctor.
EXHIBITIONS Melbourne,Potter Museum of Art, Jitish Kallat: Circa , 13/10/2012-7/4/2013, No. 21.
LITERATURE
Natalie King & Bala Starr eds., Jitish Kallat: Circa, Asian Link, The University of Melbourne, 2013, No. 21,P.39.
$6,000-8,000
鍵陀羅三世紀(jì)石雕佛坐像
源流：
佳士得偏敦，1996年5月2日，拍品號(hào)276。
展：
墨爾本大學(xué)：波特兿術(shù)博物館，JitishKallat:Circa，2012年10月13日-2013年4月7日。
出版：
.《JitishKallat:Circa》，AsianLink,墨爾本大學(xué)，2013年，圖版號(hào)：21,頁(yè)：39。
355
ASETOFFOURHIMALAYAN GILTBRONZE
FITTINGS,18THCENTURYOREARLIER
16.5cm long each
$1.000-2.000
十八世紀(jì)或更早喜馬拉雅地區(qū)鋼鎏金部件
356
APAIROFCHINESEGILTBRONZEFIGURE OF GUARDIANS, QING DYNASTY (1644-1911) 15.6cmhigh
$3.000-5.000
清銅鎏金力士立像一對(duì)
357
A TIBETANGILTBRONZESEATEDFIGURE
OFEIGHT-ARMEDBUDDHA
30cmhigh
$5,000-7,000
西藏鎏金鋼八臂佛坐像
358
ASINO-TIBETANGILT-BRONZEFIGUREOF A FOUR-ARMED SADAKSHARILOKESHVARA, QIANLONGPERIOD (1736-1795)
A similar example see Christie's London,14/5/2019, lot 123.
16cm high PROVENANCE
Ralph M. Chat Galleries, New York. $5,000-7,000
漢/藏風(fēng)格乾隆鎏金四臂觀音坐像
359
A SINO-TIBETAN GILT BRONZE SEATED
FIGUREOFA LAMA,15TH CENTURY
llcmhigh PROVENANCE
A private collection, Toorak. $10,000-20,000
十五世紀(jì)漢藏風(fēng)格鎏金喇嘛坐像
360
A TIBETAN GILT BRONZE SEATED BUDDHA
OFSHAKYAMUNI
15cm high
$4,000-6,000
西藏鎏金迦牟尼坐像
361
A SINO-TIBETAN GILTBRONZE REPOUSSE
SEATED WHITE AVALOKITESHVARA,
QIANLONG PERIOD (1736-1795)
19.5cm high
$1,500-2,500
清乾隆鎏金觀音坐像
362
A TIBETANT GILT BRONZE STANDING
FIGURE OF AN AVALOKITESHVARA,
16TH/17TH CENTURY
29cmhigh
$12,000-22,000
十六/十七世紀(jì)鎏金菩薩立像
363
A CHINESE GILTBRONZEBUDDHIST TRIAD, NORTHERN WEI (206 B.C.-534 A.D.)
With a fitted wood stand and a hongmu fitted box. 9.8cmhigh PROVENANCE
Private collection of an Artist, Japan. $4,000-6,000
北魏鎏金鋼佛立像
364
ANINDIANBRONZESEATEDFIGUREOF
A GREEN TARA, PALA PERIOD, 12TH/I3TH
CENTURY
20.5cmhigh
$3,000-5,000
印度帕拉王朝十二/十三世紀(jì)鋼度母
365
AVERYRARECHINESEDEGEWROUGHT IRON CIRCULARCOVEREDBOXWITH SILVER INLAY, QIANLONG MARK AND OF THE PERIOD (1736-1795)
This type of metalwork was produced in very high quality and vast number in Tibet as early as the 14th and 15th century. The unique technique was been known as“damascening’to Europeans, but called “Dege'in China, the name of the town through which the metal work was brought to China-proper. Different from common inlay-work,Dege work have their surface of wrought iron abraded and then gold and/or silver applied inhighly decorative patterns.So favoured were they that the Qianlong emperor specially commissioned a group of Tibetans to produce vessels and objects in this technique for daily use, such as brush pots and plate, in addition to those used for traditional ceremonialandreligious purposes.
A group of iron vessels,inlaid in silver with Qianlong reign mark and of the period,has been researched by BrianMcElney and published by Orientations Magazine and The Museum of East Asian Art, Bath, England,where there are several examples. 1lcm diameter;8.5cm high
PROVENANCE
Andrew Stuart-Robertson, London, 1970s to 1990s.
Christie's, London, prior to 1995.
Apsara Asian Art, Sydney.
Mossgreen, Melbourne, 2 June 2010,lot 105.
$2,000-3,000清德格鐵圓形蓋盒「大清乾隆年製」篆書底款源流：
購(gòu)於偏敦AndrewStuart-Robertson古董商舊藏，七十年代到九十年代。
佳士得偏敦，早於1995年。
悉尼Apsara亞洲兿術(shù)收藏。
慕仕閣墨爾本，2010年6月2日，拍品號(hào)1105。
366
A RARE CHINESE BLUE GLASS BUDDHIST CONCH,QIANLONG MARK OF THEPERIOD, DATEDTO1780
It is crafted from blue-coloured glass in the shape of a ritual conch.The spiral at the apex unfolds layer by layer in a counterclockwise direction,embodying the left-turning style.Each layer's outer edge is decorated with engraved lines and dots,while the area near the opening isintricately decorated with the Eight Auspicious Symbols (ashtamangala): the Wheel of Dharma, the Precious Parasol, the Endless Knot, the Lotus, the Treasure Vase,the Golden Fish, the White Canopy,and theVictory Banner.Togetherwith the conch form itself, these elements symbolize unending prosperity, the liberation of all beings, universal clarity,auspicious sounds,transcendence,complete wisdom,eternal freedom, and the purification of karma. This reflects the essence of Buddhist teachings.
Between the Eight Auspicious Symbols and the rim of the opening, an inscription reads:“Auspicious Conch of Great Benefit” and “Respectfully offered during the Mid-Autumn of the 45th year of Qianlong (1780) at the Miaogao Zhuangyan Hall of the Sumeru Bliss Longevity Temple."
The Sumeru Bliss Longevity Temple (Xumifushou Temple) was constructed in the 45th year of Qianlong'sreign to commemorate thevisit of the 6thPanchenLama,who came tocelebrate Emperor Qianlong's 7Oth birthday.Modeled after thePanchen Lama’s residence,the Tashilhunpo Monastery,this temple,also known as the“Panchen Palace”hosted grand ceremonies,including lectures by the Panchen Lama, in the Miaogao Zhuangyan Hall. This sacred object was once enshrined in this historically and spiritually significant temple,highlighting its noble provenance and extraordinary value as a collectible.
The conch shell is one of the important ritual instruments in Buddhism. The swastika motif in Buddhism symbolizes the cosmic vortex of rotation, which moves counterclockwise (to the left).This
unyielding force of rotation propels the universe, generating the self-rotation and orbit of all forms, creating the relative concept of time and bringing everything in the world into existence.According to ancient legend,Acala,entrusted with the primordial wisdom of theBuddha Mother, wields a left-turning conch to save all sentient beings.Another legend suggests that the left-turning conch is an incarnation of Acala,regarded as his relic.In Vajrayana
Buddhism, practitioners often venerate such conches as if beholding the Buddha himself, placing them at the centre of sacred altars.
19.5cm long PROVENANCE
Private collection of an artist, Japan. $5,000-7,000
清乾隆八吉祥料製法螺
法螺是佛教中重要的法器之一。佛教的萬(wàn)字紋象征宇宙氣漩的轉(zhuǎn)動(dòng)，其轉(zhuǎn)動(dòng)是逆時(shí)針向左選裝，這股不可無(wú)視的轉(zhuǎn)動(dòng)力推動(dòng)宇宙，形成一切形體的自傅與公轉(zhuǎn)，形成了時(shí)間的相對(duì)觀念，成就世間的一切。據(jù)古老相傅，不動(dòng)明王原始佛母處護(hù)持法旨，手拿左旋海螺來(lái)作普度生。後來(lái)又有傅左旋螺是不動(dòng)明王的化身，為明王的遺身舍利，一些密宗行者見其螺如見佛，有緣得之都高高供奉於密壇正中央。
本品以藍(lán)色彩料玻璃製作成法螺形製，頂端螺紋呈逆時(shí)針層層展開，正是左旋之樣式，每一層外沿處皆有排列劃痕和圓點(diǎn)作為裝飾，而在開口附近更是精妙地刻出法輪、寶傘、盤長(zhǎng)、蓮花、寶瓶、雙魚丶白蓋等圖樣，再加上此器本身的法螺形象，組成傅統(tǒng)的吉祥八寶，象征萬(wàn)世不息，曲覆生，一切通明，妙音吉祥，出世超凡，福智圓滿，自在永生，遍覆凈業(yè)，透露出佛法的精髓。
就在八吉祥圖與螺口緣之間，另有“大利益吉祥螺”、“須彌福壽妙高莊殿乾隆四十五年中秋月恭供”的字樣。須彌福壽之潮建於乾隆四十五年，是為了迎接西藏六世班禪入朝賀乾隆帝七旬慶典而仿照班禪居所的扎什偏怖寺而興建的，故而也被作“班禪行宮”，其中有設(shè)妙高莊殿墾瓣法會(huì)，請(qǐng)六世班禪講經(jīng)，是一處極具歷史意義和宗教意義的場(chǎng)所。此器曾被供奉於該處，可見其出身之高貴，極具收藏價(jià)值。
367
ANONYMOUS,YUAN/MINGDYNASTY, 14TH/15TH CENTURY
Cranes, birds and flowers,
ink and colour on silk,
hanging scroll.
209 x 120 (overall scroll); 175x96 (painting)
Yamanaka & Co.Ld.,London (label to the base). An important private collection, USA. $10,000-20.000
元/明十四/十五世紀(jì)佚名花鳥仙鶴圖設(shè)色絹本立 軸
源流：
偏敦山中商會(huì)（標(biāo)）。
美國(guó)重要私人收藏。 YA MING (1924-2002)
Overlook the River
Entitled, inscribed and signed,with two seals of the artist
Dated spring, yisi year (1989)
scroll, unframed, ink and colour on paper.
210\;x 110cm
$3,000-5,000 ATTRIBUTED TO PAN TIANSHOU (1897-1971) ink and colour on paper,
hand scroll,
inscribed, Signed: Leipo Toufeng Shou and two red seals of the artist. Colophon attributed to Guan Shanyue (1912-2000) with two red seals of his.
250 x 35cm (painting); 460x35(overall scroll)
$3,500-5,500 亞明（1924-2002)
一望大江開
設(shè)色紙本鏡心一九八九年作
題：一望大江開。己已（1989年）秋月寫於南 京。亞明。
鈴?。簛喢鱽喢?
傅潘天壽
花烏手卷
設(shè)色紙本題識(shí)名鈴印
題識(shí)傅關(guān)山月“但墨痕永留手戊辰端午漢陽(yáng)關(guān)
山月”黔印雨枚
369
AGROUPOFFOURLANDDEEDS,
DAOGANG/GNANGXUPERIOD,LATE19TH/
EARLY20THCENTURY
each about:49x35.7cm
371
ATTRIBUTED TO ZHANG DAQIAN (1899-1983) River Mountain Landscape,
ink and colour on paper,
inscribed, signed, and two red seals of the artist. 99 \because\scriptscriptstylex 48.8cm
372
ATTRIBUTED TO ZHANG DAQIAN (1899-1983) Mountain Landscape,
ink and colour on paper,
signed and one red seal of the artist.
45 x 37.5cm PROVENANCE
The Edrina Collection, Hong Kong, acquired in the early2000s.
$600-800 PROVENANCE
Collection of Takushin Kushi (by repute). $3,500-5,500 PROVENANCE
Collection of Takushin Kushi (by repute). $1,500-2,500
清道光/光緒地契四張水墨紙本
源流：
香港昇雯閣珍藏
傅張大千
墨山水
設(shè)色紙本題識(shí)名鈴印
傅張大干
墨山水
設(shè)色紙本題識(shí)名鈴印
Fine Chinese and Asian Art Part Il Timed Online Auction 03.03.2025
The Lilian Rollason Collection 04.03.2025
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JEWELLERY
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